Sentences with phrase «painting objectifies»

«The paintings objectify an imaging surface, creator of figures composed within a certain order, constructed like abstractions.

Not exact matches

The artists in Amerika coagulate around textile and conceptual sculpture, photography, painting, installation and performance to interrogate discursive practices that undertake the body that is formed - objectified - abstracted.

She treats painting as an image objectified or embedded in physical materia...

Art history is littered with troubling instances of male artists objectifying women — from Andrew Wyeth only painting women he was «enamored» with and «smitten» by to Yves Klein using women's bodies as «living paintbrushes» for his Anthropometry series.

During a discussion hosted by the institute which saw the artist discuss the exhibition with Marco Delogu, Director of the ICI, Gregor Muir, Executive Director of the ICA — Institute of Contemporary Arts, London and the curator Eugenio Re Rebaudengo, founder of ARTUNER, Cerutti emphasised his wish to objectify the body whilst giving a new sense of identity to the objects depicted in his paintings.

Objectify, a group exhibition of international artists, presents work that defies categorization and moves in a space between painting and sculpture, image and object.

Through the process of painting, Butler is able to address not the object and its psychology, as much as the way in which it is transformed by the artist's gaze that objectifies it.

«In traditional painting, across the centuries of the nude, there's a particular kind of gaze that's implied between a male viewer and a to - some - degree objectified female nude subject.

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.

Objectified considers a range of still life portrayals from conventional trompe - l'oeil paintings to flattened Cubist interpretations.

Ryan Peter Miller's body of work objectifies paint, playing with ideas of representation in objection to conventional hegemony of the image.

In retrospect we can see that instead it redefined richness, channeling more energy to the thought than to the emotion objectified in a painting.

Thomas has riffed on such white male predecessors as Gustave Courbet and Édouard Manet, reimagining their female - objectifying paintings with her singular, instantly recognizable visual language.

Alice Neel's oil portrait, «Olivia 1975,» painted the year of Mulvey's essay, offers some clues: it shows a seated pre-teen girl, casually dressed who «double dares» the viewer to objectify and commodify her.

Throughout the gallery we also see paintings of women intertwined with lovers or alone, or even lying naked next to a lover in an attempt to reimagine ``... the nude without objectifying the person, of using a specific body rather than an idealized form.»

Events have made people wary of the idealism that abstract painting once seemed capable of objectifying by exempting itself from society's traffic in symbols and whimsies.

The best of them use the idiom of abstract painting to objectify something that will feel recognizable to anyone given to introspection.

The ability to «objectify» digital art and make it as palpable, and salable, as a sculpture or painting is raising questions as to whether a genre based on the community - focused ethics of open - source computer programmers has lost the edge that made it exciting in the first place.