Sentences with phrase «painting matured her work»

Dropping the commentary on painting matured her work in a great leap.

Strangely, I think Clyfford Still could have painted his mature work if he had stayed in Spokane.

Not exact matches

The show includes early works in oil, watercolor, gouache and ink; Abstract Expressionist paintings done in California; and «Untitled (Horse and Rider)» (1954), considered one of his first mature figurative paintings.

Her early work, with its sparely applied geometries and gently stated means, owes a clear debt to Rothko's mature paintings: those hovering fields of color that radiate heat, light, and mystery.

Extensive travels through Europe in 1952 had a significant impact on Chimes's work and it was in the paintings of artists such as Giorgio de Chirico, Andre Breton and Henri Matisse, that Chimes found the affirmation of his own developing ideas that would soon lead to the earliest mature works included in this exhibition.

He took to acrylic paints as early as the 1950s, and the black of alkyd resin marks the transition to his mature work in the early 1970s.

This will be the first public exhibition of this series of paintings — the artist's earliest mature body of work — since a retrospective exhibition was organized by the Ringling Museum of Art in 1968.

Mature works by Turner and Monet will be juxtaposed with recent paintings and sculpture by the American artist Cy Twombly.

The exhibition, «Kenneth Noland: Paintings, 1958 - 1968,» will feature major paintings dating from the artist's first decade of matPaintings, 1958 - 1968,» will feature major paintings dating from the artist's first decade of matpaintings dating from the artist's first decade of mature work.

Painted in 1995, the work is emblematic of Salle's mature visual language, and is testament to his leading role in redefining the landscape of painting in the 1980s and 1990s.

Schapiro's hard - edge abstractions from this period are mature, confident works with great graphic impact, and it must be emphasized that the later works for which she's best known, where paint is replaced by or interacts with collaged textiles, are still highly geometric in their underlying structure; it is the inclusion of textile, with its gendered connotations, that marks them as a break from her formalist past.

«Joan, Gordon, and Rufus [their dog] in Front of the S.F. Opera House,» painted two years later and the largest work on view, is, in her mature style, another quite impressive painting — dignified yet intimate, simple yet subtle.

His mature architectural works are stripped down, simplified forms that convey universal meaning; the paintings often capture the effect of light on color.

Rainer's mature work typically uses photographs or inkjet prints, which the artist defaces with crayon, paint, or ink.

Warren Rohrer, Paintings: 1972 - 93, 2003 Text by Susan Rosenberg 80 pages, Softcover Published by Philadelphia Museum of Art ISBN: 0 -87633-166-5 This text accompanies the first museum survey of the mature work of Warren Rohrer, one of the premiere abstract artists to work in Philadelphia in the 20th century, bringing together 32 large - scale paintings from the years 1972Paintings: 1972 - 93, 2003 Text by Susan Rosenberg 80 pages, Softcover Published by Philadelphia Museum of Art ISBN: 0 -87633-166-5 This text accompanies the first museum survey of the mature work of Warren Rohrer, one of the premiere abstract artists to work in Philadelphia in the 20th century, bringing together 32 large - scale paintings from the years 1972paintings from the years 1972 to 1993.

In the fifteen years between 1975 and 1990, Warren Rohrer developed and perfected in his paintings the layers of illuminated color and precisely articulated surfaces that are the defining characteristics of his mature work.

With Kelly's return to the States, he moved away from figurative painting into the crisp, carefully wrought geometries of his mature style.

This text accompanies the first museum survey of the mature work of Warren Rohrer, one of the premiere abstract artists to work in Philadelphia in the 20th century, bringing together 32 large - scale paintings from the years 1972 to 1993.

Though radically different in their painterly strategies, both bodies of work exploit a particular brand of wet - on - wet painting, which has come to define Diamond's mature style.

Regarding «Shadow Brigade», Sarah has noted that people were discussing it, looking at it, talking about moving around the complex transitions of pictorial spaces of the painting in a manner quite comparable to that of looking at and moving around in a complex spatial figurative painting — BUT, it is now clear that this is not a quality restricted to figurative painting, and this particular quality of how the eye takes in and moves around imaginatively in the work is just a natural condition of all painting once it starts to develop and mature and take on synthesised complexity to any degree.

As curator James Harithas wrote about Bluhm in 2007, «Each body of work represents a new stage in his spiritual growth, beginning in his search for himself and his own style and ending in a profoundly personal realization of unity of all things in his mature paintings.»

Early abstract works and mature landscape paintings were also deeply conceptually rooted within the author's mind, but the portrayal of women remains Willem's most intimate creative output.

His early pure abstract paintings, celebrated female depictions and mature landscape pieces — all these works represent what can easily be classified as true milestones of modern art history and are a clear indicator of just how vital the work of Willem de Kooning truly was.

These paintings are the «mature» work of Jeremy Moon whose career was cut tragically short by a motorcycle accident in November 1973.

After completing her BA in painting at Glasgow School of Art in 1995, Williams worked for four years before enrolling at the RA Schools as a mature student in 1999.

