Sentences with phrase «painting project around»

So there is always an unfinished painting project around here that I started, but was too lazy to finish.

I need to get going on some paint projects around here.

I need to get going on some paint projects around here.

Of course, this certainly won't be the end of painting projects around our house.

I could certainly knock out some painting projects around my house with this dandy gift card!

You'll have plenty of time this holiday weekend to work on paint projects around the house.

Not exact matches

When the day comes, you can put these in storage for the next time around, give them to a friend who is a few months behind you, or wear them when you do that chalkboard paint project you've been talking about.

The city has also launched several programs to turn down the climate's thermostat, such as the Million Trees project (more than half a million have already been planted around the city) and painting flat roofs with a white or «cool» coating that reflects the sun's energy.

If you know me, almost every pair of pants I own ends up getting paint on them from projects around the house, so I don't like to spend $ $ on my everyday jeans.

I have yet to try milk paint, mostly because I need projects to have a fast turn around rate and since you have to sand pieces first -LCB- which I hate doing -RCB- I always go to my trusted chalk paint.

HomeRight has all kinds of products for making DIY projects easier around the home — painting, staining, and cleaning.

Have you noticed that there are SO MANY fabulous painted furniture projects floating around the internet these days?

I just happened to have this pumpkin and spray paint hanging around so this project cost me $ 0!

After all, when you add a supercharger to a performance - built 302 V8, update every square inch (including the suspension,) and then paint the whole project in a slick metallic blue, you are going to create one of the most unique and powerful first - generation Mustangs around.

The project took about two weeks and cost around $ 100 between paint, brushes, and tape.

On paper, Project CARS is the most impressive racing game on the market, it hosts around 80 cars with a large choice of paint schemes, as well as over 80 track layouts from over 30 unique locations.

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

In his project Flip City, Lund installed GPS tracking devices in forty paintings and tracked their whereabouts around the world via a website he set up.

2016 • Art Expo Chicago • Chicago Paints • Art of Expression Exhibit Highland Park • Ohio University Southern Art Show (Group show) • St. Xavier University Art Show (Solo show) 2015 • McCormick Gallery Solo Show • Art Expo Chicago • Art Miami 2014 • McCormick Gallery Chicago • Art Expo Chicago • Mars Gallery Chicago 2013 • McCormick Gallery Chicago, Collage Collage Collage (Group Show) June • McCormick Gallery Chicago (Summer Show) July • Art Access Gallery / Bexley Ohio (Group Show) May • Art Access Gallery (Group Show) July • McCormick Gallery Chicago (Solo Show) December 2012 • McCormick Gallery Chicago • Fresh Abstractions Group Show Summer 2012 Highland Park Art Center 2011 • McCormick Gallery Chicago 2010 • Mars Gallery Chicago 2009 • Mars Gallery Chicago 2008 • Mars Gallery Chicago, (Group Show) • Mars Gallery Chicago, (Two Person Show) • Artropolis, The Artist Project 2007 • Medspa — Oak Brook, IL (2007 - 2008) • Contempo with Roberta Markbreit, Television show • Bottega M — Oak Park, IL 2005 • Solo Show, Roaring Belly Gallery — Oak Park, IL • Juried Exhibition Around the Coyote — Chicago, IL • Bent Fork Studio — Freemont, IN 2003 • Solo Show, Artist Frame Shop — Oak Park, IL • Official Selections Illinois Artisan Exhibition 2001 • Solo Show, Molly Malones — Forest Park, IL 1998 • Solo Show, Loras College — Dubuque, IA Collections Dr. and Mrs. Don Clem Mr. Rick Eagle Tom and Carol Woods Dr. and Mrs. Ross Hausner Steve and Laurie Bergren Mr. and Mrs. Christopher Sisco John Finn Scott and Nikki Elza Corporate Collections PNC Bank Delaney Law — Chicago, IL Regenerative Solutions — Fullerton, CA Community Bank — River Forest, IL Botticelli's South Congress — Austin, TX Caring Medical — Oak Park, IL Pilgrim Management Office — River Forest, IL Oak Park Park District Administration Building — Oak Park, IL

Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, California Painter's Painters: Gifts from Alex Katz, High Museum of Art, Atlanta Georgia Nature Study: A Group Exhibition, Crown Point Press, San Francisco, California Summer Choices: A Group Show, Crown Point Press, San Francisco California Joyride, Marlborough Broome St, New York, New York Capture the Rapture, CB1 Gallery, Los Angeles, California Persian Rose Chartreuse Muse Vancouver Grey, Equinox Gallery, Vancouver, Canada The good, the bad and the ugly, Gesso Artspace, Vienna Austria Another Cats Show, 356 S. Mission Rd, Los Angeles, California Cornucopia, Parkett Exhibition Space, Zurich, Switzerland The Machine Project Field Guide to the Gamble House, Gamble House, Pasadena, California Wake Up Early, Fear Death, curated by Philipp Kaiser.

