Sentences with phrase «painting prize at»

As late as 1988 he was awarded the principal painting prize at the 1988 Venice Biennale.

In 1953 the couple moved to France, and in 1954 he won the main painting prize at the Venice Biennale, which ushered in a period of esteemed old age.

In 1961, she won the painting prize at the prestigious Sao Paulo Bienal in Brazil.

Later in the decade Riley shifted to nuanced color, and in 1968, with three monumental striped canvases that seem to radiate light, she was the first woman and first contemporary British artist to win the international painting prize at the Venice Biennale.

Not exact matches

At the start of her career, Grandma Moses entered some of her paintings into her local county fair, but they did not win any prizes.

[4] Riley has also received the international prize for painting at the 1968 Venice Biennale, the Kaiserring of the city of Goslar in 2009 and the 12th Rubens Prize of Siegen in 2012.

AWARD / HONOR > Baltimore artist Amy Sherald wins major prize for her 2013 painting «Miss Everything (Unsupressed Deliverance)» in the 2016 Outwin Boochever Portrait Competition at Smithsonian National Portrait Gallery

In 1998, at the age of 30, he was the first black winner of the Turner prize, and he later caused uproar in some quarters with a painting of the Virgin Mary that featured spherical pieces of elephant dung.

He obtained several distinctions such as Special Mention in Juan Francisco Gonzalez painting prize (2005) and the first prize in the Mural Painting Competition at the Ex-Carcel Cultural Park in Valparaísopainting prize (2005) and the first prize in the Mural Painting Competition at the Ex-Carcel Cultural Park in ValparaísoPainting Competition at the Ex-Carcel Cultural Park in Valparaíso (2004).

group exhibitions include: John Moores painting prize 2007, Temporary Accommodation at the Whitechapel Gallery (2001), The Hecklers, New Art Gallery Walsall, Walsall; Deception of the Eye, Special Effects in Contemporary Art, Kunsthalle Wilhelmshaven, Germany MUTAGEN, ASC Gallery, London (both 2013); The Dorian Project, Second Guest, New York (2012) and Making Familiar, Temple Bar Gallery, Dublin (2012).

When: Exhibition of shortlisted works at Asia House, London 22 - 30 September 2016 Selection panel of judges include Pamela Kember - Tong (Head of Arts & Learning at Asia House), Estelle Lovatt (Art critic & art history lecturer) Sajid Rizvi (Founder & publisher of EAP Group International Media) Thorsten Overgaard (Writer, photographer and international photo judge) Isabel H Langtry (Principal at Hampstead School of Art & Sculpture Artist) Payment: Painting & Sculpture Prize - 1st prize # 1500, 2nd prize # 1000.

Awards include the first honorable mention at the XXII Media Arts Biennale in Chile, the first prize at the UFO McDonald's Painting Competition, the first prize in the Britney Spears Dance Challenge 2016, a Jerome Foundation for Emerging Filmmakers Grant, and a Hammersley Grant.

November Blue Abstract, 1959 was awarded first prize in the British painting section at the second John Moores Liverpool Exhibition.

She has been the recipient of numerous prizes, including the Rome Award in Painting, a French Government Scholarship, the Stanley Picker Lectureship at Kingston University and various Arts Council Awards.

He was awarded first prize for painting at the 1958 Biennale, the event's highest accolade.

In 1990, she presented her figurative paintings at a first solo exhibition and received a prize at the international competition organized by the city of Deauville.

The artist had created a mural in tribute to the late Chinese dissident and Nobel laureate, Liu Xiaobo, incorporating a vacant blue chair and a Chinese landscape painting interrupted by prison bars (a reference to the empty chair at the 2010 Nobel Peace Prize ceremony, on which the prize was placed while Liu was imprisoned in China).

Recipient Painting prize, California School Fine Arts, 1959, First prize, California School Fine Arts Festival, 1960, Fletcher award, California School Fine Arts, 1960, First prize in Painting, Oakland Annual, 1960, New Talent award, Art in America, 1961, Sculpture prize, Los Angeles County Museum Art Painting prize, 1962, 65th Annual Exhibition, The Art Institute Chicago, 1962, Nealie Sullivan award, San Francisco Art Institute Purchase prize, Whitney Museum, New York City, 1968Creative Arts award, University California at Davis, 1968, Bartels prize, 72nd American Exhibition, The Art Institute Chicago, 1976, Travelling Grant to Australia, Australian Arts Council, 1980.

Lluís Barba was shortlisted in The Young Masters Art Prize, 2009 and as part of the on - going support of the prize he was invited to exhibit at The Courtauld Institute of Art, Somerset House, WC2 displaying works relating to the history of academic painting and the space of the salon (hosted by East Wing IX.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts»Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts»Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts»paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

In 1993 Peter Doig won first prize at the John Moores exhibition with his painting «Blotter».

The winner of the East London Painting Prize 2015 will be selected from the shortlisted artists and announced on Wednesday 13 May, receiving a # 10,000 prize and solo exhibition at the Nunnery Gallery in the autumn.

The recipients of Vasari Classic Artists» Oil Colors prizes, in the 5th Annual Plein Air Competition at Sagamore Hill, are pictured here and their winning paintings below.

This week, Hana Al - Saadi — a Painting and Printmaking student at Virginia Commonwealth University in Qatar — became the recipient of QMA's prize to meet Hirst at his Gloucestershire studio.