The exhibition includes paintings Summer»88 No. 25, Hesperides (1989), the drawing Summer»96 No. 26, and her sculpture Moon Lily, an excellent example of her mature, minimalistic work.

His mature works are comprised of the «hunch» paintings (1953 - 59), the «geometrics» (1959 - 64 and 1965 - the mid-1990s), and the «organics (1964, and 1982 - 2009).

In his mature work, Frank Stella departed from ascetic hard - edge painting and indulged in assemblage work filled with color, rolling curves, and dimensionality.

(born 1938, Bronxville, New York, USA) in his earliest mature works explored a reductive strategy which seemed similar to that of Jasper Johns's and Ellsworth Kelly's contemporaneous works, yet more formalist: paintings such as Return 1 consist of subtly grey fields painted in encaustic (wax - medium) with a narrow strip along the bottom of the canvas where Marden left bare evidence of process (i.e., drips and spatters of paint).

This large painting, the first in which Frankenthaler used her soak - stain technique, synthesized the influences that had informed her work to that point and announces her arrival as a mature artist.

Having painted initially in a flat, linear mode, Caulfield became increasingly alive to the potentiality of paint to create light and shade, and his mature work allowed for more sculptural interpretation of the depicted scene.

However, the question remains: What is the relation of Gorky's work to «mature» Abstract Expressionist painting, which can be thought to have begun around 1947, the year of the «breakthroughs» of de Kooning, Pollock, Clyfford Still, and Hans Hofmann, soon to be followed by Mark Rothko, Barnett Newman, Estaban Vicente, Franz Kline, Philip Guston, and others?

They were so fresh and inventive, yet from their complexity and the assurance of the vocabulary — loose geometry, gridlike formations, unnamable shapes, and squiggly lines — I knew at once that this was the work of a confident and mature artist, even though it fit into the context of what many younger painters were engaged in at the time, when abstract painting had returned to issues of eccentric composition and irregular forms realized through diverse approaches of painting styles.

In an essay in the exhibition catalog, curator Cheryl Brutvan considers «I Refuse to be Invisible,» describing the work at one of Akunyili Crosby's first mature paintings, explaining its literary reference, and sharing insights from the artist about the work.

Since the late 1990s, when he first began to exhibit his paintings and drawings, Michael Borremans has created an improbably mature body of work that quickly captured international attention.

His early work features broad, calm rectangles in the manner of the American Color Field painters, but Hoyland's distinctive contribution has been to break with the modernist insistence on a flat surface and to put perspective back into abstract painting: his mature work is characterised by depth and texture, in which strange objects float in the foreground or middle distance, against an often mysterious background, in a way that is oddly reminiscent of Miro.

August 1 Deadline for Artist's Resource Trust (A.R.T.) Fund Grants available in painting, sculpture, printmaking or mixed media to mid-career artists with financial need in New England and Columbia and northeast Dutchess counties, N.Y. Nonprofit organizations wishing to show, commission or purchase work by mature artists living in New England may also apply.

Francis spent some time in Paris executing entirely monochromatic works, but his mature pieces are generally large oil paintings with splashed or splattered areas of bright contrasting color, with areas of white canvas left to show through.

MORAGA - Mark Rothko's mature paintings - vaporous, lushly colored, roughly rectangular color fields floating in an indeterminate space - are some of the most familiar and popular works of mid-century abstraction.

The exhibition features fifty works spanning three decades, from the artist's earliest mature works to his recent monumentally sized paintings.

The first mature figurative works encountered in the exhibition are drawings hung across one side of a corridor dividing the rooms holding Graham's early, scattershot experiments from a long, grand gallery displaying the more consistent and polished later paintings.

However, unlike those early paintings, these works on paper simply capture the people and places surrounding her, an approach more typical of her mature work.

In 1963 Markus Lüpertz (b. 1941, Liberec, Bohemia) embarked on his series of «dithyrambic» paintings, his first independent and mature works.

The Ordovas explains that: «the work is imbued with haunted mortality and displaying the sinuous paint handling, visceral intensity and psychological depth of Bacon's mature works.»

The third section, «A Place to Wander,» looks at his mature works across the mediums of oil, ink, and watercolor, painted between 1965 and 2007, that embrace abstraction while exploring landscape, scenery, and the forces of nature.

Francis spent some time in Paris executing entirely monochromatic works, but his mature pieces are generally large oil paintings with splashed or splattered areas of bright contrasting colour.

This experience that later influenced some of the first paintings that would be considered a part of Twombly's mature work.

These paintings already show much of the character of Louisa's mature work, but are more subdued in color.

All Rothko's mature works are abstract paintings yet - unlike such contemporaries in the New York School as Jackson Pollock and Willem de Kooning, as well as even more kindred spirits like Clyfford Still and Barnett Newman - Rothko had no particular interest in the complexities of abstraction like texture, colour or form.

Although he established himself quickly as an intellectual within the community of serious artists working in Post War New York, it was not until he was in his 40s that Willem de Kooning arrived at what could be considered a mature abstract painting style.