Sentences with phrase «painting society portraits»

He gained a small following through painting society portraits and had his first one - man show at M. Knoedler & Co. in 1917.

Not exact matches

Eventually society used paint to capture still life and human portraits.

Fuchs, 76, who has been commissioned to paint portraits of five U.S. presidents, was inducted into the Society of Illustrators Hall of Fame in 1975, and last week the Telluride Gallery of Fine Art opened a retrospective of his career.

Researchers have long tried to paint a portrait of the relatively small group of people who invent the technologies and products, from new software to life - saving drugs, which mold economies and reshape societies.

«Lettres d'amour» (1942): A transporting period piece with ornate costumes by Christian Dior, «Lettres d'amour» paints a blithely pointed portrait of life in a highly stratified society.

Reminiscent of Cooper's previous effort, Out of the Furnace, is a brilliant, character - driven screenplay that paints a portrait of organized crime and corruption that has infiltrated all levels of society.

Gerda stops painting conventional society portraits and makes Lili her main model.

From his early films Benny's Video (1992) and 71 Fragments of a Chronology of Chance (1994) to his Palm D'Or and Academy Award winning Amour (2012), he has used cinema to paint a portrait of humankind alienated in modern society, lacking in compassion at best and utterly amoral at worst.

Regardless of location, Inarritu paints a bleak portrait of society, where remote villages can be infiltrated by foreigners, and at the same time, in the middle of a bustling city, someone can feel very isolated and alone.

With powerful prose and poetry, his narrative as student and then later, NYC teacher leader, loving father (and husband), and advocate for children paints a portrait of what public education can and must be for American society.

Starting from $ 1,500, artist Julia Breckenreid, recipient of a gold medal from the Society of Illustrators Museum in New York, will paint a custom conceptual portrait just for you.

This summer, Art for Barks joined forces with San Diego Humane Society to launch Art to the Rescue, an initiative that collaborates with local artists, like Stephen Fishwick, to paint portraits of adoptable animals.

His photos of the day - to - day life of gangs in the Bronx and the radical black liberation movement the Black Panthers are much more than a documentary illustration of a given period in time: they represent an insider's view, one which paints the portrait of the contrasts in American society.

Images from Nigerian fashion and society magazines and commemorative fabric printed with portraits give the artist's paintings a global context that connects viewers to the people with whom we share the world.

Phillips, an artist best known for his evocative large - format portraits of people at society's fringe, found himself necessarily responsive to those queries warranted by Schutz's painting earlier this year.

Mary Sauer's painting «Erin» was chosen as one of 20 finalists in the Portrait Society of America's 2013 International Portrait Competition.

For her first solo institutional exhibition, «Tenderheaded,» on view at The Renaissance Society in Chicago through November 5, Packer further explores emotional and physical vulnerability through new portraits as well as a developing series of painted funerary bouquets.

KLIMT AND THE WOMEN OF VIENNA»S GOLDEN AGE, 1900 - 1918 Gustav Klimt's «Portrait of Adele Bloch - Bauer I» (1907), the trophy of the Neue Galerie's collection, will be reunited for the first time in a decade with a pendant painting, «Portrait of Adele Bloch - Bauer II» (1912) and shown alongside other Klimt society portraits.

,» on view at The Renaissance Society in Chicago through November 5, Packer further explores emotional and physical vulnerability through new portraits as well as a developing series of painted funerary bouquets.

He has received many awards for his work, including 2017 Semi-Finalist, Figurativas Painting & Sculpture Competition, Barcelona Spain, 2012 Finalist, The 4th Annual International Portrait Competition hosted by the Portrait Society of America, «Honorable Mention» in the International 2010 - 2011 ARC Salon, «Honorable Mention» Salmagundi Club 34th Annual Exhibition, 2011 Finalist, Figure Now / Exhibition at Fontebonne University Fine Arts Gallery, St. Louis, Scottsdale Salon of Fine Art Juried Show and Competition, Scottsdale Arizona, 2010 Certificate of Excellence, 12th Annual International Portrait Competition hosted by the Portrait Society of America, 2008 Certificate of Excellence, 10th Annual International Portrait Competition hosted by the Portrait Society of America, Stephen was commissioned to participate in the project entitled «Star Wars: Visions» by George Lucas.

Plus: Roman coins discovered in Devon shed new light on empire Clara Drummond wins BP Portrait Award Contemporary Art Society and Frieze launch acquisition fund for UK museums State Hermitage Museum to open Barcelona outpost Picasso's Femme Assise sets record for Cubist painting at Sotheby's and Art Cologne reschedules due to clash with Berlin Gallery Weekend

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Her paintings have won awards at international juried shows hosted by The Portrait Society of America, Oil Painters of America and American Impressionist Society.

