Sentences with phrase «painting of the abstract expressionism»

Like the gestural painting of abstract expressionism, Grossman's art retains traces of the artist's presence, the processes by which she created it.

Royal Academy of Arts brings together paintings of abstract expressionism's leading light, including works lent by Australian and US galleries

Not exact matches

Among a new generation of abstract painters who emerged combining color field painting with expressionism, the older generation also began infusing new elements of complex space and surface into their works.

By linking the Minimalist sculptures of artists like Donald Judd to the Russian supremacist paintings of Kasimir Malevich and readymades of Duchamp, she extends the determinist history that formalism relies on into sculpture and movements beyond abstract expressionism.

Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School, Hard - edge painting, Geometric abstraction, Minimalism, and Color Field.

Neel's dedication to the «unfashionable» art of portrait painting and social realism — and this during the decades of abstract expressionism, pop art and minimalism — ensured that her work remained permanently out of kilter with avant - garde artistic developments.

In fact, the dominance of the term «abstract expressionism» over «action painting,» which seemed more applicable to Pollock and Willem de Kooning than any other members of the New York School, is emblematic of the influence of formalist discourse.

It initially referred to a particular type of abstract expressionism, especially the work of Mark Rothko, Clyfford Still, Barnett Newman, Robert Motherwell, Adolph Gottlieb and several series of paintings by Joan Miró.

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During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

Steeped in Hofmann's modernist theories, Kahn nonetheless developed a style of landscape painting that owes as much to the impressionists as it does to abstract expressionism.

The bindi becomes a language or code we begin to read through works that elicit formal connections with abstract expressionism, op art, and geometric abstraction from Western painting and the tantric and neo-tantric traditions of India.

By showcasing current contemporary painting and sculpture, the exhibition explores both postmodern and modern concepts through the re-evaluation of historical work from varying mediums, styles and content by recalling abstract expressionism and minimalism.

Inspired by abstract expressionism, the paintings blend intuitive process with child - like discoveries of the COBRA avant - garde group, cleansing the angst and subconscious monsters with his ever - present, smiley - face signature.

The way the paint was applied to the canvas, or dripped on it, gave his abstract expressionism a level of distinctiveness in the similar way his personal life was different from other artists.

Currently the official story of avant - garde abstract painting and sculpture in America that is on view at the Whitney Museum, denies works of scores of artists that demonstrate that American painters and sculptors by the late sixties went beyond minimalism creating a new expressionism.

Much of his work relates to abstract expressionism and minimalist painting, remixing formal characteristics to highlight the cultural and social histories of the time, such as the civil rights movement.

Still's style of abstract expressionism, according to Sobel, showed that «the material of art itself can be expressive as much as the scale and the imagery you include within the painting.»

He was full of contradictions, though: for instance, he switched me on to Jackson Pollock, he loved abstract expressionism, trying to paint the subconscious, which would seem to be the very opposite of state - sanctioned art glorifying the whole.

Upon his arrival to West Germany, he attended a touring show of the American painting, and «suddenly here was abstract expressionism.

Above all, she left a history of painting noted for its sublime assimilation of the School of Paris and the New York School of abstract expressionism.

He began his career in the arts studying painting in the late 1940s and early 50s, the heyday of abstract expressionism in New York, first at the Art Students League with Morris Kantor and then at Cooper Union with Steve Wheeler.

The original common use refers to the tendency attributed to paintings in Europe during the post-1945 period and as a way of describing several artists (mostly in France) with painters like Wols, Gérard Schneider and Hans Hartung from Germany or Georges Mathieu, etc., whose works related to characteristics of contemporary American abstract expressionism.

His work continuously evolves from a language of gestures and colored born out of abstract expressionism, towards the meticulous painting style seen in the 1964 - 66 series dots paintings.

[34] Lyrical Abstraction is a type of freewheeling abstract painting that emerged in the mid-1960s when abstract painters returned to various forms of painterly, pictorial, expressionism with a predominate focus on process, gestalt and repetitive compositional strategies in general.

But like Elmer Bischoff and David Park, with whom he made the turn to figurative painting a few years later, Diebenkorn was asking questions that abstract expressionism couldn't always answer, even though, as the early works in the show at the Royal Academy (until 7 June) suggest, he was a loyal and talented disciple: the LA Times described him as «one of the most gifted artists in the American non-objective field».

