New York - based Caporael is an inveterate road tripper (having covered some 30,000 miles in her lifetime), and she used her most recent cross-country excursion as the basis for the 12
paintings on display here (all 2009 or» 10).
«Obsession» characterises a good two - thirds of
the paintings on display here.
Not exact matches
The car uses special gold flakes for shimmer effects, plus another six to eight coats of PPG Industries
paints to create one of the most vibrant
paint schemes
on display here.
Here, a number of watercolours and
paintings of Venice created by JMW Turner and his friend John Ruskin are
on display.
From a striking portrait of a Glaswegian art dealer to a marine scene that inspired Turner — as Rembrandt: The Late Works opens at the National Gallery,
here are ten unmissable
paintings from the Netherlands
on display across Britain.
In keeping with the theme of the exhibit, works, such as the Aurel Schmidt piece
here, (including
painting, drawings, poems) were «unfinished» and
displayed on the floor or leaning against walls.
The jewellery will be
displayed alongside the
paintings of Sligo artist Cormac O» Leary whose exhibition runs from 15 - 30th April which you can view
on line
here.
One such poured
painting, Lenoraseas (1976), is
on display here, a seductive mix of candy - coloured pinks, yellows and greens that slide in marbling layers down the surface of the canvas.
Many of the works
on display here were created in the full flower of Impressionism, when artists like Pierre Auguste Renoir and Childe Hassam devised a free, open
painting technique and brilliant rainbow palette to capture the fleeting effects of nature's color and light.
They didn't agree
on what their position should be, or even how it should be dealt with in art, as two contrasting, rarely seen examples
displayed here posit: Bearden's figurative photostat collages and abstract
paintings by Norman Lewis.
A big, crudely
painted marble - effect 3 - D model Loos House, based
on the interior of Adolf Loos's house, occupies the centre of the
display, and the ghost of Loos, with his modernist creed «Ornamentation and Crime» signalling a moral battlecry against superfluous decoration and «style», appears
here to wag a duplicitous finger.
The South African — born artist «excavates in reverse,» layering everyday materials imbued with memory like burlap or denim into densely textured visual feasts for the 14
paintings plus collages
on display here.
Freud and Bacon are the focus, but the 100 works
on display here show forebears like Walter Sickert and Chaim Soutine, the influence of teachers William Coldstream and David Bomberg, and the women breaking into the male - dominated figurative
painting world, like Cecily Brown, Celia Paul, and Lynette Yiadom - Boakye.
Examples
on display here include Girlfriends (Freundinnen), for which Polke imitated the effect of commercial newsprint by painstakingly
painting single dots with the rubber end of a pencil.
Mostly picturing nude men, the gaudily colorful canvases
on display here resemble the efforts of an industrious undergraduate
painting student.
A
painted canvas from that event («Untitled,» 1959) is
on display here.
Previously a container for artworks,
here the crate is reclaimed by Wright —
displaying intricate and distorted
painting on the outside.
She is represented
here by 12
paintings of varying dimensions arranged artfully
on a wall, and a selection of small
painted sketches in a nearby
display case.
Bell's balancing of the terms «abstraction» and «materials» is significant — especially with regard to the works from 1978
on display here — by differentiating the absolute thingness of these
paintings from the allusions to the observational world that you find even in something as densely materialist as Richard Serra's black oil - stick drawings.