Sentences with phrase «painting my wrought iron»

White Trim — Existing Walls — White Dove in Eggshell by Benjamin Moore Doors — Mopboard Black in Semi-gloss by Benjamin Moore Stair Runner — Existing (Some form of Berber) Beadboard Wallpaper Below Chair Rail — Can be found here Frames — Framebridge (you can click here for a post about them) Gold Ring Chest — Soft Surroundings several years ago (painted Wrought Iron by BM) Wreath — Balsam Hill Mirror — Soft Surroundings Tufted Wingback Bench — Birch Lane Artwork above Bench — I painted it over an old canvas and then framed it out with some inexpensive wood and painted that gold Faux Cowhide Rug — World Market Lumbar Pillow — HomeGoods Planter on Books Filled with Flowers — Wayfair Rattan Suitcase — Birch Lane Lamp — HomeGoods (similar one found here) Books — Vintage — similar ones can be found here, here and here Wood Beaded Garland — Soft Surroundings Gold Pheasant — Antique from family Boots — Frye Hooks — HomeGoods Hat — Joyfolie several year ago Scarf — Joyfolie

Except for painting my wrought iron outdoor furniture, I use nothing else.

(1) Hand - painted wrought iron floral semi flush light fixture.

Vintage painted wrought iron floor lamp in the style of Arlus with gold painted twist detailing and four crystal bobeche and candle holders.

Very fine and elegant handmade black painted wrought iron tendril floor lamp, the handmade finial above a cluster of two sockets and a vase of leaves, the undulating standard with fi...

Painting these wrought iron planters was a easy fix.

Not exact matches

We built upon the main ballroom's unique features including, walls with preserved fresco paintings and wrought iron chandeliers, incorporating long wooden tables, silk runners, and delicate centerpieces to create a soft, natural look.

Skies were purple with streaks of orange, it was that evening in Paris, as Khoon Hooi took a stroll in the intimate Parc Monceau, framed by beautiful wrought iron fences painted in black and gold with ornate gates.

The first thing I did, after cleaning, was to paint the frame with two coats of Maison Blanche Vintage Furniture paint in Wrought Iron.

It all started with Nonnie's red chest that I painted in Maison Blanche's chalk paint in Wrought Iron.

Exquisitely designed and meticulously crafted, these vintage hand wrought and delicately painted iron centerpieces are exceptional.

The wall color is Agreeable Gray by and the door paint color is Wrought Iron, both by Sherwin - Williams.

Methods and techniques of working with fabric, such as dyeing, sewing, batik, tie - dye, appliques, weaving, quilting, block printing, iron - on printing, screenprinting, and direct dye painting.

Methods and techniques of working with fabric, such as dyeing, sewing, batik, tie - dye, appliques, weaving, quilting, block printing, iron - on printing, screenprinting, and direct dye painting.

With its colonial - style houses (each painted in a different color), wrought - iron balconies, and flowering plants, the hotel resembles a traditional Antiguan scene.

Designed as a private villa before becoming a boutique hotel, it feels like staying in someone's very elegant home, from the stately home feel of the lobby with its oil painting and wrought iron staircase, to the welcoming sitting room.

From wrought - iron chandeliers, to hand - painted ceramic tiles, from stucco walls to heavy wood ceiling beams, this luxury estate exudes Spanish Colonial Revival and Palm Springs history.

This resplendent monograph, which accompanies the exhibition yet is intended to endure long beyond it, reveals both the overt themes and the more ambiguous substructures of Otero's oeuvre to date, from his early still lifes and famous «skins» — paintings made of fragments and scraps of oil paint culled from previously painted images — to his more recent «transfers» and innovative sculptural work in porcelain and steel or iron.

Grounding the works culturally and geographically, the paintings and sculpture in the show are composed of materials — rocks and minerals, iron rich soil, roots, and branches — sourced from various locales in East Africa.

The 2017 work that gave the show its title was a wooden panel covered in white automotive paint with an iron bar jammed through it.

He kept working fourteen more years, to judge by jagged iron on display only in a West Village gallery, somewhere between congealed lava and the Victory of Samothrace, and a few photographs of gentle abstract paintings.

Working in a range of media including paintings, drawings, blown glass, and installation, Rosemarie Fiore creates vivid abstractions through various technological mechanisms, such as fireworks, lawn mowers, waffle irons, and cars.

As visitors to the Barnes Foundation know, the institution's founder, Albert C. Barnes, collected simple, flat, wrought iron objects and displayed them among the works of Modernist painting he collected.

STRENGTH AND SPLENDOR: WROUGHT IRON FROM THE MUSÉE LE SECQ DES TOURNELLES Nearly 900 door knockers, escutcheons, locks, keys, signs and other objects made of wrought iron from a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paiWROUGHT IRON FROM THE MUSÉE LE SECQ DES TOURNELLES Nearly 900 door knockers, escutcheons, locks, keys, signs and other objects made of wrought iron from a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paintiIRON FROM THE MUSÉE LE SECQ DES TOURNELLES Nearly 900 door knockers, escutcheons, locks, keys, signs and other objects made of wrought iron from a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paiwrought iron from a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paintiiron from a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paintings.

The works, including a spot painting and a swirl painting by Hirst, a bronze by Lucas, and one of Gormley's cast iron standing men, are expected to raise most of the # 2.8 m cost of the gallery at a Christie's auction next month.

In Keep Out, Jay Heikes» new exhibition at Marianne Boesky Gallery, the Minneapolis - based artist displays his large - scale copper installations that consist of wire, iron, steel, and wax, as well as a selection of paintings and multimedia works.

You can get a better sense of it in this painting of McEneaney «s New Orleans studio, as it's easier to see her careful depiction of the wooden floor and wrought iron window work.

