Sentences with phrase «painting studies based»

In 1999, Vancouver based artist Mina Totino completed a series of painting studies based on these final scenes of fire, smoke, floating appliances and up scale commodities bound for cathartic destruction.

Not exact matches

Borck and his collaborators studied the relationships of 22 different subareas in the Southwest, based on an analysis of 800,000 painted ceramics from more than 700 archeological sites.

The French artist pulls from his studies in philosophy and epistemology to create swirling abstract paintings and mixed - media sculptures assembled from found materials that touch on the basis of knowledge and rationality in the search for ultimate truth.

New Delhi: Product performance and brand image are the most important factors for women car buyers and not exterior paint colour, says a study conducted by Singapore - based PremonAsia.

Apart from Online Assignment Writing Help for Students, various domains of study such as arts and architecture have assignments based on crafts and paintings.

This painting is based on my original plein air study of Point Lobos.

Based in Quincy, Massachusetts, Brilli earned her BFA in painting at the University of Rhode Island, where she studied with acclaimed artists Robert Dilworth, William Klenk, and Barbara Pagh.

The artists chosen by von Heyl span a period from a 1928 drawing by Isobel Steele MacKinnon, a Chicago painter who studied in Munich with Hans Hofmann, to a 1968 frottage by Dominick Di Meo, a recent assemblage by Wuppertal - based musician / artist Peter Brötzmann, film posters by Josiah McElheny, a new painting by Molly Zuckerman - Hartung, and much more.

In 1983 for the first time in fifteen years, Riley returned to Venice to once again study the paintings that form the basis of European colourism.

He studied art at the Carnegie Institute of Technology from 1945 to 1949 and then went to New York City where he became an illustrator until 1960 when he began making paintings based on comic strip characters such as Popeye, Dick Tracy, and Superman.

In 1983 for the first time in fifteen years, Riley returned to Venice to once again study the paintings that form the basis of European colorism.

And like the frescoes that he studied as a teenager, his own watery paintings seem to fluctuate as they are viewed: «Oil paint has its own internal light, but water - based paint reflects the light and changes as the light changes.»

This catalogue of the exhibiton begins chronologically with Pollock's early sketchbook studies based on old master paintings by Michelangelo and El Greco, as well as those influenced by his contemporaries, mainly the Mexican muralists Jose Clemente Orozco and David Alfaro Siqueiros.

Francis Bacon artwork on display includes «Painted Screen» (c. 1929), «Three Studies for Figures at the Base of a Crucifixion» (c. 1944), and «Triptych — August 1972» (pictured above).

Stark yet colorful works that fall somewhere between painting and sculpture, NYC - based artist Eli Ping's practice is a study of unexpected tension in form, subject and tone.

The artist's personal, ambulatory studies of cities form the basis for his practice, through which he compiles extensive documentation that reflects his process, producing complex and diverse bodies of work that include video, painting, performance, drawing, and photography.

Most of the drawings — including explosions of technical wizardry based on the complexities of the Laocoön and brilliant studies of young women and men in his busy studio in Florence — are in the dungeon of the Frick, but the paintings with related studies are in the oval room usually occupied by the Whistlers, and that is where there are lessons to be learned.

Because I Could Not Stop for Death — Anthony Panzera, Memento Mori Paintings marks the first pedagogically based presentation of the artist's studio practice, displaying each painting alongside the preparatory drawings and studies that facilitated its making.

His work was based on his study of Chinese calligraphy and brush painting, as well as Buddhism.

Kurdish artist Ahmet Öğüt (b1981) studied painting for eight years at school and university in his native Turkey and is now based in Berlin and Amsterdam.

It was not until he painted Three Studies for Figures at the Base of a Crucifixion in 1944 that critics began giving him attention and Bacon began a period of unparalleled development as an artist.

Throughout her career, Bartlett's work has maintained a signature mix of diaristic observational study of the world around her, rule - based conceptual systems for the execution of paintings, and an exhaustive play with different media.

Works such as Three Studies for Figures at the Base of a Crucifixion (1944) borrowed from much earlier genres and paintings by other artists, but sexualized, twisted, and modernized their subjects, making them more representative of his haunts in London's seedier districts.

PJ: The studies are artworks and I see them as no different to the way a seventeenth century painter nearly always had studies as the basis of the larger vision of the painting.

His breakthrough came due to his famous triptych painting Three Studies for Figure at the Base of the Crucifix.

This exhibition celebrated Bacon's great triptych paintings, beginning with one of his most famous paintings of all time, the iconic 1944 work «Three Studies for Figures at the Base of a Crucifixion», and culminating with this present work, which had been painted just one year earlier.

Eleven monumental canvases and eight smaller studies were included in this selection of paintings from Warhol's largest series of works based on Leonardo Da Vinci's great masterpiece of the same name.

