Sentences with phrase «painting practice centered»

Not exact matches

He works in various media but his practice is centered around the creation of large, iconic paintings.

The artist's practice, which encompasses painting, collage, photography, video, sculpture, and performance art, often centers around a mythical cast of human, animal, and hybrid characters, who live in a world that exists somewhere between fantasy and reality.

In situating the development of his art directly alongside his life experiences, and in expressing doubt and desperation, LaDuke placed painting firmly at the center of a sentient artistic practice.

Joan Semmel (b. 1932) has centered her painting practice around issues of the body, from desire to aging, as well as those of identity and cultural imprinting.

Ashley Bickerton's vibrant and often dystopic vision of contemporary culture has been at the center of his four - decade - long practice, which includes painting, photography, sculpture, and every possible combination therein.

Often integrating mixed media materials into her large - scale acrylic - on - canvas paintings, Parsons pushes the formal aspects of her practice just enough to let the luxuriant palette and seemingly, but not simply, whimsical content hold center stage, while proving that she has true skin in the game.

On this 50th anniversary, we are pleased to recognize Work Center founder and artist Salvatore Del Deo, whose vision for the Fine Arts Work Center and whose own painting practice are enduring testimonials of the Outer Cape's distinct and enduring creative powers.

Krasner's will stipulated that the home (where she originally painted) and the studio both be a place of insight into her and Pollock's practices and a broader educational resource for students of modern art in America, and the site now features a study center that includes archives and interviews.

Asa Schick and Michael Meehan to be featured in the Painting Center's exhibition «Working it Out,» a celebration of preparatory practices and process.

By reducing paintings to mere signs of themselves, McCollum turned the gallery and the museum setting into a kind of theater, highlighting the drama of presenting, displaying, buying and selling, exchanging, photographing, assessing, criticising, choosing, and writing about the works; the object - paintings at the center of the action were purposely rendered moot, in order to turn one's attention to the supplementary devices and social practices that, in the end, bestow the value on the work.

Gao Yuan's artistic practice centers on animation and painting, illustrating the homogeneity and repetitiveness of images and concepts, and the temporality of the two.

Curated by Sessa Englund, Introductions brings a contemporary mix of video, photo, sculpture, painting and screenprint, offering the audience a view into the works of artists who's practice centers on the individual and academic exploration of self - identity.

The current programme is centered around succinct solo exhibitions, recently this has included artists that have elements of painting within their main practice.

Büttner, whose conceptual practice often incorporates collaboration and spans printmaking, painting, installation, and film, recently had solo shows at David Kordansky Gallery in Los Angeles and the Walker Art Center; she also won the Max Mara Art Prize for Women for 2009 — 11.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

His recent group exhibitions include: «Zhongguo 2185», Sadie Coles, London, Great Britain, 2017; «Mountain Sites: Views of Laoshan», Sifang Art Museum, Nanjing, 2016; «200» 60», chi K11 Art Space, Shanghai, China; «My House Is Your House», SPSI Art Museum, Shanghai, China, 2015; «Jing Shen — The act of painting in contemporary China», PAC Museum of Contemporary Art, Milan, Italy, 2015; «10th Gwangju Biennale», Gwangju, South Korea, 2014; «Rendering», AIKE - DELLARCO, Shanghai, China, 2013; «ON OFF China's Young Artists in Concept and Practice», Ullens Center for Contemporary Art, Beijing, China, 2013.

12th International Encaustic Conference In early June, I'll be giving the keynote lecture, «The Persistence of Painting,» at the 12th International Encaustic Conference at The Truro Center for the Arts and teaching a workshop about contemporary painting prPainting,» at the 12th International Encaustic Conference at The Truro Center for the Arts and teaching a workshop about contemporary painting prpainting practices.

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

Like her paintings, Brown's drawing and printmaking practice is also quite impressive — she recently had her first solo exhibition dedicated to works on paper at the Drawing Center in New York.

Jiro Takamatsu was a post-war Japanese artist whose practice began with painting and later included performance art and public interventions as part of the Hi - Red Center collective.

