An American
painting movement which depicted urban / industrial landscapes often in a Cubist / Futurist manner, its members were known by a variety of labels such as «Cubist - Realists», «Immaculates», «Sterilists» or «modern classicists».
Cynical Realism Chinese contemporary
painting movement which emerged in Beijing in the aftermath of Tiananmen Square.
Not exact matches
I once attended a lecture in
which a right - wing evangelical speaker used isolated examples of eco-terrorism to
paint the entire green
movement as having a «violent, anti-Christian agenda.»
Those in favour of a break with the EU often
paint a rosy picture in
which the UK is able to get what it wants and maintain unfettered access to the single market while sceptics tend to assume that the EU can not offer to renege on some core principle like the freedom of
movement for persons but at this stage it's mostly guesswork (and possibly quite a bit of bluff / wishful thinking on both sides).
It's difficult to describe the difference (at least prior to a pretty significant plot
movement I'll get to shortly), but it feels like the references work better in The Lego Movie, possibly because Lord and Miller have a wider palette from
which to
paint, and possibly because they are simply better writers.
You find here artist quotes on the history facts and the characteristics of Expressionism, the modern art
movement which broke with Impressionism
painting.
Additional lessons include eurythmy (a form of
movement which is unique to Steiner schools), languages, as well as lessons in games,
painting, drawing, landwork, woodwork, clay modelling, handwork and music.
Nelson Lichtenstein, a labor historian at the University of California, Santa Barbara, said the unions» strategy on testing follows years in
which they have been under assault, by conservative leaders and by the bipartisan education - reform
movement that has
painted unions as a central obstacle to improving schools.
Holyfield's acrylic
paintings, full of life, color, and
movement, make music a visible presence in the book,
which is an evocative piece of storytelling suffused with music.
In this class,
which follows on from the Watercolours: Wet Into Wet course, professional watercolourist Andrew Geeson shows you how to create
movement and dynamism with a
painting of a Pheasant in his trademark fast and loose style.
Action
Painting was heavily criticized,
which led to a rebellion led by creatives coming from different art
movements.
Monet comes off not only as the leading practitioner of Impressionism (
which is probably the most important and popular
movement of the nineteenth century) but as a potent and prophetic force in twentieth century
painting as well.
AT THE HEIGHT of the Abstract Expressionist
movement,
which has been referred to as the «Triumph of American
Painting,» 1 a somewhat younger generation of painters, while interested in and often respectful of their predecessors, formed the conviction that an art based on the depiction of the natural world could make a serious and ambitious statement in the latter part of the Twentieth Century.
His photos of the day - to - day life of gangs in the Bronx and the radical black liberation
movement the Black Panthers are much more than a documentary illustration of a given period in time: they represent an insider's view, one
which paints the portrait of the contrasts in American society.
Singling out the season's most tweet - worthy, opening night acolytes tracking our Black Art Matters moment orbited Lars Fisk's satirical softballs at Marlborough Chelsea, lined up outside Hauser Wirth for Rashid Johnson's black soap, shea butter and horticultural installations that comment obliquely on cleansed grime and forced growth, and crowded into Jack Shainman's galleries for Meleko Mokgosi's large - scale, text - supported
paintings which illustrate the interrelationship between southern African liberation
movements and communism, offset by «lerato», the Setswana word for love.
I am influenced by Laura Owens» early works,
which were based on embroidery from the Arts & Crafts
movement, Ree Morton's
painting and sculpture, Lee Lozano, Joan Brown, and the Japanese Neo-Dadaist sculptor Tetsumi Kudo.
Of the dozen or so
paintings of Ryder's in the 1913 Armory Show it was said by critic Charles Caffin: In his unobtrusive sincerity he, in fact, anticipated that abstract expression toward
which painting is returning and may almost be said to take his place as an old master in the modern
movement.
Schapiro was one of the leaders of Pattern and Decoration (also labeled Pattern
Painting), a major
movement of the mid-to-late 1970s
which offered an alternative to the rigidity and persistence of the Minimalist and Conceptual
movements of the 1960s.
Rebelling against the rigidity of Modernist
painting in the linear, reactionary mode of developing new art
movements that was at the time à la mode, Breer decided to take change as his own modernist absolute, a choice
which would lead him through kinetic sculpture to film.
Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of
paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square,
which use plastic tarp to reference the
movement of land occupation and the square form as a historic reference to capitalism.
Lehmann Maupin 536 W. 22nd St., (212) 255-2923 Through June 13 Mary Corse (b. 1945) was one of the few women involved in the 1960s - and - on Southern California art
movement called «Light & Space,»
which typically featured ultra-minimal architectural environments instead of more conventional art objects such as
paintings and sculptures.
The lines, the gestures, and the
movement of the
paint is defined by the way in
which a body moves.
Merz began her career in the late 1960s as the only female member of the Italian Arte Povera
movement,
which advocated the use of «poor» materials in fine art, as well as the revealing of process and experimentation as a counter to the tyranny of the perfected,
painted canvas and the elevated, pedestalled sculpture.
Often zigging when the established art world zagged, Wiley began creating large, unctuous
paintings inspired by the Abstract Expressionist and Bay Area Figuration
movements of the time, only to swiftly move away from them in the late»60s to develop his cartoonish figurative style,
which waned in popularity as Minimalist and Conceptual art became fashionable.
