Sentences with phrase «painting parts of the house»

Soon, she begins painting parts of the house as she goes about her daily duties and he not only grows to love her, but also learns how to love.

Not exact matches

The range of Chinese economic espionage, from simple household goods like wooden furniture and house paint to the most advanced high - tech products, is part of the explanation for China's rapid growth.

We see lots of short term «missionaries», which usually means spending part of a day in Tijuana painting a house, followed by six days at the San Diego Zoo, Balboa Park, Seaworld, Legoland, a trip to Disneyland and of course a couple of trips to some fabulous beaches.

The «painting» of the house was part of the town's «Cheesefest» celebration, which featured a parade and the election of a cheese king and queen.

I keep my computer, scanner and printer in a different, safer part of the house — away from the water and paint!

Painting outdoor was always one of my favourite activities and my kids love painting with body parts just like Our Little House in the Country who are painting with thePainting outdoor was always one of my favourite activities and my kids love painting with body parts just like Our Little House in the Country who are painting with thepainting with body parts just like Our Little House in the Country who are painting with thepainting with their feet.

The two leaders then took part in a spontaneous photo - op with their entire delegations before heading into the Peace House to talk about specially chosen paintings of South and North Korean scenery that depicted communication between both sides.

Oneida County Executive Anthony J. Picente said today that more than 400 inner city houses have been surveyed by the Oneida County Health Department's Lead Primary Prevention program for chipped and peeling paint since May of this year as part of its March to the Middle program.

The «Only in Queens» Summer Festival will also offer a wide range of activities for people of all ages, including: • Guided tours of the New York State Pavilion's Tent of Tomorrow, the Queens Library Mobile Unit, the Queens Theatre and the Queens Museum; • Family - friendly fun including cultural performances, face painting, inflatable bounce houses, a Delta Air Lines Scavenger Hunt, activities run by the United States Tennis Association, and an appearance by Mr. Met; • Food and craft vendors offering a variety of international cuisine and merchandise for sale; • Exhibits of memorabilia from the original 1939 - 40 and 1964 - 65 World's Fairs, classic cars and a boat from the annual Hong Kong Dragon Boat Festival; • Virtual reality demonstrations by the National Trust for Historic Preservation, the group People for the Pavilion and Queens - based RPGA Studio as part of the international ideas competition currently underway to solicit imaginative and creative public input for how the New York State Pavilion can best be adapted for public reuse.

The grant money is part of a broader federal initiative by the U.S. Centers for Disease Control and Prevention to rid the country's housing stock of lead - paint hazards.

Here's the photo my client sent me of the exterior of her home: In her email, she mentioned possibly wanting to paint * part * of the house, but not necessarily the whole thing.

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-351 M w / 4 barrel Carter carb - NP435 4 speed transmission - NP203 transfercase - Ford 9» rear axle - Dana 44 front axle - New Bilstein shocks - New steering dampener - Steel front chrome grill (best on the market)- Hydro blue paint job (Jeep color)- PS and PB - BFG all terrain's 35» - Diamond plate bed rail liners -100 volt alternator - HID headlights Cons - cracked windshield - loose steering - leaking master brake reservoir - leaking rear intake manifold gasket (oil runs down bell housing)- leaking from front of oil pan - Needs passenger side mirror - Tear in passenger seat This truck will need work to be make a reliable daily driver, but has many new quality parts.

He and his oldest son were recently part of the A-team on three episodes of «Overhaulin»,» and one of the cars James painted received a House of Kolor award at the 2013 SEMA Show.

Whether not some funky paint options, a standard body kit and a range of available in - house performance parts from TRD are enough to live up to Scion's reputation for being youthful and offbeat is up for discussion, but there's no debating that the brand needs fresh product badly.

Moving on to the next version on display, the Solid Fire Red Swift gets a white stripe running across the lower part of the front bumper, red - painted fog lamp housings, a roof spoiler and door beadings with chrome garnish.

Maisie's story, her account of that summer, of her family, of the strange house in which they live (it's a medieval Abbey, a former nunnery) and of the portrait an artist friend is painting forms the first part of the novel.

Terri - I respect your enthusiasm for smart people and savvy agents and authors, but if my house painter charged me 15 % of the value of my house when it sold because of the part he / she played in making it pretty — when that same job would only cost a flat fee from a painter who is ONLY painting — how is that a good deal?

Casa de Martha Inn is a part of an ancient colonial house where remains of interior decorations, arches and mural painting are witnesses of the beautiful palace it was in the 18th

The work is part of Coventry's Estate series, which recalls Kasimir Malevich's graphic suprematist paintings but actually represents the layouts of British public housing estates.