African Root, American Fruit: Paintings by Ronald Jackson February 7 — April 30 Elegba Folklore Society's Cultural Center Ronald Jackson paints portraits and figurative works to comment on the identity of African American people and their influence on the landscape of American sSociety's Cultural Center Ronald Jackson paints portraits and figurative works to comment on the identity of African American people and their influence on the landscape of American societysociety.

Henry has won numerous awards, including First Prize in the American Society of Portrait Artists 2000 competition, the Gold Medal of Honor at the 2003 Hudson Valley Art Association annual exhibition, and the Best Painting from Life Award of the National Oil & Acrylic Painters» Society in 2003.

With more than 250 works on show, the exhibition explores the tireless experimental spirit that drives Raysse's entire artistic output, from his small, playful sculptures to the self - discipline of drawing; from films expressing the libertarian trends of the 1970s to Raysse's use of neon as colour; and from installations celebrating consumer society to his paintings, which represent the most complete aspect of his work — among them, transcriptions of great Renaissance masterpieces, female portraits, large group paintings, and imaginary landscapes.

Among Awards: Gold, Silver and Bronze Medals for Oil Painting Jane Paterson Award for a Portrait; Allied Artists of America Bruce Stevenson Award for a Portrait, (3 times) The National Arts Club Blanche Farr Award, George Haight Award, Thora M. Jensen Award for Portraits in Oil; Hudson Valley Art Association Charles Noel Flagg Award for a Portrait; Connecticut Academy of Fine Arts Lever Award; Pastel Society of America Award of Merit: Salmagundi Club Medal of Merit, George Laurence Nelson Award; Gordon C. Aymar Award Frances B. Townley Award for Portraits in Oil; Award for Best in Show Awards for Best Oil Painting; Kent Art Association Merit Award, New Haven Paint and Clay Club

Bartholomew Beal: Drive out West @ Fine Art Society Young painter Bartholomew Beal has created a set of portrait paintings inspired by the Irish poet Seamus Heaney.

Opening: «Andy Warhol: Late Paintings» at Skarstedt Gallery «I had energy and wanted to rush home and paint and stop doing society portraits,» Andy Warhol once wrote of his Skulls, Hammer and Sickle, Rorschach, Knives, Dollar Signs and Reversals series, which he created from 1974 through 1987, the year of his death.

Each of her paintings is actually a portrait of the state of modern man and society as a whole, a society in which the illusion of the uniqueness of the Icon is unachievable on the horizon of the ocean of commonness» — Milan Poznanovic, Art historian.

He pursued an individual artistic approach and is remembered most for his large - scale symbolist paintings reflecting Victorian sensibilities and Hall of Fame portraits, capturing his distinguished contemporaries in Victorian society.

The neighboring Society of the Four Arts will have 19th - century portraits and the 55th edition of the «Annual National Exhibition of Contemporary American paintings.»

Her work — which includes portraits of enslaved people painted on jugs, plates, newspapers, and other domestic objects, as well as full - size cutouts of figures in colorful historical costumes — not only examines the histories of colonialism and the slave trade, but also the way their effects continue to play out in society today.

Among the significant acquisitions accepted by the Virginia Museum of Fine Arts» board of trustees on June 17 are a painting of a Pueblo Indian by a leading member of the Taos Society, an Egyptian mummy portrait mask, a South Asian shield of steel, gold and silver, and a Japanese Noh mask.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

The artist makes portraits of undocumented Latin American immigrants, and of other distinct communities, using the focused attention of observational painting to mark those who are socially unmarked in society, along with the apparently anonymous goods that constitute a transnational trade in quotidian objects such as flowers, garments, handcrafts and letters.

To do this he revisited long - neglected artistic genres such as history painting in his disaster series, still life in his soup cans and Brillo boxes, and the society portrait in Ethel Scull Thirty - Six Times.

«So this is the second show [at David Zwirner London]-- and I've always been fascinated by Britain for several reasons, for example it is one of the last «class societies» — although I don't know how long it will still go on — but I once tackled that subject in a small show, the first white cube show that I did called «Spelndid Isolation», and one of the portraits in that show was also based on Henry Draper [American doctor, amateur astronomer, and pioneer of astrophotography]-- these three works in front of you [portraits: «William Robertson», 2014, «John Robison», 2014, and «John Playfair», 2014] are derived from the paintings in the professors room at University of Edinburgh.

In society portraits that delighted the wealthy in Britain between the wars, Frampton paints porcelain skin and frozen, glassy faces with meticulous precision.

