Sentences with phrase «painting organic forms»

Other big likes: Louise Bourgeois's cast bronzes and carved marbles; Franz West's lumpy, painted organic form - on - a stick; Antony Gormley's hanging metal sculpture, whose linear materials — and certainly its shadows — functioned as drawings in space.

Not exact matches

Her paintings are in acrylics and oils — her acrylics being more free - form and immediate, organic, evocative and vivid in hue and expressively tactile whereas her oils are more dreamy, sumptuous and luminescent.
The second series of paintings focuses on color and consists of seven vertical canvases, each with a palette centered around a particular hue while bearing witness to the artist's melding of architectonic composition and organic form.
These subtle interventions occasionally house microcosmic activity in the form of synthetic, miniature structures of painted polymer clay along with moss, fungi, plants and other organic materials.
The organic shapes, the intermixing of vibrant colors, and the flatness of form, takes us back to the paintings of Matisse and Gauguin.
While Stella makes one imagine that he — or the work's own organic logic — created the twisting forms and smooth or roughened surfaces, Rubins lets rust, steel, and fragments of the original paint job speak for themselves.
Coaxing his forms to adapt to the natural textures and designs of each panel, Dunham would continue to paint wildly organic, colorful, and cartoon - like organisms as his career matured.
Bursting with colour, form and organic energy, Yayoi Kusama's latest paintings tackle mortality head on but at 87, the artist shows no signs of stopping yet
Your Version, My Version includes paintings from the Health of the Planet series that examine relationships between organic forms and technical ones, the macro and the micro, photography and painting, representation and abstraction.
On display are over fifty landscapes, both paintings and works on paper, depicting expressive, organic forms in gorgeous color palettes from these crucial years in his life.
For over 30 years Hadid engaged with architecture as a form of landscape painting, transforming the traditional hard, geometric edges of building into organic, liquid - like forms.
Of her work, Taylor says, «Through mixed media painting and drawing, I experiment with the pictorial function of words by deconstructing textual elements alongside organic forms found in nature.
An underlying grid is the foundation for layered networks of curvy and straight lines, gaudy organic forms, showers of dribbled paint and areas of furious scribbling.
Referencing organic shapes, his oil and acrylic paintings on canvas and paper expertly utilize the single gesture to represent an entire form, delicately balancing soft effusions of colour against the frenetic energy of the mark.
532 Gallery Thomas Jaeckel presents «Barachois,» a series of new paintings by Peggy Bates in which the artist continues her fascination with the signification and expressivity of organic form as a direct charismatic link to the natural world.
Dr. Selz, author of 15 books on 20th century art, wrote in 2010: «Arthur Dworin's paintings... abstract as they are,... bring a new sense of visual order to organic forms of nature.»
During those years, Youngerman greatly expanded the scale of his paintings, developing softer, more organic forms, an interest in color optics, and a sense of space in which shapes fluctuate between positive and negative.
The selected abstract paintings in the North Gallery are drawn from his Morphic series of biomorphic and organic forms, and his Del Mar series, featuring a more linear style, suggesting striations or waterways.
In contrast, Mark Tobey used black and white to evoke the lyrical brushwork of Japanese calligraphy, in the form of a serenely organic ink painting.
His early paintings are associated with biomorphism, utilizing shapes and patterns that are reminiscent of organic forms.
Dancer (1943), is made from bone and plaster and has been painted, its form is smooth and curvaceous, slightly alien but painted in an organic nature.
They include a small painting simply titled «# 1» (2000), in which we see a phallic armature moving from gray into light blue; another titled «# 2» (1995), in which a blue crescent bends around to become titanium white; a third, «# 4» (2000 — 1), in which a rising, two - pronged black organic shape ends in a touch of green and ultramarine at either end; and finally «# 5» (1991), in which a red finger - like form passes from black to crimson red.
In the studio, her organic forms become anthropomorphic, resulting in sculptures and paintings that are both humorous and grotesque, existing in a space between the artifice of lo - fi movie props and the reality of our fragile bodies.
Featuring a vibrant spectrum of colors and abstract, organic forms, these large - scale paintings are all - encompassing.
