Sentences with phrase «painting on an angled»

My daughter likes that she can sit down while painting on an angled surface.
Not sure that is the best technique, but it was helpful for getting the most coverage of paint on all angles.

Not exact matches

In the cylinder of the handheld device (which you can see in action here), three colored lights at different angles shine on the impression left in the metallic paint.
Buy some cool patches and sew them on at odd angles, or get some metallic spray paint and create an ombre effect over the damaged area.
(This is on the PPT) As a class we go through an analyse the painting of where you could possibly locate the different type of angles.
We were getting the building painted and the painters noticed that most of the sheet metal screws holding on the mansard (the angled part of the building that makes a metal building look not so much like a metal building) to the frame were rusted away.
On the outside, a new rear wing sits at a 14 - degree angle, the headlight surrounds are painted gloss black, the front fascia has larger air intakes, special fender and hood louvers are made from carbon fiber.
Painting the ancillaries is easier when you can easily move them around to get a good angle on whichever part you are spraying.
Aeromotion's S2 Active split wing WALD Rear carbon diffusers WALD side skirts (painted black and green)-RRB- WALD rear arch extensions (painted black) GTC carbon boot lid GTC Carbon Race mirrors mounted on pillars Carbon exhaust surrounds Carbon / Black wrapped roof MCR front and rear side markers L.E.D front and rear GTR badges L.E.D angle eye day light running lights LSD doors Privacy Glass
6.5» colour display screen, Audi drive select, Bluetooth hands free telephone connection, Colour driver's information system display, Electro - mechanical PAS, Low washer fluid indicator, MMI - Multi Media Interface control system, On board computer, Service interval indicator, Voice control system, Audi music interface, DAB digital radio module, Speed dependent audio volume control, Acoustic windscreen, Body coloured bumpers, Chrome exhaust tailpipe, Coming home function, Door mirror integrated indicators, Front and rear electric windows, Full paint finish, Heated windscreen washer jets, LED daytime running lights, Light and rain sensor for auto activation of lights and windscreen wipers, Loading sill protector in stainless steel, Rear wiper, RS design body styling, Sunband for windscreen, Towbar preparation, Xenon Plus headlights + washers + auto range adjust, 12V power in rear centre console, 3 spoke flat bottomed multifunction steering wheel, Aluminium door sill trims, Aluminium gear shift paddles, Cupholders in centre console, Dual zone climate control, Electric front lumbar adjustment, Front and rear interior lights with delay, Front and rear velour floor mats, Front centre armrest with storage compartment and angle adjustment, Front sports seats, Heated front seats, Height adjustable front headrests, Height / reach adjust steering wheel, Illuminated glovebox, ISOFIX on front passenger and rear outer seats, Perforated leather gearknob, Perforated leather steering wheel, Rear headrests, Reversible boot floor, Split fold rear seat, Tool kit, Top tether anchor plate for isofix child seat, Under floor storage in luggage area, 3x3 point rear seatbelts, ABS+E lectronic Brake force Distribution, Curtain airbags, Driver and passenger airbags, Driver and passenger side airbags, EDL + ASR, Electrically operated child locks on rear doors, Electromechanical parking brake, Electronic stability control, First aid kit, Front passenger airbag deactivation, HBA (Hydraulic Brake Assist), Height adjustable front seatbelts, Seatbelt warning light, Tyre pressure monitoring system, Warning triangle, Locking wheel bolts, Remote central locking, Thatcham category 1 alarm + immobiliser, Sports suspension, Tyre mobility system, Audi Rs Q3 2.5 T FSI Quattro 5dr S TronOn board computer, Service interval indicator, Voice control system, Audi music interface, DAB digital radio module, Speed dependent audio volume control, Acoustic windscreen, Body coloured bumpers, Chrome exhaust tailpipe, Coming home function, Door mirror integrated indicators, Front and rear electric windows, Full paint finish, Heated windscreen washer jets, LED daytime running lights, Light and rain sensor for auto activation of lights and windscreen wipers, Loading sill protector in stainless steel, Rear wiper, RS design body styling, Sunband for windscreen, Towbar preparation, Xenon Plus headlights + washers + auto range adjust, 12V power in rear centre console, 3 spoke flat bottomed multifunction steering wheel, Aluminium door sill trims, Aluminium gear shift paddles, Cupholders in centre console, Dual zone climate control, Electric front lumbar adjustment, Front and rear interior lights with delay, Front and rear velour floor mats, Front