Not exact matches
And the blockbuster Avatar created impressively realistic digital creatures
based on information captured by tracking the
movement of 52 green dots
painted onto the faces of actors.
The animation technique is an innovative mix of claymation and traditional cel animation, utilizing a thin layer of oil -
based clay that is
painted / altered by hand to create the illusion of
movement.
AT THE HEIGHT of the Abstract Expressionist
movement, which has been referred to as the «Triumph of American
Painting,» 1 a somewhat younger generation of painters, while interested in and often respectful of their predecessors, formed the conviction that an art
based on the depiction of the natural world could make a serious and ambitious statement in the latter part of the Twentieth Century.
Los Angeles -
based artist Mary Corse creates minimalist
paintings, and is associated with the Light and Space
movement that emerged in Southern California in the 1960s.
Jack Tworkov (1900 - 1982) was a founding member of the New York School and is regarded as one of the great artists, along with Willem de Kooning, Philip Guston, Franz Kline, Jackson Pollock, and Clifford Still, whose gestural
paintings of the 1950s formed the
basis for the Abstract Expressionist
movement in America.
I am influenced by Laura Owens» early works, which were
based on embroidery from the Arts & Crafts
movement, Ree Morton's
painting and sculpture, Lee Lozano, Joan Brown, and the Japanese Neo-Dadaist sculptor Tetsumi Kudo.
His gestural
paintings of the 1950's along with Willem de Kooning, Philip Guston, Jackson Pollock and Franz Kline formed the
basis for the abstract expressionist
movement in the United States.
Young artists such as Donald Judd, Robert Morris and Dan Flavin were drawn to these Modernist
movements, eventually abandoning
painting in favor of unconventional installation -
based works that utilized clean lines and modular forms.
A founding member of the New York School, Jack Tworkov (1900 — 1982) is regarded as one of the great American artists of the 20th century, along with Willem de Kooning, Philip Guston, Jackson Pollock and Franz Kline, whose gestural
painting of the 1950s formed the
basis for the Abstract Expressionist
movement in America.
A highlight will be four
paintings from the Museum of Modern Art's groundbreaking 1965 exhibition The Responsive Eye, curated by William Seitz, which placed optical, kinetic, and concrete art into one perception -
based movement which the press dubbed «Op Art.»
Pan even suggests this in one of her titles, In Between the Blossoms (2018), a
painting that is anchored by an earthen
base that propels a distinct vertical
movement within a square picture plane.
Among the themes explored are the establishment of new definitions of
painting; the introduction of
movement and light as both formal and idea -
based aspects of art; the use of space as subject and material; the interrogation of the relationship between nature, technology and humankind; and the production of live actions or demonstrations.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris -
based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV
painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent -
based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop
movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
After finishing his studies and starting to
paint full - time, Ufan would go on to become a key theorist and establishing member of the Mono - ha, an avant - garde materials -
based art
movement in 1960s Japan and the first Japanese contemporary art
movement to gain international recognition.
Based on an artistic
movement started by Holden and his friends whilst growing up in their hometown of Bedford, MI!MS is a large scale sculptural installation incoporating film,
painting, drawing and found objects to trace the history and legacy of their efforts.
Her
paintings use vivid color, intriguing texture, and image -
based abstraction to convey mystery and
movement.
Franklin Street Works will be working with five New York City -
based guest curators in 2017 and 2018, originating six new group exhibitions around themes such as: shared strategies of the labor and LGBTQ
movements; economic and political refugees; ways artists animate desire in abstract
painting; art that explores political and personal paranoia; and more.
New York City
based artist Kristin Jai Klosterman is best known for her sculptural work in metal and wood, and mixed media
paintings that deal with the environment, energy and
movement.
He is best known for
paintings based on Persian carpets, featuring Portuguese sailors trailing the Silk Road, Chinese dragons and flying horses, Indian warriors and Buddha - like figures, floral patterns reminiscent of William Morris and the Arts and Crafts
movement.
Jack Tworkov (1900 - 1982) was a founding member of the New York School and is regarded as one of the prominent figures, along with Willem de Kooning, Philip Guston, Jackson Pollock, and Franz Kline, whose gestural
paintings of the 1950s formed the
basis for the abstract expressionist
movement in America.
The
paint appearance acknowledges ideas and
movements that preceded these objects, but also distinguishes them from those same ideas and
movements, resulting in a pixel -
based abstraction.
Apricot Juice takes place around two distinct parts — a language and
movement based performance by Misevičiūte and a group of five large - scale
paintings by Kantarovsky.
The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web -
based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil
painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of
movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic
paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.
As a founding member of the Gutai
movement, Shimamoto's action -
based painting style was seen as the Eastern, independently born reaction to important art
movements in the post-war art scene in the United States, most famous of them being Jackson Pollock's Abstract Expressionism.
In other colorful booth news, São Paulo -
based Ricardo Camargo's vivid mustard space showed work and artifacts (a coffee table, an easel, a desk topped with
paints and brushes) from the studio of Wesley Duke Lee, a Brazilian artist who founded the Magical Realist
movement in the 1960s.
