Sentences with phrase «painting of a bearded»

There is a folk - art feel to the painting of a bearded man pedaling to his creaky house on the windswept top of a steep hill.
The first known paintings of Bearded Collies date back to a 1771 Gainsborough portrait of the Duke of Buccleuch and to a 1772 Reynolds portrait of the peer's wife and daughter accompanied by two Beardies.

Not exact matches

While acknowledging the fact that I'm painting in pretty broad strokes, I'll bet some of you pictured 1) a man; 2) a very, very large man; 3) a very, very large man, maybe with a beard, in a singlet, with veins popping and eyeballs bulging, as he deadlifts a bar loaded down with what looks like every weight plate in the gym on each side.
In a farmhouse with painted paths around its squeakiest floorboards, Lee (a bearded Krasinki), Evelyn (Emily Blunt), and their two children, Regan (Millicent Simmonds) and Marcus (Noah Jupe), continue the longest round of the quiet game ever played, never speaking above a whisper, almost literally walking on eggshells.
There are many subtle details in the art design; things like cultural influence in character models and background environments, beautiful hand - painted textures, vivid effects, smooth animations, and, of course, incredible transitional areas where lighting, shadows, and color blend so well, it could make a grown, bearded man cry.
Mostly, the desert painted in shades of red on the canvas of my face, but when I looked in the mirror that morning, on July 25th, I thought I saw a faint hum of brown glimmering beneath the sunburnt crust, threading between the black and ochre tapestry of my almost - full beard.
[The trade] is often painted as being made up of nothing but great, big killer snakes, but what does that have to do with a Texas horned lizard or a bearded dragon?»
Also, Smith has an entire section of his paintings dedicated to vibrantly colored beards.
In them, the society dames of the earlier paintings have left their home turf to visit the Painter, imagined as a blond — pompadoured and bearded, usually bare - chested male animal with a brush.
Another painting from the 1950s — a rare example, according to Joffre, from the artist's series of beard paintings — doubled estimates to sell for $ 3.1 million.
I made a photograph of the tiny guru in the postcard, and took another photo of that, and I blew it up so it became a blurry blob, and I painted from that, and he became a sort of bearded man, something mysterious and black.
The 2x Juxtapoz cover artist's show consists of 25 new paintings placed into a 17 x 17 foot hunting lodge installation, and you can walk through a beard to get there.
They bear all the signs of dedication — corduroys, red shirts, long hair and as many beards as would keep them all in paint brushes for a life - time.»
But when we look closer, we see the artist has deliberately disrupted all the conventions of figurative painting: the beard itself is like an abstract painting, a haze of frenetic brushstrokes, drips and even incisions in the paint's surface.
He also has an amazing beard, as do most of his gorgeous, large - scale, candy - hued paintings!
Botanical Theatre (all works 2013), the largest painting on view, depicts a ghostly couple surrounded by surreal catuslike forms and watched by a group of menacing bearded men.
awards research enabling grant $ 7500.00, university of north texas, 2010 junior faculty fellowship $ 5000.00, university of north texas, 2010 purchase award, 1st national bank, columbia, mo 2008 fellowship, vermont studio artist colony, vt 2000 jessie rickly award, st. louis artist guild, st. louis, mo 1996 graduate fellowship, university of washington, seattle, wa 1990 national fine art award, binney and smith, usa 1988 bibliography • light and depth at bruno david by ivy cooper, special to the beacon november 11, 2008 • laura beard, catalog, bruno david gallery, essay by charles schwall, november 2008 • fresh paint, fresh faces, inaugural columbia invitational, courtesy of jason pollen by ladan nikravan vox magazine, october 9, 2008 • comments and reviews of visual art, st. louis: open studios tour by rob miller 2008 • perception / abstraction, laura beard aeling and gary passanise, by megan peters, the review, 2007 • varied show of bold abstracts revels in the joy of paint by teresa callahan, west end word, october 2004 • contemporary moves by sydney norton, west end word, october 2004 • laura beard aeling - winterkill at the st. louis ethical society by jeff daniels, art critic of the st. louis post dispatch, february 23, 2003 • something for everyone, by kate hackmen, kansas city star, june 29, 2001 «fresh raises expectations for the new», by caprice stapley of the review, july 2001, vol 3, # 9 • abstraction for the sensory overload by ben shockey, the review, 2001 • driven to abstraction by robin trafton, kansas city star, march 30, 2001 • landscape go in all directions by jeff daniels, art critic of the st. louis post dispatch, july 9, 2000 • this just in... painting still alive by jeff daniels, art critic of the st. louis post dispatch, summer 2000 • excavations: new paintings by laura beard aeling by jeff daniels, art critic of the st. louis post dispatch, mar. 19, 2000 • new american paintings volume 23, 1999 (national distribution) •: surreptitions by jeff daniels, art critic for st. louis post dispatch, april 1998 • extirpate by jeff daniels, art critic of st. louis post dispatch, december 17, 1997 • extirpate by eddie silva, art critic of the river front times, december 1997 • route 66 brings real art to life by Stephen weeks, the independent, september, 22, 1992 • artist converge for route 66 revisited exhibit by stephen weeks, the independent, gallup, nm, september 18, 1992 • route 66 art show a must see at red mesa by gaye brown, the gallup gazette, 1992 • primarily paint at the laguna gloria art museum laguna gloria art museum, 1990
washington university faculty exhibition, st. louis, mo 2003 philip slein contemporary art, invitational group exhibition, st. louis, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo st. louis art museum, «change of space», film by laura beard and d. jansky 2002 museum of contemporary art, «art cache», invitational group exhibit, st. louis, mo left bank gallery, «this is an image», collaborative exhibition with ann rast, st. louis, mo springfield museum of art, water color usa, national juried exhibition, springfield, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo 2000 inform, invitational group exhibition, lemp brewery, st. louis, mo des lee gallery, «landscape», invitational group exhibition, curator: philip slein, st. louis, mo 1999 new american paintings, volume 22, national juried exhibition in print springfield museum of art, water color usa, national juried exhibition, springfield, mo sherry leedy contemporary art, invitational group exhibition, kansas city, mo 1998 r. duane reed gallery, invitational group exhibition, st. louis, mo leedy voulkos gallery, invitational group exhibition, kansas city, mo 1997 erector square gallery, international women's exhibition, new haven, connecticut art loft gallery, «extirpate» with andy milner, heather Bennett, st. louis, mo courthouse gallery, national juried exhibition, woodstock, il 1996 forum of contemporary art, «stations of the cross» group exhibit, st. louis, mo 1993 laguna gloria museum of art, «primarily paint», curator: peter doroshenko, austin, tx artist's lofts gallery, national group exhibition, galveston, tx wayland babtist gallery, national group exhibition, wayland, tx mcallen international museum, national group exhibition, mcallen, tx firehouse gallery, national group exhibition, del rio, tx red mesa art center, national group exhibition, gallup, nm 1990 henry art gallery, mfa thesis exhibition, seattle, wa 1990
As for the edges and fine details, while keeping almost everything soft, I added slight wisps of hair in the mustache and beard along the lit side of the face, as well as lifting a bit of paint from where the light hits the hair on the side of his head.
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