If you are an artist or collecter and want to learn more about
the painting process behind my artworks download this guide.
The paint process behind Brilliant Red Pearl and Majestic Black Pearl involves the use of successively tinted clear coats that result in a noticeably rich luster.
Not exact matches
I have an oak bed too that I plan to
paint at some point during our remodel
process - I'm waiting for the wall
behind the bed to be finished so I can decide how I want to
paint the bed.
«Ben - Hur» — Rare
behind - the - scenes materials including makeup and wardrobe tests, production design sketches, sample matte
paintings — A forward and captions written by Charlton Heston's son, Fraser C. Heston — Excerpts from Charlton Heston's acting and shooting journals during filming — Details about the development of Panavision and MGM's proprietary widescreen
process (MGM Camera 65)
Opening: «Pixar: The Design of Story» at Cooper - Hewitt National Design Museum This exhibition is a rare peek into the design
process behind the creation of Pixar favorites like Toy Story, Wall - E, Up, Brave, The Incredibles, and Cars, including relics such as rarely seen
paintings, sculptures, hand - drawn sketches, and other original artwork.
In a video the artist shows the
behind - the - scenes
process that went into making Inhabited
Painting — casting the floor, pouring the wet polymer, peeling back the skin - like sheets, cutting and folding this firm yet malleable material, and cleaning the surface (which he does with soapy water and a dust broom).
The story
behind it adds to my interest, but I like the simplicity of the composition and how the subject matter stands in for the
painting process itself (constructing / covering / measuring / disposing).
As if to underscore the point, the Dallas Museum of Art's presentation of the traveling exhibition Hopper Drawing: A Painter's
Process includes both actual and reproduced Hopper
paintings for comparison with the numerous studies and preparatory sketches
behind them.
Established Hamptons Artist Anne Raymond opens her East Hampton Studio to present a
behind - the - scenes look at the monotype
process and the making of contemporary abstract
paintings.
Bringing together a range of perspectives by artists, art historians, critics and curators, Ellen Altfest:
Painting Close - Up provides behind - the - scenes insight into the everyday processes of her p
Painting Close - Up provides
behind - the - scenes insight into the everyday
processes of her
paintingpainting.
With a mixture of updates on his Bacon homages, Edo period influenced works and his hallmark and signature flower works, the show was highlighted by a
behind - the - scenes look at the notes, early sketches and edits that each
painting goes through in the
process of being created.
While Tate Britain explores Turner's celebrated late career in which he embarked on radical experimentations with technique,
process and material, the V&A delves into the story
behind Constable's master
paintings — many of which have only received rightful recognition in the modern age.
«When you look at a
painting, you are perceiving people's decision - making, you are seeing
process behind how things are made or thought of or realized, so the way you make a
painting carries with it most of its meaning.»
With the Watercolour exhibition going on at the moment at Tate Britain at Millbank in London, watercolour expert Mike Chaplin has just produced a series of videos looking at Turners work where he breaks down some of the thought
processes that went
behind Turners
paintings, and explores some of the techniques that he used to such good effect.
While her
paintings border on the monochromatic, subtle traces of primary color reveal the laborious and experimental
process behind each one.
While these
paintings are, without a doubt, visually stunning, what counts the most is the
process behind them, the idea that got everything going, the impulse of creation so palpable we can almost touch it.
The way he used to handle
paint gives results which stand on the verge between
painting and post-performance products, given the fact that the
painting itself doesn't mean much without the
process behind it.
You consider these works to be an evaluation of early American landscape
paintings; could you describe the thought
process behind these works?
Another interesting fact about Still, and the likely reason
behind the «No. 2» in the
painting's title, is that Still was known to work in series, often creating closely - related compositions he called «Replicas», which is a testament to a deliberate, contemplative and cognitive creative
process, one that is in direct contrast to the commonly held notion of Abstract Expressionist canvases being the result of impulsive and emotional creativity.
The preparatory works in Thirteen Studies for
Paintings reveal the thoroughly strategic planning
behind Thomas's work, allowing us to feel Thomas»
process of thinking through a
painting's structure.
The event will offer a unique insight into Keane's award - winning Fear series, as the artist himself discusses the key inspirations and
processes behind his large - scale
paintings of arrested victims from the great Stalinist terror of the 1930s.
This work features series of blue arrows, that aims to unpack the logic
behind a system while still operating within its structure.The hard edges seen in his
paintings and prints give way to feathery, halo - like edges that occur naturally in his
process — using stencils and linen pulp.
They tell you the thought
process behind their creative methods and reveal their
painting techniques.