Taking in the full breadth of Georgian society, paintings include his depiction of the highwayman stage hit, The Beggar's Opera, as well as his sober portraits of his patrons including the archbishop of Canterbury.

Thus, in the late 1870s and early 1880s his landscape painting demonstrated how well he understood Impressionism, yet it was an Impressionism in part only, and - as far as portraits were concerned - always sacrificed to the exigencies of a society portrait.

Over the duration of Allen's painting, the gallery walls will come to reflect the collective unconscious of a community, a unique record of a society: a portrait of its mind.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

All the major American artists and works from the seventeenth century to today are included, such as epic history paintings by Benjamin West and John Singleton Copley; sublime landscapes by Thomas Cole, Albert Bierstadt, and Frederick Church; society portraits by John Singer Sargent; groundbreaking abstract expressionist and pop art by Jackson Pollock, Barnett Newman, and Andy Warhol; and challenging sculptural, installation, and video works from more recent years by Robert Gober, Fred Wilson, and Matthew Barney In architecture, dozens of different building types are illustrated and discussed, from the earliest colonial houses and churches to the most spectacular modernist and postmodernist houses, stations, museums, and iconic skyscrapers.

In the north gallery, which presents some of Lassnig's later white - and - pastel - coloured paintings of figures in her now hallmark style, one sees examples of some of her ongoing concerns: speech and muteness (Self - Portrait with Speech Bubble, 2006, where speech is a small, just visible breath on a cold morning) and the idea of growing up (and growing old) in contemporary society, as in TV Child (1987).

The original building (6 — 8 John Adam Street) includes the Great Room, which features a magnificent sequence of paintings by Irish artist James Barry titled The Progress of Human Knowledge and Culture and portraits of the Society's first and second presidents, painted by Thomas Gainsborough and Joshua Reynolds respectively.

Warhol replied that the canvases were the same size «so they'll all fit together and make one big painting called Portraits of Society.

17 High Society: The Portraits of Franz X. Winterhalter: 50 paintings by a renowned painter of European aristocratic pPortraits of Franz X. Winterhalter: 50 paintings by a renowned painter of European aristocratic portraitsportraits.

Radical Figurative Art from Sickert to Bevan, James Hyman Fine Art, London, England 2002 Five Painters, Kilkenny Arts Festival, Kilkenny, England 2000 Painting, I Love, Michael Hue - Williams Fine Art, London Look Out: Art, Society, Politics, Wolverhampton Art Gallery, Wolverhampton, England; traveled to Bluecoat Gallery, Liverpool, England; and Wolsey Art Gallery, Ipswich, England 1999 Bacon, Bevan, Guston and Baselitz, Michael Hue - Williams Fine Art, London The School of London: From Bacon to Bevan, Musee Maillol, Paris; traveled to Auditorio de Galicia, de Santa Maria Compostela, Spain; and Kunsthaus Wien, Austria 1998 Last Dreams of the Millennium — The Reemergence of British Romantic Painting, Stephen Solovy Art Foundation; traveled to California State University; Tyler Museum of Art, Tyler TX; Manoa Art Gallery, University of Hawaii, Honolulu 1996 Masculine Measure, Michael Kohler Arts Centre, Sheboygan, Wisconsin 1995 Inside Out, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; traveled to Galeria Arialdo Ceribelli, Bergamo, Italy 1994 Here and Now: Painting since 1970, Serpentine Gallery, London, England 1993 The Portrait Now, National Portrait Gallery, London, England 1992 British Figurative Painting of the 20th Century, The Israel Museum, Jerusalem, Israel 1991 Out of Limbo, Foundacion Luis Cernuda, Seville, Spain Five Painters from London, Colegio de Arquitectos, Malaga, Spain 1990 Inconsolable, Louver Gallery, New York, New YorK Picturing People: Figurative Art in Britain 1945 — 84, British Council touring exhibition: National Gallery, Kuala Lumpur; Museum of Art, Hong Kong; National Gallery, Harare, Zimbabwe 1989 Prospect 89, Schirn Kunsthalle, Frankfurt, Germany 1988 European Painting and Sculpture, L.A. Louver, Venice, CA Contemporary Portraits, Flowers East, London, England Aperto 88, XLIII Biennale di Venezia, Venice, Italy

Her paintings are represented in many public and private collections of art, including: AIB, PMPA, An Bord Gais, Mayo General Hospital, University Hospital Cork, University of Limerick, the George Moore Society, Butler Gallery, Garter Lane Art Centre, Ballinglen Arts Foundation, Office of Public Works (OPW), the National Self Portrait Collection, University of Limerick, and A & L Goodbody, London.