Sentences with phrase «painting powerful images»

Not exact matches

Painted in the colors and pattern of the American flag and featuring the image of a bald eagle clawing its way to the front of the helmet, you'll feel powerful and ready to take on any job!

As you may have deduced from the name, TruNote helps you take advantage of the pen, giving you a powerful tool for everything from note - taking to drawing and painting to working with graphics and images.

While these images don't showcase buddy characters such as Mia they do paint a bloody image of the powerful enemies the player will encounter throughout their journey.

The featured works combine elements of historical paintings with traits particular to photography to create images with a unique and powerful presence.

Also on display are powerful works by Sidney Geist, Studded Figure (1957), a painted wooden piece; Mary Frank's Reclining Figure (1960); and Alex Katz's Ada Ada (1959), a double image of his muse, his wife Ada.

Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.

While they appear to be clearly abstract, they also have a powerful effect on the viewer to seek out an image within the paint, whether that image is a reference to an art historical moment or another source.

The Alabama police had used German shepherd dogs against African - American protestors (images of which were used by Andy Warhol and, more recently, Kelley Walker) but they also turned fire hoses against crowds of peaceful black school children with spray powerful enough to strip paint from a wall.

Reinterpreting the Otto Dix image using recent polaroids of himself and Elke nude, sitting in a similar position as Dix's parents, the artist painted the figures using predominantly black and white palette and addressed the powerful themes of his celebrated «Avignon» canvases exhibited at the 2015 Venice Biennale.

Each painting was originally displayed with the artist's accompanying text, which builds on the powerful visual narrative of the images.

Ryan Lee gallery will present «Rudolf Baranik: Napalm Elegies (Paintings 1967 - 74),» an exhibition looking back at powerful images from the late artist's anti-war series.

Artistically promiscuous, Harvey's work has ranged from highly worked figurative paintings to vital, impastoed oils of nudes delineated by black lines known as his «Readers Wives», playful politicised sculptures as well as a powerful mosaic image of Margaret Thatcher.

With a practice spanning painting and photography and landscapes and figuration, he was most recognized for his powerful images of 1970s subjects whose cool poses and confident style of dress conveyed a certain attitude and hipness.

Two years in the making, Conn's large - scale paintings depict powerful images of dense forest scenes.

He appropriated a monochrome image of Guernica for a painting with a theme of Picasso's studio.Through working on this series Kuwakubo felt that he had become familiar with each painter's character and feelings for example, «intelligent» Vermeer, «stubborn» Cézanne, «powerful and overwhelming» Picasso, and «honest» Seurat.

«For me, painting's capacity to make images through the manipulation of materials seems to be its most powerful and magical quality.

Unfortunately, geometric images can't compare with the beauty of figurative cave art, as exemplified by the powerful bulls in the Lascaux cave paintings or the watching lions in the Chauvet cave paintings.

Cindy Sherman's surreal photographic images aren't strictly beautiful, like Philip Taaffe's paintings, say, but they are powerful and haunting.

Thiebaud spent that year in Manhattan, where he encountered powerful artistic personalities of the so - called New York School who had little time for his inclination to paint images.

And finally I wish Henry Taylor's powerful images of black life were receiving more attention than Schutz's George - Condo - like confections, where Taylor's expressive paint - handling and use of scale truly reflect the life, and death, of his subject matter.

The result is a potent comment on the powerful tension between medium and image that has haunted painting for as long as abstraction has existed, or perhaps since the first images were daubed on a cave wall millennia ago.

As my previous body of work involved the emotional dynamic between 2/3 people in any given space I decided that the most powerful image here which also moved the Nude genre of painting further, was to paint live in strip clubs with the visual presence of the patron, the male, the male gaze included in the dynamic of each painting.

If Man With A Hoe (1860) by Jean - Francois Millet (1814 - 75) represents the ultimate 19th century image of a peasant broken by manual labour, Fahy's powerful series of recent paintings entitled The Sowers of Cyprus, continues the theme but without Millet's profound alienation.

The Ruc paintings show a further development of these mythic or symbolic forms in a more graphic style and include what the artist himself has described as some of his most powerful images.

Perhaps his most famous work was entitled, F - 111, which paid homage to the powerful aircraft heavily utilized by the U.S. Air Force in Vietnam when Rosenquist painted it in 1964, interspersed with commercial images onto 23 sections, 10 feet high and 86 feet wide.

He is noted for his large scale landscape painting, thick with impasto, which offer powerful images of instantly recognisable parts of the Irish scenery with large abstract sections denoting the relentless and elemental force of wind and sea.

Robert Goodnough may have favourably described Number 32 1950, the first black painting, as showing «open black rhythms... dance in disturbing degrees of intensity, ecstatically energising the powerful image in an almost hypnotic way», 1 but not everyone shared his good opinion.

Powerful, poetically charged images emerged from milling ideas and memories together with quotidian observation of objects that ceaselessly surrounded him: books, clocks, paint, canvases, boots, cigarettes.