Humanitarian and ecological concerns have shaped his artistic practice for more than 20 years, whether narrating the lives of fishermen, collaborating with a hospital surgeon, capturing the light and colour of the River Thames, or travelling to a remote part of Scotland to paint a writer's house.

The Banqueting House, built by Inigo Jones with its ceiling painted by Rubens, is the only surviving part of Whitehall Palace.

The inner walls of the gallery house Matt Connolly's paintings, the second part of the title, WORK.

This important modern British painting will be displayed as part of the Scottish National Gallery of Modern Art's upcoming exhibition «From Sickert to Gertler: Modern British Art from Boxted House.»

Lluís Barba was shortlisted in The Young Masters Art Prize, 2009 and as part of the on - going support of the prize he was invited to exhibit at The Courtauld Institute of Art, Somerset House, WC2 displaying works relating to the history of academic painting and the space of the salon (hosted by East Wing IX.

Having exhibited extensively internationally, his solo shows and projects include Ulysses, Marfa Contemporary, Texas (2014); Colour / Temperature, Hanes Gallery, Wake Forest University, Winston - Salem, NC (2014); Spencer Finch: Yellow, Montclair Art Museum, Montclair, NJ (2014); A Certain Slant of Light, The Morgan Library & Museum, New York (2014); The Skies can't keep their secret, Turner Contemporary, Margate, UK (2014); Painting Air, Rhode Island School of Design Museum of Art, Providence, RI (2012); Lunar, The Art Institute of Chicago (2011); Rome, Museum of Contemporary Art San Diego, La Jolla, CA (2011); Between the light - and me, Emily Dickinson Museum, Amherst, MA (2011); My Business, With the Cloud, Corcoran Gallery of Art, Washington, DC (2010); Evening Star, Pallant House, Chichester, UK (2010); Between The Moon and The Sea, Frac des Pays de la Loire, Carquefou, France (2010); As if the sea should part and show a further sea, Queensland Gallery of Modern Art, Brisbane, Australia (2009).

Performance: Keil Borrman, «Airing the Facilitation Banner Paintings,» at Osmos As part of a program called «Beer on Sundays,» inspired by anarchist saloonkeeper Justus Schwab's effort in the late 19th century to operate his drinking establishment on that day, which was once housed at Osmos's address, Keil Borrman will stage a performance, curated by Jovana Stokic, which involves the audience taking banners with political messages from the gallery, recently founded by curator Cay Sophie Rabinowitz, to the nearby First Street Green, at 33 East 1st Street.

Over the past two years Ofili has worked on a substantial suite of paintings and works on paper inspired by Ovid's Metamorphoses as part of Metamorphosis: Titian 2012, a unique collaboration between the National Gallery and The Royal Opera House.

An understudied part of Judd's work, his paintings are infrequently seen outside of Judd Foundation spaces in Marfa where he permanently installed his paintings from the mid-1950s to the early 1960s in the Cobb House, Whyte Building, and Architecture Studio including an exhibition at the Kunsthalle Bielefeld (May 5 - July 21, 2002) that then traveled to The Menil Collection (January 31 - April 27, 2003).

But it is a bump that the Hammer Museum is more than proud to host since Dream Home Resource Center has come to serve as the raw, not - so - glamorous addition to the otherwise sleek and glassy buildings a part of Pacific Standard Time Presents: Modern Architecture in L.A. Despite its welcoming vibe, donning rainbow doors and furniture painted gold, Dream Home Resource Center doesn't scream sunshine and good times so much as it reveals the seedy underbelly of housing in Los Angeles.

In the upstairs part of the house, the museum displays Magritte's paintings and archival materials and mounts rotating exhibitions of likeminded artists.

Parallel to her career, she has organised and co - curated significant exhibitions of her father's work including a major retrospective in Casablanca and Meetings in Marrakech, a joint exhibition with Winston Churchill's paintings hosted at Leighton House in London and most recently, La Mamounia in Marrakech, as part of the 2014 Marrakech Biennale.

Over the past year and a half, the artists and individual works on view in American Legends have rotated for various reasons, among them conservation requirements (works on paper and photographs can typically be on view for only six months) and loan commitments (for example, Marsden Hartley paintings are on view in Berlin and the White House is borrowing work by Edward Hopper), but the inclusion of postwar artists was a substantive change, inspired in part by our simultaneous work on the Whitney's Robert Indiana retrospective.

[18][19] The painting is the first work by an African - American woman to hang in the public spaces of the White House as part of the permanent collection.