Back in the 1990s, when many in the art world had turned their back on painting as a «dead» medium, Amy Sillman was one of the leaders of an underground revival, combining cartoonish imagery, a draughtsmanlike line, and jazzy color combinations to give new life to the legacy of abstract expressionism.

Many now see Wool as the heir to Andy Warhol, the next great link in an American tradition of painting that began in the postwar years of abstract expressionism and pop art.

She currently has work in a group show at A.I.R. Gallery in Brooklyn called Another Gesture / Um Outro Gesto / Eine weitere Geste /, which «moves away from the dominant male legacy of abstract expressionism, in which gesture was used to champion the uniqueness of painting as a medium.»

Through the incorporation of materials culled from the everyday, she is able to address numerous artistic traditions including abstract expressionism, minimalism, and color field painting.

A fascinating 1972 documentary, directed by Emile de Antonio, examines the development of abstract expressionism through Hard Edge and Color Field painting to Pop Art.

The painterly style also emerges from expressionist painting movements of the time, including CoBrA Group and Art Informel, important movements in art in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes too.

I am reminded of some of those old black & white surrealist films but can't quite recall a specific one, and action painting, abstract expressionism, neo Dada, are all in here too, as are art - historical / art critical ideas of constructivism, all overness, and Leo Steinberg's «flatbed picture plane», in other words modernism, post modernism, and I want to say post-post modernism (Metamodernism even).

Stepping onto the artistic scene of the 1960s, her early work was mostly comprised of abstract drawings and paintings that she made influenced heavily by the abstract expressionism.

What was it that launched our own painting out of the issues of abstract expressionism?

Influenced by abstract expressionism, Gilliam experimented with methods of applying pigment, often pouring paint, staining canvases, and folding them while still wet.

Striking for their hot, vivid, deep colors, pierced and jagged forms, and pulsating energy, these wax - resist paintings on paper, done at the height of abstract expressionism's ascendancy, captivated Jackson Pollock and Lee Krasner and inspired Jean Dubuffet to write his only monographic study on Ossorio.

On the wall are two abstract paintings from 1958, demonstrating that William was one of the first British artists to embrace abstract expressionism.

While these highly complex and laborious constructions (she often called them «three - dimensional paintings») moved her well beyond the vocabulary of the improvisatory, so - called «action painting» usually associated with American abstract expressionism, they also had virtually nothing to do with the pop art and minimalism which were then the rage of the 1960s New York art scene.

Mixture of pop art & abstract expressionism Basquiat influence His paintings can be found in important collections including the Corcoran Gallery of Art, Washington, DC,; the Museum o...

In Johns» case, Michael Fried's statement that the later paintings «mock, not in venom but in loving sadness, the mannerisms of abstract expressionism», seems to me entirely correct.

What you see is what you see,» Frank Stella famously said of his paintings, in a sharp rebuke of abstract expressionism's aspirations to sublimity.

In abstract painting during the 1950s and 1960s several new directions like hard - edge painting and other forms of geometric abstraction began to appear in artist studios and in radical avant - garde circles as a reaction against the subjectivism of abstract expressionism.

Rothko, a contemporary of Jackson Pollock and a major figure in abstract expressionism (though he personally loathed the term), produced 40 large format paintings in shades of dark red, brown and black for the Seagram commission.

Arshile Gorky's portrait of someone who might be Willem de Kooning is an example of the evolution of abstract expressionism from the context of figure painting, cubism and surrealism.

When Tom Wolfe called his polemic on modern art The Painted Word, he was thinking not of artists» books, but of post-1945 abstract expressionism and its enshrinement of theory and text.

Mixture of pop art & abstract expressionism Lichtenstein influence His paintings can be found in important collections including the Corcoran Gallery of Art, Washington, DC,; the Muse...

The paintings of Rauschenberg and Johns show so much intelligence we must assume the choice to cling to the modes of abstract expressionism after its creative heyday was not made in the dark, as one suspects it was in the case of de Kooning's followers.

The continuation of abstract expressionism, color field painting, lyrical abstraction, geometric abstraction, minimalism, abstract illusionism, process art, pop art, postminimalism, and other late 20th - century Modernist movements in both painting and sculpture continued through the first decade of the 21st century and constitute radical new directions in those mediums.

But decades of the dominance of conceptual art have left painting a «niche activity» and abstract expressionism profoundly unfashionable with those in the artistic know.