Sentences with phrase «painting she is using assemblage»

Laurel Sparks works on traditional canvas, but in addition to painting she is using assemblage while letting the material fulfill its duties to communicate with the entire composition.

Not exact matches

Linda Cross» Unearth, 1988, is a large relief that appears to be an assemblage of metal trash, but is in fact hand - made by the artist using paper maché, styrofoam, and paint.

As Thierry de Duve has shown, much of Duchamp's work — including his abandonment of painting — followed from the recognition that the can or tube of paint had long been a readymade, industrially produced commodity like any other.10 As Duchamp remarked in 1961, specifically addressing Rauschenberg among others: «Since the tubes of paint used by the artist are manufactured and readymade products, we must conclude that all the paintings in the world are «Readymades aided» — and also works of assemblage.»

Using commercially available materials such as chicken wire, polystyrene, a stucco foam agent called Parex, paint, and found objects, she makes assemblages that are humorous and bold.

Ironically, one of the reasons that Mallary discontinued his assemblage sculptures and relief panels was that the experimental materials he was using started to have an adverse effect on his health; in 1964 he wrote an article for ARTNews warning artists of the dangers of working with resins, polymers and industrial paints.

Zander Blom is a Johannesburg - based artist who uses painting, drawing, assemblage sculpture and...

The brilliance of Untitled [black painting with portal form] is that one can simultaneously appreciate the artist's complex handling of paint across an array of uneven surfaces while acknowledging the ways that the artwork, in its use of newspaper as a formal and almost sculptural element, bridges painting, collage, and assemblage.

Throughout the 20th - century, as part of the modernist revolt against the use of traditional materials in fine art and the consequent desire to demonstrate that «art» can be made out of anything, artists have been creating sculpture, assemblage, combined paintings / sculptures and installations from an ever - widening range of unusual objects and materials.

The five artists in the first session, which began January 3 and lasts until February 12, are Carrie Beckmann, a watercolorist who paints directly from nature and can normally be found working in the Conservatory; Danielle Durchslag, who is using cut and layered paper to represent Wave Hill's natural surroundings; Sabrina Gschwandtner, who has covered her studio floor with 16mm - film strips (some found stock and some she's shot at Wave Hill) that will be sewn together to create illuminated quilts; Nick Lamia, who is experimenting with plein - air drawings as a source for multi-dimensional abstractions; and Adam Parker Smith, who has been busily painting colorful, wall - sized assemblages of plants and flowers based on observations at Wave Hill.

Affirming the ludist explorations of the artistic process, Appel was become famous by painting and sculpting in the technique of assemblage, as well as by extensive use of primary colors white, red, yellow, blue and black.

Even though Burri was never explicitly tied to any movement, to most viewers his abstract «unpainted paintings» should appear comfortable in his cultural moment, absorbing the monochromatic interests of Abstract Expressionists, while also setting the ground for Arte Povera and assemblage art.The co-curators work extensively to expand these associations through the exhibition's wall labels, which relate Burri to various artists, works, and moments far beyond the scope of midcentury abstraction, including Piero della Francesca's Madonna of Partition (1455 — 6)(for the subject of incised fabric), Joseph Beuys (as an artist formed by war), Italian Neorealist cinema (for its use of artifice and rupture to reappropriate the realism of Facist war propaganda), and even Rodin's Gates of Hell (1880 --- 1917)(for the «Combustione Plastica» series» hellish melting of form).

«Found objects» have been used in many different types of art, including painting, various forms of sculpture, including assemblage and installations.

The image represents a mock up of a magazine cover and can be seen as a bold feminist comment on the sexualization of the female body on magazine covers, referencing many of the elements used in the artist's 30 year career - throwaway objects, mannequins, material debris, assemblage, painting, photography and her distinctive irreverent approach to sculpture and materiality.

These were a mixture of painting with collage and assemblage using all kinds of found materials, ranging from torn pages from newspapers and magazines to junk gathered in the street — the debris of the city, as it has been called.