Sentences with phrase «painting professor from»

Associate Professor Daniel Riede and her first painting professor from the University of Virginia, Elizabeth Schoyer, exhibited paintings and installations that bridge historical and fictional explorations of the natural world.

Not exact matches

Now a visiting professor at the Bartlett Institute of Architecture, University College London, his work — paintings as well as glass works — covers the world from Texas to Germany and India.

Professor Nicola Cherry, originally from the University of Manchester but now at the University of Alberta, commented on a recent companion paper published by the group in the Journal of Occupational and Environmental Medicine: «In addition to cannabis exposure shown in this paper, we also know that men exposed to paint strippers and lead are also at risk of having sperm with poor morphology.»

A Clemson University professor who is researching a wide range of materials that could help create everything from self - healing paint to bacteria - killing medical devices was selected for an honor that goes to a small fraction of his peers.

«Our results suggest that, at least for wild horses, Palaeolithic cave paintings, including the remarkable depictions of spotted horses, were closely rooted in the real - life appearance of animals,» explains Michi Hofreiter, a professor from the Department of Biology at the University of York in the United Kingdom.

A comprehensive look at the paintings of the last 40 years — oils, watercolors, and more — this $ 75 behemoth is full of stunning images and knowledgeable commentary from Tony Godfrey, who works at Sotheby's Institute of Art and is a Fine Arts professor.

In This is How It Begins, Ludka Zeilonka, art history professor and survivor of the World War II Nazi invasion of Poland, rescued a valuable painting from certain theft or destruction at the hands of the Germans.

Realist paintings from the 1960s by Gerhard Richter, like Der Kongress (Professor Zander), 1965, can sell for as much as $ 10 million.

Gallery Talk on Icons of the Desert: Early Aboriginal Paintings from Papunya given by Fred Myers, Silver Professor and Chair of Anthropology, NYU.

UC Berkeley art history professor Kroiz brings her current research on Ad Reinhardt to his classic 1960 — 65 abstract painting from the BAMPFA collection.

Examples from his major series over the years (including body prints, found object assemblages, basketball chandeliers, basketball drawings, Kool - Aid drawings, and tarp paintings) will be featured and a fully illustrated catalog authored by Kellie Jones, a professor of art history and archeology at Columbia University, will accompany the exhibition.

From 2004 — 6 he was professor of painting at UdK Berlin.

American People, Black Light: Faith Ringgold's Paintings of the 1960s was curated by Miami Art Museum Director Thom Collins and Neuberger Museum of Art Curator and Purchase College Associate Professor of Art History Tracy Fitzpatrick with students from the Purchase College, SUNY, spring 2010 Art History Exhibition Seminar.

1981 Museum of Contemporary Art: «Twentieth Century NorthAmerican Painters» Sao Paulo, Brazil La Jolla Museum of Contemporary Art: «Artists Quilts: Quilts by Ten Contemporary Artists with Ludy Strauss» California Also: Los Angeles Municipal Art Gallery, San Jose, California, and University Art Gallery, University of Texas, Arlington, Texas (catalogue) Art Center College of Design: «DECADE: Los Angeles Painting in the «70's» Pasadena, California Fox Graphics Gallery: «Selected Prints Published by Landfall Press» Boston Washington Project for the Arts: «Neon Fronts: Luminous Art for the Urban Landscape», Washington D.C. James Corcoran Gallery: «Summer Group Show» Los Angeles, California Thomas Babeor Gallery: «A California Summer» La Jolla, CA Tower Gallery, Inc.: «California Artists: Sculpture and Paintings» Southampton, New York Judith Christian Gallery: «Forty Famous Californians» New York Montgomery Art Gallery, Pomona College: «Professor's Choice» Claremont, California Sheldon Gallery, University of Nebraska: «The Kansas City Show» Lincoln, Nebraska Art Gallery, California State University, Northridge: «Abstraction in Los Angeles, 1950 - 1980: Selections from the Murray & Ruth Gribin Collection»

Odili Donald Odita is a Professor in Painting, Drawing & Sculpture at the Tyler School of Art at Temple University since 2006; from 2003 - 2005, Odita was a Visiting Critic in Painting at Yale University School of Art; from 2000 - 2006, Odita was an Associate Professor in Painting at the Florida State University, Tallahassee; from 2002 - 2003, Odita was a Visiting Associate Professor in Painting at the University of South Florida, Tampa.