The cream - colored surface of the work has several very intriguing circular bas - reliefs as well as a boldly painted diagonal element in the center the top of which intersects with a row of gray dots that escalate slightly in size and parallel a large iron rod whose curved tone, like a cane handle, rises above the top of the four large panels.

The Dvoegorsk chronicle encompasses 119 works including iron barracks and the artist's version of the Kremlin stars, paintings such as «At the Headquarters» (2012), «The Wave - Landscape» (2013) and the series «The Conditions of Winter» (2010 - 2011) and «Five - Storey Buildings» (2015).

The sculptures in this exhibition recall in size some of the early domestically - scaled Accumulations, for which Kusama covered such things as ironing boards and travel valises in the stuffed - fabric protuberances, yet the works on view here are painted in the style that has come to characterize Kusama's most recent paintings.

He demonstrated (using an assistant's body) the way he modeled Clasp, this cast - iron work, on the sensuous water carrier Ingres depicted in his iconic painting (itself inspired by classical statuary) The Source.

When an aluminium smelter was proposed for the Aramoana wetland, he famously nailed protest works on local telephone poles, painted on corrugated iron.

During London Collections: Men, where «Iron Wheel Club» was presented in June last year, he painted an impressive 11x4 meters piece that was displayed on the back wall and worked as a complimentary background for the models.

Working in oils on aluminium panel, Early's colour - saturated mini-narratives combine the splendour of Renaissance and Romantic painting with the rawness of contemporary life, a splendid example of the iron fist in a velvet glove strategy, examining the sensitive and personal aspects of conflict, ambition and entropy in an opulent, cinematic style.

Soft - spoken and shy, he works alone, without assistants, in a scrappy one - room studio in East London, where canvases, oil paints and debris cover the floors, and irons and sticks are strewn everywhere.

Mark Manders Working Table 2012 - 2013 Painted epoxy, painted wood, painted canvas, iron, offset print on paper 145 x 56 x 88 1/2 inches; 368 x 142 xPainted epoxy, painted wood, painted canvas, iron, offset print on paper 145 x 56 x 88 1/2 inches; 368 x 142 xpainted wood, painted canvas, iron, offset print on paper 145 x 56 x 88 1/2 inches; 368 x 142 xpainted canvas, iron, offset print on paper 145 x 56 x 88 1/2 inches; 368 x 142 x 225 cm

Ellie Irons, in the courtyard at Silent Barn, 603 Bushwick Ave., 1pm - 7 pm Saturday, May 31, and Sunday, June 1 «Ellie Irons makes works in multiple mediums including drawing, painting, installation and video dealing with ecology and pollution in works that are surprisingly delicate and even beautiful,» say Burchill and Monty.

The works on view include oil paintings, watercolor, iron and marble works, photography, archival prints and more.

At the Frieze fair, which opens on Friday, numerous galleries will include work by Biennial artists: New York's Mitchell Innes and Nash, which represents Pope.L, whose massive installation in the Whitney included hundreds of pieces of bologna affixed to the wall in pushpins, will be offering one of the artist's (less perishable) photographs; the Los Angeles - based Night Gallery will feature works by Samara Golden, whose installation in the Whitney, The Meat Grinder's Iron Clothes, included miniature interiors and a profusion of mirrors; and Mary Mary, a Glasgow gallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the Biennial.

An extension of his earlier «skin» paintings and the works in his recent exhibition, «Derma Logic» at Garnet Press, Regan Morris will be exhibiting a series of branding irons incorporating floral motifs taken from flock wallpaper.

For this new body of work, Caro has used materials including rusted and painted steel, cast iron, wood and stone.

Often working with industrial materials — painted wood, paving slabs, plastic cord, metal fencing and corrugated iron — her installations have a seemingly improvised and temporary attitude, but are rigorously considered, combining an almost classical formalism with a kinetic energy generated by poised, provisional and precarious compositions and her attuned use of materials.

In view of this, one can place similarly engaged works — like Trevor Paglen's South American (SAM - 1) NSA / GCHQ - Tapped Undersea Cable Atlantic Ocean (2015), a photograph of an undersea internet cable believed to be tapped by the United States» National Security Agency, or Cheyney Thompson's 88.35 Tungsten - 67.45 Cobalt - 45.36 Tin - 28.74 Nickel - 18.23 Iron - 82.29 Bismuth - 58.84 Aluminum - 41.32 Silicon - 24.11 Copper - 13.95 Chromium (2015), a gestural abstract painting made with the ten titular minerals, whose values anchor the worth of all other metals in financial markets — in a 20th - century sculptural tradition that otherwise might have seemed wholly irrelevant.

In these recent works, Molesky paints the iron - willed who share supporting roles with crawling fire and billowing smoke.

In the large Constructed View, incised circles, the size of coffee - can lids, and prismatic lines suggest an iron - work security grille that is paradoxically both in front of and behind the painted palm landscape.

Her red wrought - iron forms are painted with a free hand brought to heel to edge several of the ceiling's supports.

Ironing out much of the artist's unevenness and emphasizing his impish but earnest intellectual commitment to art - making, we are reminded that the Hockney of our imaginations — who paints beautiful boys and cool couples in the Californian sun, creating work that blurs figuration, abstraction and erotic mischief, is aligned with Hockney the innovator, forever working with the technology of his time: from fax machines and photocopiers to cameras and iPads.

Gego, Reticulárea (Environmental work), 1969, steel and painted iron.

The Irish figure and portrait painter William Conor, noted for his sympathetic genre - paintings of working - class life in Ulster, was born in Belfast, the son of a wrought - iron worker.

Works included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968 Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by GeorgWorks included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968 Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by Georgworks by George Ohr