Sentences with phrase «painting studies form»

Created for a series of murals, the nine painting studies form a concise example of Hofmann's strengths as an abstract painter and modernist visionary.

Not exact matches

In addition to its focus on the tactility of film, his work is infused with the influences of other art forms, including painting, which he studied in college, and music, which features prominently in his collaborations with celebrated composers such as John Adams, Jóhann Jóhannsson, and Steve Reich.

As I waited I studied the paintings he had hung on the back wall that would form part of the concert painting.

Between his undergraduate years at Stanford and his service in the Marine Corps, Diebenkorn studied painting at UC Berkeley with Erle Loran, the author of Cézanne's Composition: Analysis of His Form with Diagrams and Photographs of His Motifs.

I spend several moments studying each painting — taking in the colors, the compositions, the narratives, the forms — and this visual absorption just buoys up my spirits.

In 1983 for the first time in fifteen years, Riley returned to Venice to once again study the paintings that form the basis of European colourism.

Teaching 2017 Cooper Union, New York NY Visiting Teacher in the School of Art 2016 - 2017 Massachusetts College of Art and Design, Boston MA Visiting teacher in the Studio Foundation department (Intro to 3D / Form Study) 2016 Tyler School of Art, Philadelphia PA Visiting critic for a graduate Painting and Sculpture seminar in the class of Matthew Sepielli 2015 - 2016 Harvard University, Cambridge, MA Teaching Fellow, working with Professor Stephen Prina to teach two studio art classes per semester for Fall and Spring semesters SVA, New York, NY Visiting artist for the class of Marc Joseph Berg

The show presented a new body of work — formal studies of the female form, including large, expressive line paintings of the body rendered in blue paint on raw canvas — that marked a radical departure from Emin's vernacular up until that moment.

In 1983 for the first time in fifteen years, Riley returned to Venice to once again study the paintings that form the basis of European colorism.

For example, included are the exhibition are two preparatory drawings and their related painting, Blue, Black and Grey of 1960, which reveal her sensitivity to abstract forms in the natural world and her debt to Dow, five decades after studying his methods.

Stanley Lewis, whom I was very fortunate to study with in the Studio School, taught me through his painting that these two qualities can work together: that a painting can be both complete in its composition and form, and fascinating in its surface activity.

(Beal didn't actually align himself with Hard Edge movement, Mr. Adams told the Observer, but in addition to the paintings he completed in those years, he studied flat planes and toyed with spacial illusions exhaustively in a multi-year, diaristic sketchbook titled The Form Book, also on view in the gallery.)

The Kohn Gallery's latest exhibition, Engender, features 17 contemporary artists who are approaching a study of gender binaries through the classical form of painting.

David Schutter's practice is a form of phenomenological study that discusses the distances and problems encountered when making a painting.

Striking for their hot, vivid, deep colors, pierced and jagged forms, and pulsating energy, these wax - resist paintings on paper, done at the height of abstract expressionism's ascendancy, captivated Jackson Pollock and Lee Krasner and inspired Jean Dubuffet to write his only monographic study on Ossorio.

With shards of color that jostle alongside sinewy curves and biomorphic forms in a whirlwind of shattered rhythms, they look like something James Rosenquist might paint if he gave up popular - culture sources and went to study with Hans Hofmann.

The first works by the late African American artist Jack Whitten to enter the museum's collection are the painting on paper Form (3rd Set) 2 (1965) and the drawing Study for Greek Alphabet Series # 2 (1978).

This is a catalogue about biography, sources (many of them from pre-modern painting), process, form, and - particularly in the studies of major works by conservationists Jim Coddington and Susan F. Lake - materials... the many reproductions are invaluable, and Delphine Huisinga's meticulous chronologies are a boon to researchers.

The show will feature gouache studies and oil paintings depicting the women who helped to form her own identity while growing up in Marin County in the late 1970's.

Stark yet colorful works that fall somewhere between painting and sculpture, NYC - based artist Eli Ping's practice is a study of unexpected tension in form, subject and tone.

The artist's personal, ambulatory studies of cities form the basis for his practice, through which he compiles extensive documentation that reflects his process, producing complex and diverse bodies of work that include video, painting, performance, drawing, and photography.

Influenced by surrealism, the studies of Freud and Jung, African art, and Pacific Northwest Native American art, Pousette - Dart pursued the transcendental not only in abstract forms, but also in the very way in which he applied paint.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

Later intrigued by the modernity of Western art forms such as oil painting, he studied stage design at the Shanghai Theater Academy from 1981 to 1985.