Her artistic practice and pedagogical bent — she is an esteemed professor of painting at the School of the Art Institute of Chicago, a position from which she weilds considerable influence in the city's art scene — has shaped her presentation on the fourth floor of the Whitney, which she has organized as a sort of visual curriculum on various artistic processes and approaches to materials.

The title of the exhibition is from a BBC art historical documentary, where a very serious learned professor suddenly broke character when describing a painting including small cherubs, he said... «but of course, everybody loves angels».

Petrides received her M.F.A. from the School of the Art Institute of Chicago, where she is currently an Adjunct Associate Professor in the Painting & Drawing Department and the Visual Communications Department.

From 1976 to 1985, Colescott taught painting and drawing at the San Francisco Art Institute before moving to Tucson and becoming a professor of art at the University of Arizona in 1985.

The initiative has been overseen by New York's Frick Collection, and will make images of paintings, photographs and art - historical documents from institutions including the Courtauld, the Getty Research Institute and the Yale Center For British Art available to students, professors and researchers.

He has a BFA and an MFA in painting from the Central Academy of Fine Arts, Beijing (1988, 1995), where he now holds tenure as professor.

The artist, a professor at the University of California, Los Angeles, paints unadorned coastal scenes, pared down to pale washes over carbon - dark backgrounds, as well as figures drawn from dance: in this case, the works of the British choreographer Frederick Ashton.

From 2000 to 2009, he worked as a Professor in painting at Kunstakademie, Düsseldorf.

Chicago artist Michelle Grabner — painter, curator, critic, gallerist, and professor of painting at the School of the Art Institute of Chicago — co-curated this year's Whitney Biennial, and with 17 of the 103 artists in the show from here, the city's art community feels a little more visible than usual.

The first drawing by Giovanni Battista Tiepolo in the collection, Chronos Devouring his Child (Fig. 4), was purchased in 1934 from A. Everett «Chick» Austin, Jr., director of the Wadsworth Athenaeum at Hartford and a fellow Harvard graduate student with Professor of Art Agnes Rindge; Austin evidently bought the sheet from the Savile Gallery in London.21 The brown ink and wash drawing with traces of black chalk is a variation of a work in The Metropolitan Museum of Art and is related to a drawing in The Pierpont Morgan Library that is very close in concept to a portion of the ceiling of the Palazzo Clerici in Milan.22 Other gifts of drawings came in the 1930s, mostly contemporary American art, as well as nineteenth - century sketchbooks by Sanford Robinson Gifford, which complemented the four paintings by this Hudson River School painter that were already in the Magoon collection.

Taking a cue from Lucio Fontana, one of her professors, this unique three - dimensionality is most simply employed in the earlier works on display, such as Mujer (de la serie el Silencio de Eros)(1965), a blue painting that features a white curvy oval reaching almost to its edges.

She received her MFA from the University of Iowa, and is an assistant professor of painting at Kent State University, Ohio.

ZHANG Peili (b. Hangzhou, 1957) graduated from the Department of Oil Painting at Zhejiang Academy of Fine Arts (now China Academy of Art) in 1984, where he is now a professor.

In 2007, after numerous mentoring and teaching awards, Rogers retired from the University of Arizona, and is now Professor Emeritus of Painting and Drawing in The School of Art at The University of Arizona in Tucson, AZ..

Savannah, Georgia - based artist and SCAD alumnus Britt Spencer (SCAD professor of illustration; M.F.A., painting, 2011; B.F.A., illustration, 2005) has been published internationally and earned recognition from the Society of Illustrators, New York, New York; the Society of Illustrators West, Los Angeles, California; and New American Paintings.