I visited the show on a dull grey afternoon, unusual for New York, and the light crawling through some glass panels in the ceiling seemed to have to work hard to illuminate the
paintings —
which are so clearly designed to invite and set off different qualities and
movements of light.
It sees, in the passage from Chardin's world of objects to Rembrandt's contemplative
paintings, a
movement toward the radical interiority for
which Proust would later become widely celebrated as a novelist.
Whether it's the making of a school of history -
painting around the literature of Shakespeare and Milton, as opposed to Ovid and the Bible, or later on with the pre-Raphaelite
movement, drawing on Arthurian legend and medieval artisanal values,
which in turn has a big international influence on Symbolist
painting throughout Europe.
This Cuban painter moved in avant - garde circles in pre-second world war Paris, joined the surrealist
movement, then returned home to
paint his masterpiece The Jungle (1943) in
which masked dancers move in a dreamlike space.
Geometric forms, industrial or readymade materials, and physically demanding structures were characteristic of the
movement,
which was inspired by Russian Constructivism, Dutch De Stijl
painting and German Bauhaus.
In 1949, just as the Abstract Expressionist
movement was establishing itself as the up - and - coming force in New York, Pepi went to Rome for two years to study at the American Academy and immerse himself in the art historical tradition to
which he pointedly related his
painting, giving rise to later critical accounts of his work as «academic» at heart.
ICA's exhibition will focus on
paintings from 1963 through 1986: a period when Andrade followed a distinctly optical course, and one
which historically coincides with Op Art, Minimalism, and Pattern and Decoration
Painting —
movements in art that relate to the pure pursuit of geometric and abstract design.
In Schneemann's hands,
painting takes on an expansive definition informed by the downtown
movements with
which she was associated, like Fluxus and the Judson Dance Theater.
Previous influential works by their peers and predecessors are also featured, such as examples from Yves Klein's Anthropométrie,
which uses the naked female body as a living
paint brush, and Andy Warhol's invocation of automatic
movement and action through his series of Dance Diagrams.
I'm interested in women's work, in the handmade, in labor and craft, in introducing my body through the tactility of
painting, through the process of looking at the
movement / rhythm of the hand,
which is different from mechanically produced marks.»
While the artist may seem unfamiliar to the New York audience, it is a well - timed exhibition that follows a steady and continual rise in the recognition of Dansaekhwa (literally translated from Korean as «monochrome
painting»), a loose
movement of South Korean artists that emerged in the mid-1960s, with
which Chung is associated.
The Brooklyn Museum has been at the forefront of presenting Korean modern art since the seminal 1981 exhibition Korean Drawing Now,
which featured many artists of the Dansaekwa (monochrome
painting)
movement popular in the 1970s and 1980s.
The series of four studies reveals the process for Tompkins»
paintings, while the additional drawing, Double Drip Mouth, 1971, relates to the pop art
movement of
which influenced the artist while she was an art student.
Perhaps more telling, however, is Richter's statement that the Charts more appropriately belong to Pop Art, a
movement in
which the artist was a major player on the European art scene, and to
which art historians attribute the black and white Photo
Paintings that immediately precede the Colour Charts.
On the occasion of his new show of figurative
paintings at Jack Shainman,
which alludes to the Black Lives Matter
movement and the current political climate, the artist shares some frustrations about the reception of his work.
This period coincided with the blossoming of the abstract expressionist
movement and the pinnacle of Still's 20 - year quest to redefine
painting in
which «space and figure,» the artist wrote, «had been resolved into a total psychic entity.»
At the heart of the Bay Area Figurative
movement —
which detained Diebenkorn for about ten years — there was probably a growing reservation about «American - type»
painting and its New World hubris.
While he worked throughout his life in drawing,
painting, and graphics, he began exploring new technologies in the»60s, creating electronic sculptures in
which photoelectric cells activated sound and light with the
movements of spectators.
After experimenting with sculpture he settled on
painting, allying himself with the Scuola Romana
movement,
which favoured a wild, disorderly style.
Auerbach once said, that
painting itself is «a set of sensations, of conflicting
movements and experiences,
which somehow, one hopes has congealed or cohered or risen out of battle into being an image that stands up for itself».
From recent location - specific series such as The Hotan Project (2012 - 13) made in the Xinjiang province of China, his first London series titled Half Street (2013), as well as recent trips to make work in the UAE and Greenland, Liu has also created an automated
painting machine entitled Weight of Insomnia (2016),
which translates a digital video feed of traffic streams and human
movement in real time into a new body of
paintings tracing time, memory and behaviour.
Around the mid-1800's, the time that the French Impressionism lost its edge and became a valuable style, with various exhibitions happening in America presenting the European painters, the American painters began to gather in artistic colonies that centered on outdoor
paintings,
which later influenced a
movement of garden art in America.
In all of Woelffer's work,
paint has been applied with strokes that feel natural, quick, and improvisational, and
which seem to carry great energy — an energy that suggests
movement, or flight.
Pathways, roads, ice or waterways are repeated features of these
paintings in
which movement is an undercurrent.
For Barbero, the Palazzo Strozzi exhibition —
which examines the Informal Art, Pop Art, Monochromatic
Painting, Conceptual Art and Arte Povera
movements — is about telling this story.
Artistically closer to Piet Mondrian, Pierre Soulages or Franz Kline in Paris, Borduas cut himself off completely from the Surrealist
movement; from the automatist technique he only retained the spontaneous manner in
which he spread his
paint on his support.