Judithe Hernandez and Patssi Valdez: One Path Two Journeys through January 28th Millard Sheets Art Center, Pomona in participation with Pacific Standard Time: La / LA By Mario Vasquez What happens when two women artists, whose artistic practice involved political and social activism, begin painting?

Artists such as Rodney Graham and Tacita Dean have placed the projector at the center of their practice and others such as Sharon Lockhart and Blake Rayne have used the projector alongside photographs and paintings.

Works from Lewben Art Foundations, Lithuanian Exhibition and Congress Centre LITEXPO, Vilnius 2017 «A Screen of Flesh», Coma Gallery, Rushcutters Bay 2017 «Body Language», Company Gallery, New York 2o17 «Tschabalala Self, Ellannah Sadkin, Mr Kiji», Red Bull House of Art, Detroit 2017 «Le Nouveau Voyeurisme», Hotel Contemporary, Milano 2016 «Desire», Moore Building, Miami 2016 «Life During Wartime», Diane Rosenstein, Los Angeles 2016 «Protuberances», LAXART, Los Angeles 2016 «Aiko Hachisuka, Tschabalala Self, Caroline Wells Chandler», 11R, New York 2016 «Sexting», Kate Werble Gallery, New York 2016 «Perfect Day», Roberts & Tilton, Culver City 2016 «WACKing the Piñata», Ltd los angeles, Los Angeles 2016 «A Being in the World», Salon 94 Bowery, New York 2016 «Look up here, I'm in heaven», BRIC, New York 2016 «Intimisms», James Cohan, New York 2016 «Mal Maison», Maccarone, New York 2016 «A Shape That Stands Up», Art + Practice (off - site Hammer Museum), Los Angeles 2016 «Intersections», Tensquared Gallery, Internet 2016 «Arachne's Woof», Litvak Contemporary, Tel Aviv 2016 «New Genealogies», Yale School of Art Green Gallery, New Haven 2016 «Duplify», Kate Werble Gallery, New York 2015 «Berg Matthams Self & Weaver», Thierry Goldberg Gallery, New York 2015 «A Constellation», The Studio Museum in Harlem, New York 2015 «The New New», Diane Rosenstein Gallery, Los Angeles 2015 «THATS ON ME», Paris Blues, New York 2015 «Yale MFA Painting and Printmaking Graduates», Garis & Hahn, New York 2015 «2,015 But Who's Counting», Yale School of Art Green Gallery, New Haven 2014 «13 Artists», 24/6 Space, New Haven 2014 «Swimming Pool», 24/6 Space, New Haven 2013 «For Ed: Splendor in the Grass with Olympic Lad & Lass», Yale School of Art Green Gallery, New Haven 2013 «Women Love the World», Launchpad, New York 2013 «Encounters», Harlem School of the Arts, New York 2012 «SUGGARHILL», Essie Green Galleries, New York 2012 «EdgeControl», UBS Exhibition Center, New York 2012 «NEO XL», Werehouse, New York 2008 «Radiant Minds», Queens Museum of Art, New York 2007 «Admission $ 2.00», Whitney at Altria, New York

Selected from the Center's rich holdings, and augmented with key loans from Tate Britain, the British Library, and the Yale University Art Gallery, the exhibition will include a diverse range of objects from both high art and popular culture — many of which are being exhibited for the fi rst time — including albums, scrapbooks, prints, paintings, miniatures, and sculpture, demonstrating how collecting practices and artistic patronage in India at this period constituted a complex intersection of culture and power.

The grandest, funniest and most sweeping series yet — centering on classics of mythological painting — in this contemporary artist's ongoing practice of staging simulated photo reproductions.

Headlands Center for the Arts is pleased to announce the 49 artists and collaboratives who have been awarded into its renowned Artist in Residence program for 2017, including discipline - specific awards for painting and social practice.

The new «lead - safe» practices apply to work on homes, day - care centers and schools built before 1978, when lead paint was banned for residential use because of health risks.