Jessica McCambly is an artist interested in the exploration of different forms and materials; having studied painting and drawing, her work blurs the lines of painting and sculpture.

The Glass House was the start of Johnson's 50 - year odyssey of architectural experimentation in forms, materials, and ideas, through the addition of other structures - the Brick House / Guest House, Pond Pavilion, Painting Gallery, Sculpture Gallery, Ghost House, Library / Study, and Da Monsta — and the methodical sculpting of the surrounding landscape.

Works such as Desk Chair (2012), an acrylic painting on aluminum, studies the graceful curves and ergonomic design of a common school desk, inducing the viewer to consider the form and function of such mundane objects more closely.

His 1989 gouache and ink painting Odd / Even looks like a study for some collapsing geometric form to be made of wood or steel, but stands alone as a spaceless, postminimal abstraction.

I spent countless hours studying the masters, forming guided tastes and opinions, trying to develop my own voice inside the language of painting, drawing, and sculpture.

Painted on a large scale, these works present lively compositions of fall leaves and pine branches with less emphasis on exact detail and more interest in showing the artist's process and study of form.

Did you also study drawing and painting and more traditional art forms?

Tadaaki Kuwayama graduated from the Tokyo National University of Fine Arts and Music in 1956, having studied nihonga, a traditional form of Japanese painting.

The nine painting studies Hofmann produced for a series of murals in this Peruvian city form -LSB-...]

She has studied many forms including drawing, painting, ceramics, monoprint and encaustics.

Like many of his contemporaries, Taylor, who studied painting at the Kansas City Art Institute, challenged the limits of form by outlining and altering the rules that had historically governed art - making.

For 16 years, Llewellyn has studied and practiced many different art forms ranging from action painting, cubism, and abstract art.

Although working mostly with the human form, Freud also painted cityscapes seen from his studio window, as well as highly detailed nature studies.

PT: Drawing seems not only fundamental to your work as a form of study, but also as a method of painting - you draw with color in your paintings.

Inside these baroque forms are uniformly sized blocks, each square its own pure color, sometimes only subtly distinguished from neighboring colors... Gordon's shapes are carefully molded in heavy impasto paint with a palette knife, a bas - relief in color that pops off the canvas... [Diamond] uses nature - based drawings to create forms that at first glance resemble figures but after closer study escape into the realm of the imagination.

Hafif, who has engaged for decades with monochrome painting, recalls painting a still life while studying with Richards Ruben: «I began using a single color and digging into it and making a kind of radiating form, treating it plastically rather than as flat.

The calm authority of the space conjured up similar feelings, as I studied a series of Martin's paintings and discovered expanding qualities in defiance of their spare forms.

The circular red ribs that make up the urn - like form of Cherubini's «Morning Star» reflect the looping vase handles and linear flowers in Nichols's still lifes; the figure / field spatial disparity in Bischof's «Omi im Bregenzer Wald» is also found in Trudy Benson's «Yes, and...» from 2014 (evidently a play on Yes, but..., Dore Ashton's classic study of Philip Guston's late work, published in 1976), where beads of yellow paint resembling wads of chewed - up chewing gum seem to drift above a receding gray and green field, which is bordered in peach - and - gray shards intersecting with black - and - white stripes.

I've come through as a filmmaker, having convinced myself that my sort of movie is a form of painting, that it would not have happened without looking at paintings as a young visitor to MoMA, or then studying with Hans Hofmann and my admiration for the Abstract Expressionists.

The exhibition is formed from a selection of over 30 paintings and studies from throughout Riley's career, illustrating the artist's close dedication to the interaction of form and colour by looking at a particular pictorial device.

-LSB-...] Justin Davis Anderson studied painting as an undergraduate at Pennsylvania State University and earned his Masters of Fine Art form the Pratt Institute in New York.

I listen to the music many times, study the score, and take my forms from Abstract - Expressionist brush studies I paint while the music is playing.

A similar dedication to the intimate study of form is apparent in this work, despite its arresting artificial colors (a legacy of Nagle's interest in California hot rod culture, through which he also learned to spray paint).

Just as Whitney breaks down the grid central to his paintings, his drawings break the rules of abstract thinking and move beyond color studies and formal exercises to an integrated exploration of image and text, form and content, color and line.

McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.

Often considered the «grandfather» of Op Art, French - Hungarian artist Victor Vasarely began creating mind - bending paintings as early as the 1930s, leveraging his studies of science, color, and optics to produce images that seemed to move, swell, or change forms.