Select highlights include: Lehmann Maupin's sale of several McArthur Binion works ranging from $ 50,000 - 175,000 to trustees of two leading U.S. museums, as well as collectors new to the gallery; Galerie Thaddaeus Ropac's sale of two works by George Baselitz in a range of c. $ 599,000 - 838,000 each, a Robert Rauschenberg work for $ 725,000, a Tony Cragg sculpture for c. $ 210,000, and a metal and wood piece by Jack Pierson for $ 190,000; Royale Projects sold three Clinton Hill paintings at around $ 95,000 each to collectors from New York and California; David Kordansky sold out its booth of photography by Torbjørn Rødland in the range of $ 14,00028,000 each; Jack Shainman's sales of recent work by Hank Willis Thomas, including a major sculpture, a retroflective, and one of Thomas» iconic flags in the Live section, and works by Lynette Yiadom - Boakye, Becky Suss, Enrique Martinez Celaya and Geoffrey Chadsey; Gallery Hyundai's sale of a pair piece by Seung - taek Lee for $ 100,000 - 200,000 and two works by Minjung Kim for $ 40,000 - 100,000.

Other highlights of the exhibition include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.

Albuquerque is an internationally renowned artist who, over the course of her 40 - year career, developed a strong visual language and an expansive body of work ranging from sculpture, poetry, painting, photography, film, and multi-media performance to ambitious site - specific ephemeral projects in remote locations around the globe.

Around 2013, the artist began a series of shallow but densely layered paintings that remix appropriated images with various types of mark making — made using a tablet a pen, a mouse, her hand directly to canvas, and original drawings projected and traced.

The sheet of newspaper that forms the portal shape undulates and lifts, projecting a tactility that complements the caked and crackled paint around its perimeter.

The shaped paintings on view in this exhibition create illusions of space and depth, where planes may be perceived as simultaneously receding or projecting, allowing the viewer to journey both around and through the work.

Frieze New York is a vital platform to encounter today's most significant artists and artworks from around the world, including main section solo exhibitions featuring: Lorna Simpson, presenting new paintings and sculptures in her first ever project with Hauser & Wirth (New York); the celebrated American painter John Currin with Gagosian Gallery (New York); Anri Sala, presenting Bridges in the Doldrums (2016) with Marian Goodman Gallery (New York), ahead of the artist's participation in the Venice Biennale; Keith Sonnier at Pace (New York), bringing together his pioneering neon sculptures with two new series of works; Tala Madani with David Kordansky Gallery (Los Angeles), coinciding with the artist's presentation in the Whitney Biennial; and Kevin Beasley showing with Casey Kaplan (New York).

I have just completed a site - specific piece for a group show, I'm playing around with painted balsa wood strips that I'm gluing into shapes and, most significantly, I'm preparing for a collaborative project coming up this -LSB-...]

While continuing to paint in a realist manner, around 1961, Richter began using photographs, projecting and tracing images directly onto the canvas.

Johnson invited conference visitors to paint, build, glue, and light various incarnations of an ever - evolving metropolis — as documented by Theo Jemison's mini documentary on Vimeo — and as a result, the artist has been invited to stage derivations of his project all around the world with the «Ideas worth spreading» crew.

The exhibition brings together around 170 pieces, including watercolours, gouaches, luminous reliefs, collages, paintings, mobiles, sculptures and interdisciplinary projects, in addition to a documentary section on the period stretching from 1949 to the early 1980s.

«Jonas Wood paints scenes of the world around him through the prism of his memory» CORRINA PEIPON (Hammer Projects: Jonas Wood, 2010.

The focus and mission of this project will be to create a dialogue around painting and sculpture, photography and other media, and its continued relevance in the age of new media.

He is a member of a project called Neoangin (a one - man electroband) and since the 1990s, he has been performing all around the world: In New York, Tel Aviv, Brighton, Paris, Finland, Singapore, Russia... His approach to music is very similar to his approach to his paintings — vibrant, colorful and spontaneous.