Joan Mitchell, the painter, lives in a house in Vetheuil, France, connected to the one where Monet painted in the latter part of the 19th century.

He has had extensive international solo exhibitions and projects including A Certain Slant of Light, The Morgan Library & Museum, New York, NY, The Skies can't keep their secret, Turner Contemporary, Margate, UK (2014); Painting Air, Rhode Island School of Design Museum of Art, Providence, RI (2012); Lunar, The Art Institute of Chicago, Chicago, Rome, Museum of Contemporary Art San Diego, La Jolla, CA, Between the light - and me, Emily Dickinson Museum, Amherst, MA (2011); My Business, With the Cloud, Corcoran Gallery of Art, Washington, D.C., Evening Star, Pallant House, Chichester, UK, Between The Moon and The Sea, Frac des Pays de la Loire, Carquefou, France (2010); As if the sea should part and show a further sea, Queensland Gallery of Modern Art, Brisbane, Australia (2009).

Currently part of the Asian arts department of the Louvre Museum, it houses around 45,000 sculptures, paintings, ornaments and other items.

Though abstract in form, the paintings reflect Binion's experience: his childhood in the rural South, living in a two room house, with eleven siblings, moving to Detroit, and being part of the nascent art community in ew York.

In 1997, the museum completed an addition designed specifically to house her work, an octagonal space that is now home to the seven paintings, part of a series of ten made shortly after her arrival in Taos in 1992.

Describing the «Opens» as «a painted plane beautifully divided by minimal means, the essence of line drawing,» Mr. Motherwell said they derived in part from the unadorned, whitewashed adobe facades of Mexican houses with «beautifully proportioned» doors and windows.

At Inverleith House, the exhibition comprised Chamberlain's brightly coloured sculptures assembled from salvaged car parts (the earliest dating from 1965), his Sockets series (made from painted, crushed coffee tins), works in paper and Plexiglas and his influential Stuffed Dog series of radical, influential foam sculptures.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

Sewing together canvases, which had previously been part of Pindell's artistic practice, took on new meaning for her after the accident; while still making use of paint, glitter, and chads in these pieces, she also includes images of body parts, houses, and diners, as if she is stitching herself back together through canvases.

Part of a network of art sites on island developed by Japanese businessman and art collector Soichiro Fukutake, the museum features polished concrete chambers housing the work of three artists: a selection of Claude Monet's water lily paintings (the skylight and glistening mosaic floor creates a shrine - like experience); an installation by Walter de Maria that consists of a central, polished granite sphere sitting on a staircase with surrounding gilded wall sculptures; and three James Turrell light works.

The Dallas Museum of Art will open its new Paintings Conservation Studio on November 22, 2013, as part of the Museum's initiative to establish a more comprehensive in - house conservation program.

The Dallas Museum of Art will open its new Paintings Conservation Studio in November 2013, as part of the Museum's initiative to establish a more comprehensive in - house conservation program.

Over the past two years Chris Ofili has worked on a substantial suite of paintings and works on paper inspired by Ovid's Metamorphoses as part of Metamorphosis: Titian 2012, a unique collaboration between the National Gallery and The Royal Opera House.

Jennifer Bartlett — Rhapsody Sherrie Levine — After Walker Evans Barbara Kruger — your gaze hits the side of my face Jenny Holzer — truisms Pat Steir — The Brueghel Series (A Vanitas of Style) Anne Truitt — Knights Heritage Georgia O'Keefe — Abstraction Blue Susan Rothenberg — Butterfly Judy Pfaff — Painted Forms: Recent Metal Sculpture, Installation, Whitney 1978 Lee Krasner — white squares Joan Mitchell — Chord IIV Magdalena Abakanowicz — Four on a bench Alice Aycock — Low Building with Dirt Roof Nancy Holt — Sun Tunnels Cindy Sherman — Untitled Film Stills Gorilla girls — Do women have to be naked... Maya Lin — Vietnam Memorial Alice Neal — Portrait of Andy Laurie Anderson — America Parts I — IV Rachel Whiteread — House Diane Arbus — Twins Nan Goldin — The Ballad of Sexual Dependency Sally Mann — Immediate Family Agnes Martin — Untitled Kiki Smith — Standing Linda Benglis — Artforum Advertisement Kara Walker — My Complement, My Oppressor, My Enemy, My Love Louise Bourgeois — spider Helen Frankenthaler — Mountains and Sea Jo Baer — Rook Jackie Winsor — Burnt Piece Eva Hesse — Repetition Nineteen

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.