Each painting takes me to roads traveled and worlds unknown and provides challenges for growth and humility.
Not exact matches
«It
took us around four years
to discover that phthalocyanine, which is a blue
paint used on the surface of the Japanese bullet trains and
road signs, could bind competitively
to the HasA protein,» adds Ms. Chikako Shirataki, a PhD student in her final year, «crystal structures of metal protein complexes helped us
to show that the phthalocyanine - bound HasA protein blocks the receptors on the cell surface of the bacterium and thus, inhibits the uptake of heme.»
It could be because they are mostly cherry - picked group of citizens, middle - class
to upper - middle - class, involved in sculpting,
painting, dancing, yoga, reading, and
taking long walks along the leafy
roads in and about San Luis Obispo.
It
took the classic
road trip story
to a higher level and
painted a picture of a family in crisis as well as any film had ever done before.
The Vanquish
took over from the Vantage V8, the Newport Pagnell factory undergoing an extensive multi-million pound refurbishment
to accommodate it, gaining a new assembly line,
paint shop, rolling
road and water test facil
2017 Dodge Challenger SXT — Bathed in gray
paint and ready
to take on the
road, this used Dodge Challenger is a car that's offered at the price you can afford with the features you want
to enjoy when you drive.
An owner may never
take an Eddie Bauer Bronco into the dirt, for fear of scratching the pretty
paint or getting mud all over the carpets; however, he or she will know, while gazing at the truck from the window of that little old ranch house in the suburb, that the Bronco is ready for an off -
road adventure anytime the owner feels up
to it.
To accommodate this, Rebel Off Road carefully marked and trimmed a small section of frame from the Tacoma, welded on a patch, and painted the area to prevent any rust from taking hol
To accommodate this, Rebel Off
Road carefully marked and trimmed a small section of frame from the Tacoma, welded on a patch, and
painted the area
to prevent any rust from taking hol
to prevent any rust from
taking hold.
One of Adichie's greatest gifts is her ability
to sketch the lives of her characters (mostly women), and
to limn the differences between Nigeria and the United States with a few telling details... A lesser author would
take the easy
road of broadly
painting these cultural differences so that one culture came across as superior
to the other, but Adichie seldom falls into this trap.
2003 Fresh: Works on Paper, a Fifth Anniversary Exhibition - James Kelly Contemporary, Santa Fe, NM Collection D'Estampes Contemporaines - Galerie Akié Arichi, Paris Entre el clavel y la espada: Rafael Alberti en su siglo - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla Classic Works From the 1960s - Loretta Howard Gallery, New York City, NY Black White - Danese, New York City, NY The Eunice and Hal David Collection of 19th and 20th Century Works on Paper - Hammer Museum, Los Angeles, CA The Eighties - Part II: USA - Galerie Klüser, Munich Grafik - Art Forum Ute Barth, Zurich El Expresionismo Abstracto Americano en las Colecciones Españolas - Museo de Arte Contemporáneo Esteban Vicente, Segovia The Heroic Century: The Museum of Modern Art Masterpieces, 200
Paintings & Sculp - MFAH — Museum of Fine Arts Houston, Houston, TX Some Assembly Required - Collage Culture in Post-War America - Polk Museum of Art, Lakeland, FL
Roads Taken: 20th Century Prints and Drawings from the Collection - University of Virginia Art Museums - The Fralin Museum of Art, Charlottesville, VA American Art - The Wilfred Davis Fletcher Collection - Boise Art Museum BAM, Boise, ID Pairings — Hackett Freedman Gallery, San Francisco, CA (closed, 2009) Some Assembly Required: Collage Culture in Post-War America - MMoCA - The Madison Museum of Contemporary Art, Madison, WI Motherwell, Hartung, Fruhtrunk, Sonderborg, Vedova, Trökes - Galerie Dube - Heynig, Munich A Century of
Painting - From Renior
to Rothko — Guggenheim Hermitage Museum, Las Vegas, NV Trace Evidence - Frederick R. Weisman Art Museum, Minneapolis, MN Leckerbissen - Fischerplatz Galerie, Ulm Graphic Works from the Lopez Collection - Cirrus Gallery, Los Angeles, CA
Painting Explosion - 1958 1963, Part I - Blanton Museum of Art, Austin, TX Abstract Expressionism - Art Movement in the 20th Century - Tehran Museum of Contemporary Art, Tehran
Richter's «
take» on life appears
to be that of a man permanently focused on «the dark side of the
road,» and he has consequently been called many negative things: «dour undertaker, dry - eyed mourner, systematic debunker of clichés and lethal parodist,» among others, writes Robert Storr, in the huge catalogue which accompanies the exhibition, «Gerhard Richter: Forty Years of
Painting.»
Værslev often themes and challenges the process of
painting by allowing outdoor conditions
to take their effect or by making use of untraditional
painting implements, like defect spray cans or equipment used
to paint roads and sports arenas.
GB: I
take regular trips across the country from New York
to my studio in New Mexico, and make
paintings in the landscape while I'm on the
road.
For previous exhibitions, Klein based her
paintings on photographs that she
took at a discrete time and place — during a
road trip
to the salt flats of Utah, or the deserts of Texas — but these new works represent a varied assortment of photos.
And I realized I had
to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach
paintings 1986 First pattern
paintings 1987 Joins Luhring Augustine Gallery 1987 First word
paintings 1988 Collaborative installation with Robert Gober one
painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction
to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two
paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts
taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white
paintings 1991 Creates edition of small
paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes
painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio
to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs
taken over previous 4 years 1993 Begins silkscreened flower
paintings 1993 Meets Michel Majerus 1994 Makes
road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose
to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray -
paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels
to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey»
paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art
to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
That way, if you get a tenant that likes
to take hour long showers with the fan off and door closed, they won't be able
to and you won't be dealing with moisture, mold, and peeling
paint issues down the
road.
You can easily
take this collection down the
road to Folk Art with rich historical milk
paint colors or more Country with mid-tone brown stains.