Sentences with phrase «painting practices by»

This group exhibition broadens the dialogue of contemporary painting practices by showcasing the...

This group exhibition broadens the dialogue of contemporary painting practices by showcasing the ways in which formal considerations such as color, texture and composition are created with thread, fabric, clothing and sculptural manipulations of canvas.

Drawing from nature, past works, and the experiences he had on his journey, Opalka's work in «Yeah, no» deliberately negates the painting practice by having fine art be torn, painted over, deconstructed, and repurposed.

Not exact matches

The Sri Lankan practice of farming this beautiful sap is by hanging charcoal painted black clay pots in the trees that rest collecting the sap.

This idea is complicated, however, by the fact that part of learning anything, be it painting or programming or eighth - grade algebra, involves a lot of repetitive practice, and repetitive practice is usually pretty boring.

Rabbit Food Lettuce Wraps for Kids to Make from Rainy Day Mum Bunny Color Sorting from Toddler Approved The Tale of Peter Rabbit ABC Carrot Patch from Growing Book by Book Name Tracing Bunny Fun from The Educators» Spin On It Carrot Number Matching Activity from 3 Dinosaurs Peter Rabbit Sensory Bin from Still Playing School Feed the Rabbit Activity from Mom Inspired Life Peter Rabbit Paper Plate Pop - Up Garden from I Can Teach My Child Bunny Treat Bags from Mama Miss Carrot Painting Pre-Writing Practice from Preschool Powol Packets Bunny Cracker Snack from The Pleasantest Thing

The program, initiated last year by County Executive Anthony J. Picente, Jr., targets properties in Cornhill, West Utica and parts of East Utica that are «at risk» for lead poisoning and allows the homeowners to replace old lead - base painted, single paned windows with new energy efficient replacement windows purchased at cost and using lead safe work practices.

«Protecting our children from the hazards of lead common in pre-1978 housing has been a high priority of my administration; and while it may take years to provide adequate lead safe housing in our community, there are measures we can take now to reduce children's risks of lead poisoning, including insisting that rental property owners replace or repair older windows and chipping and peeling lead paint and ensuring the work is performed by EPA certified contractors using lead safe work practices,» Picente said.

The pigment palette used was consistent with that used by Velazquez and his contemporaries in 17th century Seville, she said, as was the material combination practices like the use of certain pigments together and the use of paint to create volume on the paintings.

If you have followed her blog, you know that Marian loves to restyle furnishings with a variety of paint (including Chalk Paint ™ by Annie Sloan), but she has always had a special place in her heart and her practice for milk paint.

But Assayas also refers specifically to Hilma af Klint (1862 - 1944), a recently rediscovered Swedish pioneer of abstract art who claimed that her paintings were directly dictated by spirit forces, and to 19th - century French literary titan Victor Hugo, who practiced «table turning» sessions to contact the dead (Assayas fabricates an «extract» from an apocryphal French TV film of the 1960s, featuring actor - singer Benjamin Biolay as a solemn Hugo).

«Oddball» is a decidely anachronistic presence as the leader of a tank outfit of pre-Beat, pre - «free love» hippies; they practice psychological warfare by playing music in battle and shooting paint out of their tanks.

By keeping a supply of laminated paint samples, students can easily practice writing and reading compound words they come across in print.

Whatever practices invite us to be paint - by - number teachers will largely fail students who do not fit the template.

By painting a picture of how mobile reading is practiced today and by whom, it offers insights into how mobile technology can be leveraged to better facilitate reading in countries where literacy rates are low, an advance literacy and learning in underserved communities around the worlBy painting a picture of how mobile reading is practiced today and by whom, it offers insights into how mobile technology can be leveraged to better facilitate reading in countries where literacy rates are low, an advance literacy and learning in underserved communities around the worlby whom, it offers insights into how mobile technology can be leveraged to better facilitate reading in countries where literacy rates are low, an advance literacy and learning in underserved communities around the world.

View works by contemporary Ubudian artists as well as traditional schools of art such as Batuan — practiced by Brahman artists — and Sanur, which features highly stylized paintings of sea creatures and other animals.

De Jong writes: «Warm despite the preponderance of grey, Dickinson practiced an immediate form of painting in the smaller paintings, many of which can be viewed at Babcock... Painted quickly and in one sitting, these paintings were greatly admired by the Abstract Expressionists.»

Chayka writes: «New York's frenetic milieu allowed Whitten to refine his practice, moving from derivative Abstract Expressionism to an automatic form of painting informed by manufacturing, speed, and minimalism.

Bonnard's habit of drawing all the time, together with his practice of painting from memory rekindled by drawings made on the spot, allowed him to paint subjects of a more transitory nature than had anyone else.

While I love to work by hand, my practice to this point has been limited to drawing, painting, and digital work.

Taking influence from performances by Rebecca Horn, the installation work of Eva Hesse, and the 60s and 70s works of Richard Tuttle and Sol LeWitt, Oh employs a minimalistic practice using string, weights, dowels, paint, plexiglas and graphite lines arranged in fragile compositions.

