Not exact matches
While my figures do not live in «Eden,» I think seeing that
painting gave me permission to keep the viewer at a distance and allow them to either invite themselves in all the way as part
of the
painting or choose to be a
voyeur.
LONDON — Corbett vs. Dempsey is proud to present Limp
Voyeur in a Humid Landscape, a solo exhibition
of 1960s
paintings and works on paper by gallery artist Dominick Di Meo at Thomas Dane Gallery, London.
Why do you think we have such a rich panorama
of precedence from Duchamp, who brilliantly summarized nearly every avenue
of the visual arts in «Etant donne:...», which merged
painting, sculpture, installation, viewer participation, perspective,
voyeur, high craftsmanship, shoddy behind the scenes facade construction, performance... it goes on.
Her
paintings pull you into the haunting world
of their subjects — her blurry, unfinished style makes you feel you are a
voyeur into someone's memory or dream.
Limp
Voyeur in a Humid Landscape will provide a rare opportunity to encounter Di Meo's surrealist
paintings, sculpture and mixed - media reliefs from the 1950s and 1960s, when he played an active part in the famous «Monster Roster» — a group
of painters and sculptors characterised by their mystical, fantasy - like works.
Drawn in Colour: Degas from the Burrell The intensity and sensuality
of Edgar Degas, the great
voyeur of late 19th century art whose pastels are as potent as his
paintings, should scintillate in this exhibition
of his works from Glasgow's Burrell Collection.
With use
of repeated motifs and colors, I create a language between the
paintings that the viewer can use to navigate this narrative in such a way that they are
voyeurs onlooking the picture frame.
In fact, Lackey's «
Voyeur,» a photograph
of an eye in a circular frame, pays homage to a surreal object in Houston's Menil Collection — Joseph Sacco's «Oeil de Jeune Femme,» a tiny
painting of an eye in an oval brass frame.