centre armrest with storage compartment and angle adjustment, Front sports seats, Heated front seats, Height adjustable front headrests, Height / reach adjust steering wheel, Illuminated glovebox, ISOFIX on front passenger and rear outer seats, Perforated leather gearknob, Perforated leather steering wheel, Rear headrests, Reversible boot floor, Split fold rear seat, Tool kit, Top tether anchor plate for isofix child seat, Under floor storage in luggage area, 3x3 point rear seatbelts, ABS+E lectronic Brake force Distribution, Curtain airbags, Driver and passenger airbags, Driver and passenger side airbags, EDL + ASR, Electrically operated child locks on rear doors, Electromechanical parking brake, Electronic stability control, First aid kit, Front passenger airbag deactivation, HBA (Hydraulic Brake Assist), Height adjustable front seatbelts, Seatbelt warning light, Tyre pressure monitoring system, Warning triangle, Locking wheel bolts, Remote central locking, Thatcham category 1 alarm + immobiliser, Sports suspension, Tyre mobility system, Audi Rs Q3 2.5 T FSI Quattro 5dr S Tronon front passenger and rear outer seats, Perforated leather gearknob, Perforated leather steering wheel, Rear headrests, Reversible boot floor, Split fold rear seat, Tool kit, Top tether anchor plate for isofix child seat, Under floor storage in luggage area, 3x3 point rear seatbelts, ABS+E lectronic Brake force Distribution, Curtain airbags, Driver and passenger airbags, Driver and passenger side airbags, EDL + ASR, Electrically operated child locks on rear doors, Electromechanical parking brake, Electronic stability control, First aid kit, Front passenger airbag deactivation, HBA (Hydraulic Brake Assist), Height adjustable front seatbelts, Seatbelt warning light, Tyre pressure monitoring system, Warning triangle, Locking wheel bolts, Remote central locking, Thatcham category 1 alarm + immobiliser, Sports suspension, Tyre mobility system, Audi Rs Q3 2.5 T FSI Quattro 5dr S Tronon rear doors, Electromechanical parking brake, Electronic stability control, First aid kit, Front passenger airbag deactivation, HBA (Hydraulic Brake Assist), Height adjustable front seatbelts, Seatbelt warning light, Tyre pressure monitoring system, Warning triangle, Locking wheel bolts, Remote central locking, Thatcham category 1 alarm + immobiliser, Sports suspension, Tyre mobility system, Audi Rs Q3 2.5 T FSI Quattro 5dr S Tronic
This paint finish varies in appearance depending on the light angle, showing up the full depth of the car's powerfully expressive surfaces.
The Passion Red paint process uses a high brightness aluminum pigment in the base coat and Nano - pigment tinted clear coat to give it a vivid, jewel - like red color that looks different depending on the viewing angle.
Dealers will soon get the «fourth and last» limited - production Scion for 2006, the xB Release Series 4.0, painted in Maziora Torched Penny exterior paint, which changes color depending on the viewing angle or light.
By pairing the first - an abstract painting whose flat forms are schematic and derived from markings observed on a soccer field with the second - a silkscreened canvas depicting a nearly identical painting photographed at an angle, Uglow creates a visual experience charged with the potential of both abstraction and representation.
Taking my «shutter» mixture I begin to paint the basic shape of the wooden frames, leaving tiny glints of white where the sun might catch an angle on the woodwork.
Throughout his career, from early striped oil paintings that hint at atmospheric landscapes to his celebrated interference paintings that shimmer and alter in the light, depending on their angle of view, Simpson has maintained a boundless curiosity and desire to expand the limits of his chosen medium.
These paintings are placed on two walls that form a forty - five - degree angle.
Two painted rectangles hang on the wall, but in one a succession of angled wood fragments suggests a magnetic field.
Gilliam's paintings on view at David Kordansky look mostly to me like one of the more recent cover designs for JD Salinger's Catcher in the Rye, which is white with simple text and a streak of rainbow angled diagionally across the top left corner.
Sprawling across a two - metre tall canvas, the painting exaggerates the viewer's perspective of the pieces shown, creating a dizzying effect: the pieces near the bottom of the canvas are painted as though the viewer is looking directly down on them, while those at the top seem to tower above, giving it the appearance of a photograph taken through a wide - angle lens.
Offering an unusual angle on interwar art in America, this exhibition is an opportunity to see paintings never before seen in the UK.
Pleasingly, large - scale sculptural works do not overshadow paintings in the show, as each piece provides a different angle on the self - acknowledged ambiguous theme.