He reinvented the practice of painting for himself by learning to excavate volatile new meanings from the medium's most essential materials: paint and cloth.

«JACK WHITTEN: Five Decades of Painting» Museum of Contemporary Art San Diego, La Jolla, Calif. Sept. 20, 2014 — Jan. 4, 2015 Jack Whitten's approach to abstraction is distinct, defined by his career - long commitment to evolving his practice.

As Richter explained, «landscapes... show my yearning... But though these pictures are motivated by the dream of classical Order and a pristine world — by nostalgia, in other words — the anachronism in them takes on a subversive and contemporary quality» (Gerhard Richter, «Notes 1981», The Daily Practice of Painting, London, 1995, p. 98).

Because of the mass appeal of Hockney's Royal Academy Exhibition, the iPad paintings have unfortunately been branded by popular criticism and media as the epitome of contemporary art practice, fuelling the delusions of those who unwittingly consider landscape painting to be one of the few modes of visual art.

A new series of portrait paintings by Kehinde Wiley is a departure from his practice which usually captures ordinary people from around the world recast in scenes from European history paintings.

Another painter based in L.A., Lecia Dole - Recio earnestly focused on the importance of Jasper Johns's catenary works to her practice and the related process by which she constructs her «queer formalist» paintings, as she describes them.

Yanai's practice is fueled by fables, stories and hymns — each painting a reflection of the pragmatic side of our life.

Thomas Dane Gallery presents an exhibition of new works by Venezuelan - born artist Arturo Herrera, whose practice combines found images and objects with drawing, collage, sculpture and paint.

«Martin Wong: Painting is Forbidden» Exhibition Curated by CCA's Graduate Program in Curatorial Practice Class of 2015.

Raphael Rubenstein's strong interest in painting is manifested though this exhibition catalogue, which «focuses on New York painting in the 1980s as practiced by a generation born between 1939 and 1949.»

By continually changing her working environment with lighting, mood, and orientation of the canvas while painting, Scully pushes the boundaries of not only her practice, but of physical and psychological space.

By mid-career, she had refined this practice by incorporating charcoal drawing into acrylic paintings done on large canvaseBy mid-career, she had refined this practice by incorporating charcoal drawing into acrylic paintings done on large canvaseby incorporating charcoal drawing into acrylic paintings done on large canvases.

This exhibition features photographs by Mickalene Thomas of the staged scenes and photographic portraits that form the basis of her practice and inspire her mixed media paintings.

Grau's work is grounded in the history of plein air painting, an in - situ practice of landscape painting based on direct observation that was initiated by artists such as Claude Monet, Pierre - Auguste Renoir, and Camille Pissarro in the latter half of the nineteenth century.

In the Company of Alice presents portraits and figurative paintings by a diverse group of artists - some established and some emerging, some for whom portraiture is the crux of their practice and others for whom creating a portrait has been a new exercise.

Situating itself within current art historical and political debates, the exhibition considers work by self - taught, spiritually inspired and incarcerated artists, alongside other projects based in performance, socially engaged practice and the archive, as well as painting, drawing, sculpture and assemblage, that make insistent reference to place.

If painting as a practice is viewed with far more skepticism today, the sense of conversation evoked by the works on this wall — and in a smaller room off the main gallery, which is also filled with the art of Schloss's friends and acquaintances — rings eerily familiar.

Gerard Ellis May 30 — July 11, 2013 A painter and draftsman by calling and choice, Gerard Ellis establishes an interesting dichotomy between the practice of painting and social critique.

James Prosek's practice is inspired by the long tradition in art history of depicting nature — starting with paintings of animals deep within the caves of Lascaux and Altamira to detailed drawings of animals by Albrecht Dürer.

Paintings of this decade by Pablo Picasso, Philip Guston, and Faith Ringgold reflect how artists began to confront the relationship between their identities, their studio practices, and the tumultuous times in which they lived.

The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.

Sikander's pioneering practice takes classical Indo - Persian miniature painting as its point of departure and challenges the strict formal tropes of the genre by experimenting with scale and various forms of new media.

The MFA in Painting at the University of Houston is intended to facilitate intellectual development and the practice of making art, as defined by the needs, interests and affinities of each student.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

César, Mimmo Rotella, Niki de Saint - Phalle (then practicing «shooting paintings») and Gérard Deschamps then joined the movement, followed by Christo in 1963.

By creating these rigid guidelines for the practice, the paintings are allowed to develop as variations on a theme.

In addition to pivotal works by Noguchi, the exhibition illuminates his relationships through personal photographs, exhibition - related ephemera and correspondence from The Noguchi Museum Archive, as well as sculptures, paintings and drawings by those who influenced his artistic practice.

The son of architect Ernst Freud and grandson of Sigmund Freud, Lucian Freud's early artistic practice was characterized by a meticulously realistic approach to painting.

The point of departure for the exhibition is a particular shade of violet that all three artists coincidentally found themselves using, with this coincidence inspiring an interest in seeing their work side by side, to draw a line between their practices and their innovative approaches to painting.