Sentences with phrase «painting studio houses»

I'm sure there is a sense of intrigue as to what will come next, but for now we can enjoy the wonderful spaces that this former scene - painting studio houses and get a meaty glimpse of the work of a significant British abstract painter to boot.

Not exact matches

When they compared sketches Constable made on the spot with the finished paintings he produced later in his studio, they found that the artist consistently «savannafied» reality to enhance the desirable cues — stripping away foliage to expose tree branches or adding houses for refuge.

This was held at Wimbourne House — a magnificent converted hat making factory from the 1890s, now converted into a photography studio, painted in spotless white with a beautiful original floor to ceiling arched windows as the standout feature in the space.

Housed in the magnificent fourteenth - century Château Grimaldi, which briefly served as Picasso's studio in 1946, this museum and gallery contains a number of original paintings, sketches and ceramic works by the artist as well as biographical exhibits and a selection of works by other European artists.

Many are evocations of Maine, where he has gone to paint every summer for the past 60 years, and where he has a house and studio on a small lake.

De Keyser's own studio has informed the presentation of these smaller paintings at Inverleith House.

Pollock's home, which he shared with the painter Lee Krasner (1908 - 1984), and his art studio has been preserved as the Pollock - Krasner House and Research Center so visitors can see where the drip paintings were made and the couple lived.

Australian studio Taylor Knights has linked a house in Melbourne to its garden with a modest brick extension, and taken subtle cues for its interiors from the colours in an abstract painting by Wassily Kandinsky.

Grant Wood Art Colony in Iowa City, IA, offers fellowships in Printmaking and Painting & Drawing that provide a $ 40,000 teaching salary, benefits, housing and studio space.

Lee Krasner painted in an upstairs room of the farmhouse and Jackson Pollock used a barn near the house as his studio.

It is one of seven sunflower paintings Van Gogh completed between August 1888 and January 1889, two of which were intended to decorate a bedroom in his rented home and studio (the Yellow House, in Arles) for artist Paul Gauguin.

Around this courtyard, Santos designed a south - wing to house the art department with studios for drawing, painting, printmaking, and for woodworking and ceramic sculpture.

Sutherland tried to consign one of the fakes to Sotheby's last year, but the auction house questioned the work's authenticity and contacted Mr. Hirst's studio in London, Science Ltd. that deemed the painting fake.

WHAT: Pratt's Fine Arts Department will open all seven studio buildings that house its expansive graduate program to the public on Friday, April 15 from 5 to 10 p.m. Work in every form will be presented from painting, drawing, photography, printmaking, and sculpture to hybrids of the same, along with installation, video, and performance.

Two of Donald Judd's downtown studio spaces, the Cobb House and the Whyte Building include permanent installations of his paintings and reliefs dating from 1956 to 1962 as well as furniture pieces designed by Rudolf M. Schindler.

Seeing this little stack of paintings and, later, the studio's remarkable archive — which houses much of the artist's output from the last 40 years or more — in geological strata - like piles, I realized that I'd brought the right tool to photograph the space.

Riopelle began experimenting with Marcel Barbeau, Jean - Paul Mousseau and Bernard Morisset in a makeshift studio (it was a shed that Barbeau rented, behind a house on rue Saint - Hubert, in Montréal) and produced what could be described as his first automatist paintings.

Color in her paintings — from smudged whites and grays to earthen browns and blacks — seeps out from the floorboards and brick walls of the old carriage house that has been her studio for many years.

Robert Storr is a painter who supported himself by sheetrocking, carpentry, and house painting, along with occasional art writing, when in 1990, with only an MFA in studio art, Storr was picked out of the chorus line by the newly appointed Kirk Varnedoe, Chief Curator of Painting and Sculpture at The Museum of Modern Art in New York, to be a curator in that same deppainting, along with occasional art writing, when in 1990, with only an MFA in studio art, Storr was picked out of the chorus line by the newly appointed Kirk Varnedoe, Chief Curator of Painting and Sculpture at The Museum of Modern Art in New York, to be a curator in that same depPainting and Sculpture at The Museum of Modern Art in New York, to be a curator in that same department.

Ray's paintings of exteriors and interiors of houses / studios, natural landscapes, and classical buildings, are all meticulously rendered on minute canvases.

Auerbach's most recent paintings of Mornington Crescent underline his close identification of the area directly surrounding his studio, such as The House II.

This is one of the few large canvases that Pollock painted in his house on Fireplace Road in Springs, rather than in the barn studio, where he began working in the fall of 1946.

