Other big likes: Louise Bourgeois's cast bronzes and carved marbles; Franz West's lumpy,
painted organic form - on - a stick; Antony Gormley's hanging metal sculpture, whose linear materials — and certainly its shadows — functioned as drawings in space.
Not exact matches
Her
paintings are in acrylics and oils — her acrylics being more free -
form and immediate,
organic, evocative and vivid in hue and expressively tactile whereas her oils are more dreamy, sumptuous and luminescent.
The second series of
paintings focuses on color and consists of seven vertical canvases, each with a palette centered around a particular hue while bearing witness to the artist's melding of architectonic composition and
organic form.
These subtle interventions occasionally house microcosmic activity in the
form of synthetic, miniature structures of
painted polymer clay along with moss, fungi, plants and other
organic materials.
The
organic shapes, the intermixing of vibrant colors, and the flatness of
form, takes us back to the
paintings of Matisse and Gauguin.
While Stella makes one imagine that he — or the work's own
organic logic — created the twisting
forms and smooth or roughened surfaces, Rubins lets rust, steel, and fragments of the original
paint job speak for themselves.
Coaxing his
forms to adapt to the natural textures and designs of each panel, Dunham would continue to
paint wildly
organic, colorful, and cartoon - like organisms as his career matured.
Bursting with colour,
form and
organic energy, Yayoi Kusama's latest
paintings tackle mortality head on but at 87, the artist shows no signs of stopping yet
Your Version, My Version includes
paintings from the Health of the Planet series that examine relationships between
organic forms and technical ones, the macro and the micro, photography and
painting, representation and abstraction.
On display are over fifty landscapes, both
paintings and works on paper, depicting expressive,
organic forms in gorgeous color palettes from these crucial years in his life.
For over 30 years Hadid engaged with architecture as a
form of landscape
painting, transforming the traditional hard, geometric edges of building into
organic, liquid - like
forms.
Of her work, Taylor says, «Through mixed media
painting and drawing, I experiment with the pictorial function of words by deconstructing textual elements alongside
organic forms found in nature.
An underlying grid is the foundation for layered networks of curvy and straight lines, gaudy
organic forms, showers of dribbled
paint and areas of furious scribbling.
Referencing
organic shapes, his oil and acrylic
paintings on canvas and paper expertly utilize the single gesture to represent an entire
form, delicately balancing soft effusions of colour against the frenetic energy of the mark.
532 Gallery Thomas Jaeckel presents «Barachois,» a series of new
paintings by Peggy Bates in which the artist continues her fascination with the signification and expressivity of
organic form as a direct charismatic link to the natural world.
Dr. Selz, author of 15 books on 20th century art, wrote in 2010: «Arthur Dworin's
paintings... abstract as they are,... bring a new sense of visual order to
organic forms of nature.»
During those years, Youngerman greatly expanded the scale of his
paintings, developing softer, more
organic forms, an interest in color optics, and a sense of space in which shapes fluctuate between positive and negative.
The selected abstract
paintings in the North Gallery are drawn from his Morphic series of biomorphic and
organic forms, and his Del Mar series, featuring a more linear style, suggesting striations or waterways.
In contrast, Mark Tobey used black and white to evoke the lyrical brushwork of Japanese calligraphy, in the
form of a serenely
organic ink
painting.
His early
paintings are associated with biomorphism, utilizing shapes and patterns that are reminiscent of
organic forms.
Dancer (1943), is made from bone and plaster and has been
painted, its
form is smooth and curvaceous, slightly alien but
painted in an
organic nature.
They include a small
painting simply titled «# 1» (2000), in which we see a phallic armature moving from gray into light blue; another titled «# 2» (1995), in which a blue crescent bends around to become titanium white; a third, «# 4» (2000 — 1), in which a rising, two - pronged black
organic shape ends in a touch of green and ultramarine at either end; and finally «# 5» (1991), in which a red finger - like
form passes from black to crimson red.
In the studio, her
organic forms become anthropomorphic, resulting in sculptures and
paintings that are both humorous and grotesque, existing in a space between the artifice of lo - fi movie props and the reality of our fragile bodies.
Featuring a vibrant spectrum of colors and abstract,
organic forms, these large - scale
paintings are all - encompassing.