New York -
based artist Dana Schutz caused an uproar this spring when she exhibited Open Casket, a
painting of Emmett Till, the 15 - year - old whose brutal murder sparked the civil rights
movement.
Hadid's
paintings are
based on an experiential, hyperlinked world, where each passage is a substitution, and a successive frame is a forward
movement that could be cancelled out by a backward
movement.
But Lüpertz broke free of these
movements and forged his own path, imposing his own style of
painting that MAM Paris calls reflective, non-gestural, and
based on a constant testing of limit.
Whereas members of this
movement draw inspiration from mass media, Thiebaud
paints on the
basis of his own memories, and his loose brush strokes are miles away from the mechanical, hard - edge reproductions by artists like Andy Warhol.
Owens, who is
based in Los Angeles, has been making
paintings since the early 1990s, but her work never fit neatly with the various
movements that went in and out of vogue.
The exhibition gathers a selection of
paintings from five artists whose work is
based is
based on the concept of
movement, repetition and their focus on the creative process, hence the title, R.P.M. Revolutions Per Minute.
This important exhibition marked the beginning of the new uniquely American artistic
movement, known as Action
Painting, which is based on revolutionary painting
Painting, which is
based on revolutionary
painting painting methods.
Her artwork is
based within the awareness and
movement of emotional presence, creating abstract
paintings that are layered with imagery and shape.
In the summer of 1959, he went gliding for the first time and the following year he began to make
paintings based upon air
movements and the sensation of the artist's body suspended, silently, in space.
The Phillips» collection began as a museum of modern art, exemplifying Paris -
based European art
movements such as French Realism (c. 1850 onwards) Impressionism (c.1873 - 83), Post-Impressionism (c. 1880 onwards), Fauvism, Intimism, Expressionism, Primitivism, Symbolism, and Cubism, before taking on 20th century styles such as Precisionism, American Realism, Ashcan School, Abstract Expressionism, Colour Field
painting, Kinetic art, and geometric abstract art.
He was a co-founder of Synchromism, an early abstract, color -
based mode of
painting, which was the first American avant - garde art
movement to receive international attention.
Actually that is the
base of abstract
painting, you know,
movement.
as an important and influential artist, along with Rothko, de Kooning, Philip Guston, Franz Kline, and Pollock, whose gestural
paintings of the early 1950s formed the
basis for the abstract expressionist
movement in America.
It is one of a series of
paintings based on the
movement of boats in St Ives harbour which, with the associated series entitled Walk Along the Quay, signalled the artist's development of a form of abstraction derived from his subjective experience of the external world.
Rupert allowed me to begin the process of a long - term curatorial project with the four original core members of New York -
based collective Fierce Pussy (Nancy Brooks Brody, Joy Episalla, Zoe Leonard, Carrie Yamaoka), focusing on the
movement towards abstraction in their individual practices in photography, video, drawing,
painting, sculpture, and installation and the necessity of abstraction vis à vis their political collective work.
Athier's definitive idea of what «futuristic» looked like was strongly fused with the Metaphysical
Painting movement, the Futurists and the Memphis
movements throughout Europe in the early twentieth century, as well as early visual effects defined by the late 80s and early 90s aesthetic: bright colours and crude grid -
based computer animation.
The abstract art that he called «perceptual
painting» — sharply delineated lines and sections of color that seemed to change or move
based on the light and the viewer's
movements — made a major cultural impact when Stanczak's first show, Optical
Paintings, opened in New York in 1964.
Among the themes explored are the establishment of new definitions of
painting (such as the monochrome, serial structures, and fire and smoke
paintings); the introduction of
movement and light as both formal and idea -
based aspects of art; the use of space as subject and material; the interrogation of the relationship between nature, technology, and humankind; and the production of live actions or demonstrations.
London -
based artist and filmmaker Richard Swarbrick created this beautiful animation celebrating some of the most memorable World Cup goals as
paintings in
movement.
My
paintings are nature
based abstractions driven by an exploration of
movement, color, harmony and balance.
The show starts with the foundational work of the realists and quickly shifts to the pioneering work of the impressionists; then there's a section devoted to American followers of the French -
based movement, and finally, a salute to Monet, the star of Nature as Muse, many of whose
paintings are included, notably the DAM's «Waterloo Bridge.»
Mel Bochner, one of the founders of the Conceptual Art
movement of the mid -»60s, and quite possibly the most inventive, clear - headed, and thought - provoking artist of that group, is showing his language -
based paintings and drawings this spring and summer at the Jewish Museum.
Jack Tworkov (1900 - 1982) was a founding member of the New York School and is regarded as one of the prominent figures, along with Willem de Kooning, Philip Guston, Jackson Pollock, Clyfford Still, and Franz Kline, whose gestural
paintings of the 1950s formed the
basis for the abstract expressionist
movement in America.
Jack Tworkov (1900 - 1982) was a founding member of the New York School and is regarded as one of the great artists, along with Willem de Kooning, Philip Guston, Jackson Pollock, and Franz Kline, whose gestural
paintings of the 1950s formed the
basis for the abstract expressionist
movement in America.
The muted metallic surfaces of the silver
paintings respond to shifting natural light and change with the
movements of the viewer, positioning abstract
painting as a theatrical, time -
based art.