For those interested in discovering the home of artists Jackson Pollock and Lee Krasner and seeing Pollock's art studio and famous paint drips, The Pollock - Krasner House offers one - hour guided tours by appointment only on Thursdays, Fridays and Saturdays between 11 am.

The dark - walled, dimly - lit front gallery at Kent Fine Art housed a re-creation of Petlin's studio in Paris in 1960 — a desk and table with buckets of coated paint brushes.

Accessed through a side garage door, the spacious studio houses Fox's largest paintings to date.

In addition to works from the Glass House Collection (Johnson and Whitney were avid collectors of his work), there are paintings borrowed from the artist's son Vito Schnabel's collection, and a handful pulled directly from Schnabel's studio.

A most rewarding aspect was the creation of a storage component built into my studio to house finished paintings, supplies and flat works on paper.

In her studio, Williams transforms these images into painted nightscapes illuminated with the unusual glow of street lamps, house lights and strings of holiday bulbs, all casting their glow onto surrounding objects.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Join us on Saturday May 19, 2018 for a visit to Philip Johnson's Glass House, as well as his studio, the painting gallery, sculpture gallery (Da Monsta), and the sculptures and follies on the landscape.

So there is plenty here to like — including individual stunners like «False Start» and «Fool's House,» which embody the anxiety of an artist in the studio faced with a blank canvas, plus a roomful of eight so - called «crosshatch» paintings and drawings.

It is Agnes Martin's Taos house and studio, distilled and purified and built in paint.

Freilicher painted the same views since the very early 1960s, when she and her husband, Joe Hazan, built a house and studio in Water Mill on Long Island.

Campus facilities today include: a restored residence (house, library and gallery), painting studios, sculpture workshops, a foundry, forging and welding facilities and a large ceramics kiln.

Born in Miami of Cuban parents artist José Parlá's vibrant works explore the multi-layered histories of cities and urban environments; his paintings and site - specific installations are created both in his large carriage house studio and also works outside throughout city surfaces.

White's paintings begin as photographs taken of his immediate environs — his house, studio or hotel rooms — which he then paints on either wood or aluminum panels and encases in Plexiglas boxes.

Our conversation took place in her Hyde Park, New York house, in the upstairs bedroom that serves as her studio — and in front of a painting of a furry, gray tent - caterpillar cocoon, spun and wedged between the branches of a tree.

He encloses the area under the house to create a studio in which he begins painting again.

The Upper Galleries house an installation of paintings and sculptures that imagine the interior spaces of Melgaard's proposed residence, alongside furniture designed by Snøhetta and ephemera from the artist's studio.

Now a full - time artist, he lives in County Limerick, where he works out of his studio at his house in Abbeyfeale, close to the landscape that he paints.

The studio houses both a painting studio and also the creative design agency Fontana Studios operated by both Blaine and his wife Eugenie (plus canine helpers Zeus and Athena).

His latest efforts, which include paintings, sculptures, and works on paper, are available for viewing at his solo exhibition which opens Saturday, May 21 from 6 - 9 p.m. at Mercury Project, a combined use building located near Roosevelt Park that, in addition to housing a gallery, includes office and studio space and the residence of owners Warren Borror and Antonia Richardson.

Inspired by an archival photograph of Matisse's studio in which plants cast an abstract pattern of shadows on a wall, Dadson has placed a series of filtered lights before a group of house plants; as the work's title suggests, these plants have been painted black with a non-toxic paint, bringing uncanny sharpness and contrast to their forms.

He took a studio in New York City and supported himself by doing commercial art and house painting.

Lots include: A day in the studio with The Kooks, dinner and cruise on Malcolm Campbell's Bluebird, boutique mansion house holiday & painting lessons with National Portrait Gallery artist plus some surprise lots from top designers and exhibiting artists.

«I did this painting after my house and studio burned down,» explained Rosenquist.

Designed in Hackney: this week's first iconic project designed in the London borough of Hackney is Dirty House, a black - painted art studio and apartment building in Shoreditch with a brightly illuminated roof completed by architect David Adjaye in 2002.

Now, on his return to London, working in his West London studio at 19 Maclise House — a tiny space only 12 x 14 feet, located just behind the Tate Gallery — Bowling's painting was exposed to a new range of influences.

Thomas Sills, inspired by his mosaicist wife Jean Reynal, began his self - taught artistic practice working with materials found in her studio such as rags, velvet, house - painter brushes, oil paint, wood, and canvas.

The financial resources required to sustain studios and purchase art materials were only accessible to the new landowners of 17th and 18th century Ireland, thus it is not surprising to find that much of the landscape painting of this time are essentially topographical and map - like vistas of the estates and houses of this aristocracy, commonly featuring views of formal gardens and pleasant scenery.