Polly Apfelbaum describes the materials and creative
process behind a number of her «fallen
paintings.»
Discover more at www.michaelaaronart.com and make sure you watch the video below to see the
process behind his coffee
paintings.
Rachel Youens talks to painter Carolanna Parlato about the evolution of her
painting process and her new
paintings which were recently on view in the exhibition
Behind the Sun at Elizabeth Harris Gallery, New York.
«Barnett Newman: The Late Work, 1965 - 1970» focuses on
paintings produced during his last five years and a glimpse of the
process behind them.
Anna Burckhardt explores the
process and motivations
behind the anthropomorphic symmetry in Cristina Camacho's
painting series, «Bilateral Dissections.»
The artist is anxious, perhaps, but by the same token brimming with anticipation and eager to discuss the new
paintings and explain the
process and ideas
behind the work.
And then on the wall
behind the figure is the aftermath of the
painting process, in which you work on the wall and at the edges of the canvas you end up with this sort of linear abstraction as a residue.
The driving force
behind the creation of his work is the intuitive
process of
painting, in which Moses emphasizes gesture, mark making, and exploration of the
painted surface.
In a new series, he takes this
process a step further by
painting the wooden surface
behind the thread into solid tones, bringing a different depth and complexity to the work.
Here, while in the midst of installing these new
paintings, Doig offers a
behind - the - scenes look at his creative
process.
Despite having left
painting behind in the previous decade, the
processes of assemblage and accumulation in his installations eventually brought Tomaselli back to his two - dimensional roots.
To see a Delaunay crowded
behind a TV, a Warhol «Green Stamps»
painting on a hideous red wall, or an extraordinary Mondrian
behind an armchair is like seeing how meat is
processed.
Three smaller side - chapel - like galleries are devoted to a progression of artists with Minimalist leanings: the colored steles of Anne Truitt, the slathered
process paintings of Ms. Heilmann and finally a series of big, stuttering black inkjet X's on white linen by Wade Guyton that pledge allegiance to
painting while crossing their fingers
behind their backs.
There is a distinctive methodology
behind the making of his layered
paintings, the assembly, preservation and transmission of information are integral to his
process.
Roz Dimon will demonstrate the creative
process behind her multi-layered digital drawings and
paintings and discuss digital art in general to illuminate this new art genre.
Other contents include a contribution from Philadelphia's Headlong Dance Theater, which relates the
process behind the company's highly regarded Cell piece from 2006; facsimile reproductions of 1960s letters from the artist James Lee Byars to MoMA curator Dorothy Miller (the second installment of the Modern Artifacts series, presented in collaboration with The Museum of Modern Art Archives); two more «Guarded Opinions» from guards at the Hammer Museum in Los Angeles — this time offering commentary on
paintings by Degas and Gustave Moreau; an anonymous confessional piece about the life of a «decor artist»; a selection of never - before - published map sketches by Michigan artist Neil Greenberg; Angus Trumble's «2001 in Retrospect»; and a found object contributed by Stephen Weyl.
Such an idea of
painting — emphasizing its physical
process — would be highly influential on later artists; Pollock, for example, was a major impetus
behind the appearance of Happenings in the United States in the 1960s.
The Open Studio event is a
behind - the - scenes opportunity to learn more about the monotype
process and see her expressive abstract
paintings.
British Council Collection artist Laura Lancaster talks about the ideas and
processes behind her
paintings.
They are smaller in format than your
paintings and provide a glimpse of the entire
process behind your work.
The
process behind my work is straightforward, I prepare the calico, apply a rough sketch,
paint some body parts and then start sewing spontaneously.
Get a
behind the scenes look at the famed artist's technical
process with this rare collection of his gridded photo studies, which, covered in notations and marginalia, serve as the basis for his large - scale pixelated
paintings.
Nicholas Middleton: When you are in the middle of the
process it's hard to separate out those decisions that go into making a piece... when I started
painting after I left college, I didn't... well, I suppose I fought against the idea of just making a
painting from photographic sources which looked like a photograph, so I used lots of strategies to disguise it, or to confuse it in a sense, making
paintings which were more like collages, or reducing imagery to... well, I borrowed things from pop art to, I suppose, to complicate things, for a few years it felt like I was fighting against what I seem to be naturally quite good at, and then it reached a point where I just felt I didn't want to tie myself in too many knots in terms of the thinking which was going on
behind the pictures and then just let myself just
paint fairly directly from photographic sources.
Larissa, the crafty DIY master
behind the blog Prodigal Pieces, started the lengthy makeover
process by refinishing the floors, creating a stunning faux barn - beam ceiling, and adding plank walls covered in a cream - colored
paint.