List of prizes, awards, and participants in the 28th Annual Dallas County Exhibition of Painting and Sculpture, April 10 — May 12, 1957, held at the Dallas Museum of Fine Arts.

Any thought that Richard Wright's Turner - prize - winning fresco — an exquisite abstract work in gold leaf — ought to be saved for posterity can be abandoned: Tate Britain's art handlers sanded and painted over the work at the end of last week, following the closure of the Turner prize exhibition.

In 1993, he won the first prize at the John Moores exhibition with his painting Blotter.

To mark the prize, an exhibition of Riley's art has opened at the Gemeentemuseum in The Hague, including a new 20 - metre wall painting executed by assistants, as is usual in her work.

PARIS — Bridget Riley's retrospective at the Modern Art Museum of the city of Paris opens with landscape drawings from the 1950s, passes through the Op Art with which she became famous, soars into the big lusciously colored abstracts of recent years and ends with a wall painting which the curator sees as a homage to the museum's prize possession, «La Danse» by Matisse.

The artists in the running for this year's Turner prize for contemporary art have put their work on show at Tate Britain — a mixture of sculpture, painting, video work and pure sound

He has received numerous awards for his works, including first prize at the Peale Museum in Baltimore, 1970; «Best Paintings in the Traditional Manner» at the Baltimore Museum, 1971, «Best in Show» at the Washington County Museum, Hagerstown, MD, 1972; «Best in Show» at the Center Club in Baltimore, 1973 and 1978.

In 1958, alongside Rothko, he represented the USA at the 29th Venice Biennale where his painting Capricorn was awarded the City of Venice painting prize.

He was a celebrated artist, and according to The Annex Galleries, was awarded a prestigious painting prize from the Los Angeles County Museum of Art in 1955 and regularly exhibited his work at galleries and museums along the West Coast.

Internationally renowned, Riley's works are in prestigious collections across the world and she has been the recipient of many prizes, including the International painting Prize at the Venice Biennale in 1968.

Polke also received numerous international awards, including the Golden Lion prize at the Venice Biennale of 1986 and, more recently, the Japan Art Association's 2002 Praemium Imperiale award for painting.

The Telegraph can't resist a jibe at the «emperor's new clothes prize», though is forced to admit that «traditionalists may be pleased» by Tomma Abts» meticulously painted abstract canvases, which the artist claims have no representational meaning outside their own form.

The ten articles for which Saltz won the prize, all published originally by New York magazine in 2017, display a diverse range of interests, though the selection reveals the critic's interest in art world controversies; it includes commentary on that year's contentious Whitney Biennial, a take on the auctioning of a painting purportedly by Leonardo da Vinci at Christie's, and a piece addressing the Balthus painting that thousands petitioned to have removed from the Metropolitan Museum of Art in New York.

He received the first prize for painting at the 1948 Venice Biennale, rapidly becoming one of the most respected Italian painters.

In 1982, Lee Garrett, a friend and graduate student in art at The Ohio State University, entered one of Hawkins» paintings in the Ohio State Fair, where it was awarded first prize.

He was later influenced by Oriental thought and aesthetics... In 1958 he received the major prize for painting at the Biennale of Venice and in 1961, the first American to be so honored, he was accorded a compre - hensive retrospectives exhibition in the Pavillon de Marsan of the Louvre in Paris.»

Chris Ofili comes with a seemingly gold - plated reputation: 1998 Turner prize winner, British representative at the 50th Venice Biennale, paintings held in some of the world's great collections.

In 1968, Riley won the international prize for painting at the Venice Biennale.

Big names still get the million - dollar prizes, but lesser - known artists are starting to come to the forefront, such as Nissky and Viktor Tsvetkov, whose painting The Finish recently fetched $ 83,000 at Sotheby's London.

She studied at Folkestone and Dover School of Art (1952 - 6) and the Royal College of Art, London (1979 - 81) and now, in her early eighties, is enjoying renewed interest in her work in the UK and internationally with recent exhibitions at the Jerwood, Hastings (2012) and Tate Britain (BP Spotlight, 2013), as well as winning the prestigious John Moores painting prize in 2014.

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

First endowed in 2005, the FALKENROT PRIZE pays tribute to artists at home and abroad whose work seems likely to set new standards in contemporary painting as well as adjacent fields.

When he was awarded the grand prize for painting at the 1964 Venice Biennale in Italy — only the third American to receive the distinguished honor, after James Whistler and Mark Tobey — the surprise selection ignited a firestorm of controversy in Europe but secured his international reputation.

(Tate Gallery, London, England) The Economist (US); November 21, 1992; 606 words... November 24th when the 1992 Turner prize, worth Pounds 20,000... whose works are on show at the Tate Gallery in London until November... Can't Have You», at the Tate Gallery, is 37 fish laid out... Common Ground», at the Tate, consists of a painted steel...

His recent paintings at Michael Martin span a range of moods, but above all else prize the pleasures of painting and seeing.

With her curiosity of techniques, unique sense of colour and versatile brush - strokes, she creates dynamic paintings while exploring the vitality of human beings and other living things.Some of her achievements include a solo exhibition in 2001 organized by sculptor, Katsura Funakoshi, a placement in the VOCA 2006 at the Ueno Royal Museum, and first prize in the13th Maebashi Art Competition Live 2009 (the prized work now a part of Arts Maebashi Collection).