During the Winter Workspace, she will create a large multi-part smoke
painting tool inspired by the
organic forms, colors and structures of the succulents and cacti housed in Wave Hill's Conservatory.
FORM is presented as a meeting of
painting, sculpture, digital art, photography and mixed media works, examined through a dialogue between formal geometric structures and
organic compositions.
The London - based sculptor and video artist blends common artistic materials like plaster,
paint, and lacquer with unexpected
organic — sometimes even edible — matter into
forms that look fleshy, gooey, and seductive, if not a bit intimidating.
These beautiful
organic forms were
painted, sometimes in neutral palette, sometimes you see the bright red.
His abstract
paintings have been inspired by popular cultures, often reflected in
forms that balance
organic and geometric
forms with native pictographs.
Sophie Tauber and Jean Arp collaborated on
paintings and sculpture using
organic / geometric
forms.
His playful collages,
paintings and sculptures were rooted in nature, suggesting plants, animals, the human body and other
organic forms.
The plank
paintings, begun in 2008, are complex, layered geometric patterns done atop indigenous hardwood that has been roughly shaped into
organic looking
forms.
In Egan's
paintings, channels of rich color intermingle with indefinite
organic forms.
These new works expand upon the Rio de Janeiro - based artist's methods of rope weaving and straw braiding, in which pre-existing and found elements such as branches, seed pods, playful ceramic
forms and
paint brushes merge with the
organic forms of the sculptures.
The medium scale canvases suit Sullivan's ability well as he creates a vague narrative through
organic forms and cracked
paint.
During this period his on - going Blanket Series of woven
paintings - morphed into a series of installations: Christopher Columbus Did Not Discover America which incorporated light elements, rocks and arrows, and the Tar Paper Series, richly - textured
organic forms that Davis «choreographed» onto large walls.
Mintz writes that Piotrowski's works «approach the possibility of narrative, though the artist deftly pulls back just in time» Conefry, Mintz notes, investigates «
painting as object, something constructed and assembled,» while in Cohen's
paintings «
organic shapes lean against geometrics to create a push - pull of color and
form.»
The simple, seemingly
organic forms of Still's
painting and its bold expansive fields of space and color made «the rest of us look academic» Jackson Pollock observed at the time.
Singh uses clay, copper wire, and
paint, as well as living matter such as soil, plants, and mushrooms to create miniature
forms that seem to grow from crevices and nail holes in the gallery walls, blurring the distinction between
organic and synthetic.
Together, the
paintings and the sculptures
form an
organic relationship.
Over time layers of interacting colors and
form are set into play through scraping and over
painting to create
organic and architectural
forms.
Blending large - scale sculpture techniques with an expanded notion of craft and textile, New York City — based artist and designer Orly Genger creates
organic forms and site - specific installations from
painted swaths of woven rope.
Considered the founder of Lyrical Abstraction — a movement distinct from geometric abstraction in the
organic style of its
forms — and the organizer of the «Abstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale
paintings featuring curving calligraphic lines.
The Louisenberg
paintings — colourful geometric grids of repetitive
organic shapes — can be viewed as a two - dimensional exercise in understanding sculptural
forms.
He produced a series of nonrepresentational
paintings in which
organic forms merge.
Carrie Moyer has also used works from the Everson's acclaimed ceramics collection in her installation — showcasing select large - scale sculptural works whose brilliant color and
organic forms share an allegiance with her new large - scale acrylic
paintings and monoprints.
Deladier Almeida's
paintings meld
organic forms with manmade order, using landscape as an armature over which to create intuitive, vigorous abstractions.
Jennie Jieun Lee is known for her evocative, visceral ceramics composed of
organic freely thrown
forms, encased in layers of oozing glaze; often times bringing forth conversations about abstract
painting in relationship to the history of ceramics.
A long - term interest in abstraction and
organic form is evident in her
paintings and prints.
Georgia O'Keeffe, in her Lake George by Early Moonrise (1930), and Arthur Dove, exploring shape and color in his Holbrook's Bridge to the Northwest (1938), are inspired by
organic forms in the American landscape, while industry is celebrated in
paintings such as Ralston Crawford's At the Dock (1941) and Charles Sheeler's The Web (1955), a conceptual view of industrial structures.