After finishing his studies and starting to paint full - time, Ufan would go on to become a key theorist and establishing member of the Mono - ha, an avant - garde materials - based art movement in 1960s Japan and the first Japanese contemporary art movement to gain international recognition.

He initially studied engineering, but then switched to painting, attracted by the grid - based abstract works of Piet Mondrian.

Inside these baroque forms are uniformly sized blocks, each square its own pure color, sometimes only subtly distinguished from neighboring colors... Gordon's shapes are carefully molded in heavy impasto paint with a palette knife, a bas - relief in color that pops off the canvas... [Diamond] uses nature - based drawings to create forms that at first glance resemble figures but after closer study escape into the realm of the imagination.

Through the Singapore - based Insightful Learning Journeys, Morais will share her love of teaching and travel, showing you new places through the eyes of an artist who has studied Asian brush painting for more than 30 years.

This wide - ranging study addresses developments in video, photography, painting, sculpture, performance and more, offering detailed analyses of key works by artists based in Ireland and beyond — including 2014 Turner Prize winner Duncan Campbell and internationally acclaimed filmmaker and photographer Willie Doherty.

His studies on Leonardo, the nude, landscape painting, and Piero were not based on original research, nor was he interested in the nuts and bolts of cataloguing: measurements, dating, chronology, provenance, and exhibition history.

Gain insights from Wood as he discusses his multi-layered working process beginning with photo - based collages to drawings (studies), and then from drawings to the final painting (or two).

2014 - DPP4500 Advanced Painting, DP 8999 Thesis Research, DPP3200 Water Based Media Painting (summer), DPP 3200 Water Based Media Painting, DP8100 / 8500 Directed Study in Painting (Graduate Seminar)

2006 - DP3300 Introduction to Oil Painting, ART1030 Two - Dimensional Design, DP3200 Water Based Media Painting, DP8500 Directed Study in Painting (Graduate Seminar), DP4000 Special Topics: Scale, Space, Time

2016 - ART1010 Drawing I, DP8500 Directed Study in Painting (Graduate Seminar), DPP3200 Water Based Media Painting (summer), DP8500 Interdisciplinary Seminar (Art and War), ART1030 Two - Dimensional Design, ART3400 Space, Scale, Time: Digital Possibilities

Born in Nüremberg, Germany, to Polish - Jewish parents, Metzger was evacuated to England with his brother as part of the Kindertransport in 1939 (his parents disappeared in 1943); 20 years later, after a period of study with the painter David Bomberg, he would abandon painting to seek ways of working that would recognize the destructiveness of the twentieth century: «artists have a special part to play in opposing extinction, if only on a theoretical, intellectual basis,» he wrote.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Based on this colour study, make a larger painting that deals with local colour.

Comparing the study with the painting To JA, it is easy to see that he preferred the bottom of two slightly different iterations, shifting the deeper base of the green tone to the bottom left corner and letting the gradient fade upward and to the right.

Mithu Sen is a New Delhi based artist / poet who studied painting at Santiniketan, Visva Bharati, India and Glasgow School of Art, UK.

Also included is Francis Bacon's «Fury», circa 1944, which relates to Three Studies for Figures at the Base of a Crucifixion from the same year — the first Bacon painting in the Tate's collection and the first to garner critical attention for the artist.

Born in Panorama, Greece in 1978, Mexico City - based Theo Michael studied Fine Art at Aristotle University of Thessaloniki and Utrecht School of Art and earned an MA in Painting from the Wimbledon School of Art.

Banele Khoza was a preteen living in Swaziland when Marlene Dumas, a South African based in Amsterdam, painted Moshekwa, 2006, a bruise - colored expressionist study of artist Moshekwa Langa.

«Push and Pull» features SCAD Atlanta foundation studies professor Marcia Cohen's «Summer Reading» series of abstract compositions on shaped canvases; SCAD Atlanta painting program coordinator Tom Francis» gestural text - based paintings; and SCAD Savannah ceramics program coordinator Yves Paquette's reinterpretations of the shapes and color of antique French Sèvres porcelain in his «L'hiver bleu» series of ceramic sculptures.

Butt studied traditional Indian and Persian miniature painting at the National College of Art in Lahore and has built a unique visual language based upon that training.

He admitted, for instance, that his first major work, the triptych Three Studies for Figures at the Base of a Crucifixion (1944, Tate Britain, London) was painted under the influence of alcohol.

The oil and pastel painting Three Studies for Figures at the Base of a Crucifixion (1944) heralds the beginning of his mature style and includes elements that he returned to many times, such as: the triptych format, the open mouth, and the distorted imagery.

The presented works form two groups: one based on playing with the traditional marine painting with its focus on the expressive and aesthetic potential of the sea, and the other, in which the sea is neither the object of study nor the main protagonist but rather the backdrop for the action.