From 1997 to 2004, he was professor of painting at the Academy of Fine Arts in Karlsruhe, since 2004 he is professor of sculpture at the University of Fine Arts of Hamburg.

In 2002 he was named the first Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University, and from 2006 to 2016 he served as Dean of the Yale University School of Art, where he is also a professor of Professor of Modern Art at the Institute of Fine Arts, New York University, and from 2006 to 2016 he served as Dean of the Yale University School of Art, where he is also a professor of professor of painting.

[35] In 1973, he was named Albert Dorne Visiting Professor at the University of Bridgeport, Connecticut, and in 1976, he was given the Skowhegan Medal of Sculpture from Skowhegan School of Painting and Sculpture, Maine.

He's currently Adjunct Professor in the Department of Painting and Drawing at the School of the Art Institute of Chicago and was Senior Lecturer in the Department of Art Theory and Practice at Northwestern University from 1993 — 2008.

In 1954 he received his Master of Fine Arts from the Cleveland Institute of Art, where he was a professor of painting from 1964 to 1995.

From 1965 to 1976, Geiger was professor of painting at Staatlichen Kunstakademie Düsseldorf.

The Visiting Artist Program at University of Colorado was started in 1972 by retired painting professor Gene Mathews as a way to combat Boulder's relative isolation from the greater «art world.»

Nordland speaks about his birthplace and childhood home; parent's occupations; interests as a child; beginning interest in art history; first visits to the Los Angeles County Museum; relationship with Lincoln Kirstein; move to Yale; his book on Gaston Lachaise; attending the University of Southern California; meeting Man Ray; German sculpture; being drafted; first meeting with Richard Diebenkorn and working with Diebenkorn on a book; getting out of the Army; first paintings purchased; writing for «Frontier» magazine; the invitation to work at the Chouinard Art Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and California.

She was the Associate Director of the Core Program at the Glassell School of Art from 1982 - 1991 and is now an Associate Professor of painting at the University of Houston School of Art.

She served as a Tate Artist Trustee from 2005 - 2009, and was appointed the first female Professor of Painting at the Royal Academy Schools in 2011.

The 77th Whitney Biennial will, this year, be corralled by three curators sourced from outside the institution (but no less internationally regarded): Stuart Comer (Chief Curator of a Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and a professor in the Painting & Drawing Department at the School of the Art Institute of Chicago).

Presently professor emeritus at the University of Maryland, College Park, Dr. Driskell once worked as an assistant at the pioneering Washington, D.C., gallery from 1952 - 1955; served as its director from 1961 - 1963; and exhibited his paintings there many times.

He has taught and lectured at major universities and Museums worldwide, including Princeton, Parsons School of Art, Harvard and Oxford University, and from 2002 - 2007 was Professor of Painting at the Art Academy in Munich, Germany.

Allison Smith: Needle Work is on view from February 5 to April 19, 2010, and is curated by Lauren Adams, assistant professor of painting in the Sam Fox School of Design & Visual Arts.

Links to the story about the art history professor who is charged with forgery and her difficulties in the Franklin Pierce art department (lawsuits, etc.), the decline in MFA applicants, and a new book about painting from David Salle.

Kemp comes to SAIC from Virginia Commonwealth University (VCU) where he is an associate professor and the chair of the Department of Painting and Printmaking.

Oehlen was Professor of Painting at the Kunstakademie Düsseldorf from 2000 to 2009.

New video projections by Professor Richard Fung, a Toronto - based video artist and cultural critic, interplay recent footage from Ontario sites with 19th century paintings and engravings by J.M.W. Turner.

The new pedagogy has been endorsed mostly by younger painting professors but a few geezers too, who see painting as best learned through critical thinking, a method borrowed from literature and the social sciences.

The 2014 Whitney Biennial on March 7 — May 25, 2014, will take a bold new form as three curators from outside the Museum — Stuart Comer (Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and Professor in the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversee one floor, representing a range of geographic vantages and curatorial methodologies.