That's one reason Pollock painted his canvases on the floor, walking around them from every angle.
For two decades, David Hammons's angle on survey shows could be précised by one of fellow Chouinard Art Institute alumnus Ed Ruscha's painted axioms: «I don't want no retrospective» (sic).
Depending on the angle of observation, a reflection emerges on the surface of Shaan Syed's thickly painted gradients that prohibits the viewer from entering the work.
Taking a delicate step forward, «Future Proof» breaks away from the confines of right angles creating canvases that have a broader dialogue with the shape of the canvas and the paint on its surface.
With a finely attuned parity of aesthetics and practicality: projectors are placed atop unfussy supports, conventional plastic storage containers, boxes, directly on the floor or other fundamental solutions, in order to angle the throw of light onto layers of objects or cardboard paintings.
His 1918 Suprematist Composition: White on White featured a white square set at an angle within a canvas painted a very slightly different shade of white.
Each painting is of similar scale and construct, and the colored surface is created by applying hundreds of coats of paint that he individually mixes using gold, silver, platinum, and diamond dust, and a variety of pigments and oxides on birch board with edges cut at a 45 ° angle and standing off the wall.
She intended the paintings to be hung like this — on glass in front of this angled window.
Other noteworthy works were a Katherine Bernhardt canvas of her usual 2 - d miss - mash of objects, Puppies Puppies, Nolan Simon's Earth which took up most of the What Pipeline (Detroit) booth, forcing fair - goers to squeeze into odd spaces and angles to view the paintings on the walls, and Mika Tajima's spray - painted Jacuzzi - like structures at Eleven Rivington (New York).
Looking at this photo it feels as though the street in the painting is set at an angle that if extended forward into space would be a plane on which her mother would be correctly sitting.
She created large, gestural paintings on the walls, on the wall - to - wall carpeting, and on large plexi panels angled throughout the interior.
The German artist experimented with a series of work on glass that layered geometric shapes in secession creating a 3 dimensional painting 2 dimensional when viewed at the right angle.
His subjects were also often foreshortened or seen from a peculiar angle, a change in technique brought on by Freud's beginning to paint while standing up rather than sitting.»
The mural, a flat plane of bright discs and angled lines painted on the side of a women's prison, is titled «Venus» and was designed in 1970 by Knox Martin, an artist who had been associated with the New York School of painters.
The core of this chapter was comprised of twenty - two paintings on two walls spanning 35,56 meters, intersecting at a 45 - degree angle.
For instance, hang the painting on a clean wall and photograph it from an angle.
Perched at odd angles, sometimes on metal armatures, they are sumptuously painted to invite a long, scrutinizing gaze, yet can not gaze back.
Hung higher on the wall than paintings, the sculptures defy gravity and dictate their own height and perspective by projecting shadow shapes at varying angles on the wall.
Like ransom notes sent to the Academy, the paintings of Muntean / Rosenblum pilfer text and image fragments and place them in dilapidated landscapes rife with balletically posed youths — a new Romanticism for a consumption - obsessed world; a poetic angle on the coming apocalypse.
The New Yorker March 12, 2012 Goings on About Town: Art Mary Corse By The New Yorker Seen from one angle, these big, off - white paintings look smooth enough to skate on.
By appropriating different compositional angles, fleet brush strokes of wet paint on wet paint, and out - of - focus framing, Tuymans creates blurry and almost delusional images of faded memories.
In all three of them, the center spot of the chalk stick is painted with a large black dot, stretched out in the instances when the chalk is cut on an angle.
Through humble materials — including blue paint and a silver paint pen — Cinto works directly on the wall and transforms a single line, repeated at different angles and lengths, into a titanic image of water that expresses both renewal and risk.»
It is tempting to put this person right... but there is something childishly simple about the big, red square standing at an angle on a white background in Kelly's 1958 painting, Broadway.
For the past few years, she has been painting on wooden sculptures, whose angles and structure reach out from the wall in the direction of her audience.
Now at Pace, Hockney continues his experiments of color, angle, and light with «David Hockney: Something New in Painting (and Photography)[and even Printing],» an exhibition that delivers on its promise (s).4
Her abstract paintings with collaged fragments of photos and cartoons reported on city sensations: hard angles, flat walls, descents into darkness.
Large oil - on - canvas pieces, these show latticed rows of light - and dark - grey blobs whose shapes quasi-repeat as they race across the frame, their angle modulating from painting to painting.
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