During the Winter Workspace, she will create a large multi-part smoke painting tool inspired by the organic forms, colors and structures of the succulents and cacti housed in Wave Hill's Conservatory.
FORM is presented as a meeting of painting, sculpture, digital art, photography and mixed media works, examined through a dialogue between formal geometric structures and organic compositions.
The London - based sculptor and video artist blends common artistic materials like plaster, paint, and lacquer with unexpected organic — sometimes even edible — matter into forms that look fleshy, gooey, and seductive, if not a bit intimidating.
These beautiful organic forms were painted, sometimes in neutral palette, sometimes you see the bright red.
His abstract paintings have been inspired by popular cultures, often reflected in forms that balance organic and geometric forms with native pictographs.
Sophie Tauber and Jean Arp collaborated on paintings and sculpture using organic / geometric forms.
His playful collages, paintings and sculptures were rooted in nature, suggesting plants, animals, the human body and other organic forms.
The plank paintings, begun in 2008, are complex, layered geometric patterns done atop indigenous hardwood that has been roughly shaped into organic looking forms.
In Egan's paintings, channels of rich color intermingle with indefinite organic forms.
These new works expand upon the Rio de Janeiro - based artist's methods of rope weaving and straw braiding, in which pre-existing and found elements such as branches, seed pods, playful ceramic forms and paint brushes merge with the organic forms of the sculptures.
The medium scale canvases suit Sullivan's ability well as he creates a vague narrative through organic forms and cracked paint.
During this period his on - going Blanket Series of woven paintings - morphed into a series of installations: Christopher Columbus Did Not Discover America which incorporated light elements, rocks and arrows, and the Tar Paper Series, richly - textured organic forms that Davis «choreographed» onto large walls.
Mintz writes that Piotrowski's works «approach the possibility of narrative, though the artist deftly pulls back just in time» Conefry, Mintz notes, investigates «painting as object, something constructed and assembled,» while in Cohen's paintings «organic shapes lean against geometrics to create a push - pull of color and form
The simple, seemingly organic forms of Still's painting and its bold expansive fields of space and color made «the rest of us look academic» Jackson Pollock observed at the time.
Singh uses clay, copper wire, and paint, as well as living matter such as soil, plants, and mushrooms to create miniature forms that seem to grow from crevices and nail holes in the gallery walls, blurring the distinction between organic and synthetic.
Together, the paintings and the sculptures form an organic relationship.
Over time layers of interacting colors and form are set into play through scraping and over painting to create organic and architectural forms.
Blending large - scale sculpture techniques with an expanded notion of craft and textile, New York City — based artist and designer Orly Genger creates organic forms and site - specific installations from painted swaths of woven rope.
Considered the founder of Lyrical Abstraction — a movement distinct from geometric abstraction in the organic style of its forms — and the organizer of the «Abstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale paintings featuring curving calligraphic lines.
The Louisenberg paintings — colourful geometric grids of repetitive organic shapes — can be viewed as a two - dimensional exercise in understanding sculptural forms.
He produced a series of nonrepresentational paintings in which organic forms merge.
Carrie Moyer has also used works from the Everson's acclaimed ceramics collection in her installation — showcasing select large - scale sculptural works whose brilliant color and organic forms share an allegiance with her new large - scale acrylic paintings and monoprints.
Deladier Almeida's paintings meld organic forms with manmade order, using landscape as an armature over which to create intuitive, vigorous abstractions.
Jennie Jieun Lee is known for her evocative, visceral ceramics composed of organic freely thrown forms, encased in layers of oozing glaze; often times bringing forth conversations about abstract painting in relationship to the history of ceramics.
A long - term interest in abstraction and organic form is evident in her paintings and prints.
Georgia O'Keeffe, in her Lake George by Early Moonrise (1930), and Arthur Dove, exploring shape and color in his Holbrook's Bridge to the Northwest (1938), are inspired by organic forms in the American landscape, while industry is celebrated in paintings such as Ralston Crawford's At the Dock (1941) and Charles Sheeler's The Web (1955), a conceptual view of industrial structures.
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