His diverse
painting practice weaves together impulses of minimalism and hard - edge abstraction with those of the California Light and Space movement, to forge an entirely singular creative vision.
Not exact matches
He moved seamlessly between the mediums of
painting, drawing, printmaking, photography, sculpture, installation and performance, and often
wove these methods together, blurring the lines between conventional artistic categories and developing a
practice that defies simplifications and categorizations.
Similarly, Sheila Hicks broke ground with a studio
practice that merged
painting, drawing, sculpture and the
woven form with architectural - scaled, site - specific installations.
Her
practice, which combines
painting, drawing, collage, sculpture, installation, performance, photography, and video, explores issues of gender, culture, and the self, often employing the body as a tool to
weave together the personal and political.
Examination of handmade traditions in artistic studio
practice can now be removed from the actual materials process, and / or enhanced by classic, but computerized, methods of
weaving,
painting, printing and sculpture.
Having opened for Gallery Weekend Berlin 2017, zerodayolds marks a shift in Wadden's working
practice, and presents larger and more intimately wrought
woven paintings than previously possible.
As he sees his work as part
painting, part sculpture, Sinsel brings these different kinds of found objects together in tight, simple, yet detailed compositions by means of craft - based
practices such as metalworking, ceramics,
weaving and sewing.
Harmony Hammond and Howardena Pindell reappropriate traditional feminine
practices such as
weaving and sewing in their heavily textured, skin - like
paintings.
Park Avenue Armory Park Avenue at 67th Street, New York Alexander Gray Associates presented a curated selection of Harmony Hammond's «
Weave Paintings» (1973 — 1977), which embody an intersection of
painting and sculpture that remains central to the artist's
practice to this day.
Bittman's
painting practice developed from an interest in the
woven structure as picture.
Hayuk
weaves visual information from her immediate surroundings into her elaborate abstractions, creating an engaging mix of referents from popular culture and advanced
painting practices alike, while connecting to the ongoing pursuit of psychedelic experience in visual form.