Having recently returned from an artist residency in Finland along with Paul Senyol, Durban artist Wesley van Eeden and Hope Project present «BROADCASTS» - A series of paintings and illustrations on found objects, translated from stories by people around the world who Wesley has interviewed.

The artist best known for her New York Beautification Project — 40 lozenge - shaped miniature landscapes illicitly painted on urban surfaces in public spaces around New York City from 1999 to 2001 — has gone legit and gone indoors with Mirror, a site - specific installation at the Pennsylvania Academy of the Fine Arts.

The vivid paintings transport the viewer to locations around the country, such as the Heidelberg project in Detroit or the rural backroads of New England.

This project involved painting one of 88 pianos, which were then installed around the five boroughs of NYC.

Highlights include the conversation between Manjari Sharma and Irina Rozovsky, who discovered they were both pregnant and due around the same time and an exchange of photographs of paintings created especially for the project by Cynthia Daignault and Daniel Heidkamp.

Other highlights of the exhibition at Bluecoat include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.

Freeman has painted murals around the world with Living Walls, Fountain Art Fair, the Downtown Hollywood Mural Project, the Atlanta BeltLine, and more.

As well as works by Anish Kapoor, Richard Long, Pedro Reyes and Santiago Sierra, the gallery is presenting a special display of the four monumental canvases — North, South, East and West — that comprise Liu Xiaodong's Hotan Project series (2012), which were painted in and around the notorious opencast jade mines and the devastated landscapes of a remote area of China's largest, most westerly province of Xinjiang.

He recently exhibited his work in the show «Classic» at Regen Projects, and his work is also included in LACMA's show «Variations: Conversations in and around Abstract Painting.»

Selected Group Exhibitions Barristers Gallery, New Orleans, La., Artists Who Wish They Were Dead, Curated by Dan Tague, 2011 Dock 6, Chicago, Curated by Hinge Gallery, 2011 Dock 6, Chicago, Curated by Edra Soto, 2010 Perimeter gallery, Chicago, SOFA Art Chicago, 2009 Bridge Art, Miami Art Basel Miami, 2008 Jonathan Ferrara Gallery, New Orleans, P1 Project, 2008 Perimeter Gallery, Chicago, The Figure, 2008 KK Projects, New Orleans, Interior Ritual, 2008 Good Children Gallery, New Orleans, Choice Cuts, 2008 Polish Museum of America, Chicago, J - Walking, 2007 Perimeter Gallery, Chicago, Circumstantial Landscape, 2007 Fort Morgan Gallery, Chicago, Group Exhibition, 2006 Giola Gallery, Chicago, No Place Like Home, 2005 Open End Gallery, Chicago, Around the Coyote, 2005 Jonathan Ferrara Gallery, New Orleans, New Paintings by John Davis and Jeff Forsythe, 2005 Zone Gallery, Kansas City, MO, Brave New Abstraction, 2004 Open End Gallery, Chicago, Brave New Abstraction, 2003 Jonathon Ferrara Gallery, New Orleans, No Dead Artists, 2003 Big Top Gallery, New Orleans, State of Grace, 2003 Canal Street Light Project, New Orleans, 2003 Arthur Roger Gallery, New Orleans, Grids and Correlations, 2002 Steve Martin Gallery, New Orleans, Brave New Abstraction, 2002 Pickery Gallery, New Orleans, Art in the Dark, 2002 Pickery Gallery, New Orleans, Post-Suburbia: The New Utopia, 2002 Galerie IM Andesphoff, Innsbruck, Austria, Artists Exchange, 2001 Pickery Gallery, New Orleans, The Waste Land, 2001

Around 2010, I was working on an odd project: trying to paint the biblical days of Creation with no images.

The paintings of Sangram Majumdar, now on view simultaneously at Steven Harvey Fine Art Projects and around the corner at Projector, are paradoxical by nature.

Until the lead paint project is finished, there is still a risk for the birds raised around the old buildings.

For example, there is a current project underway to clean up lead paint from the soil around the buildings originally built to house the cable company workers and later used by military officers.

While not perfect, this approach has the potential to paint a much more precise and useful picture of air quality across the area (and in cities around the world, where the same approach could also be used — for example, there's a similar project in operation in Pittsburgh called GASP, or Group Against Smog and Pollution, pictured above), rather than having just a few stationary air monitoring stations, as is currently the case in most places.

Splash a new coat of paint on the exterior, pick up the trash around the grounds, plant fresh flowers, and restripe the parking lot — then cash in on the goodwill you've bought from the residents and work on the long - term changes that will determine whether the project lives or dies.