Sentences with phrase «painting than a photograph»

More akin to oil paintings than photographs, the north and eastern edges of Manchester city centre are captured at dawn, when it's not quite light and not quite nighttime.

Her practice revolves around the chemical and material aspects of photography, using analogue techniques to create images that look more like paintings than photographs.

Not exact matches

Fruits on the packages look like they're painted rather than photographed, and containers have a matte finish instead of a glossy look.

As Yale historian Jaroslav Pelikan says:»... the presentation of Jesus in the New Testament is in fact itself a representation: it resembles a set of paintings more closely than it does a photograph.»

Other than a list of dates corresponding to when the original photographs were published, no context is provided for any of the paintings, nor are they arranged in any chronology or topical sequence.

THE FOLLOWING ITEMS WILL NOT BE ACCEPTED at the facility or through the mail Personal checks, nude personal photographs, musical greeting cards, oversized greeting cards, plastic - type cards, telephone calling cards, personal identification cards, sonograms (plastic x-ray type), Polaroid's (whole or altered), more than ten (10) photo - graphs, medicine, personal hygiene items such as deodorant, hair products, combs, brushes, toothpaste, tooth - brush, shampoo, soap, washcloths, towels, cosmetics, metal or wooden crosses, chains, neck - laces, medallions, rings, watches, brace - lets, stamps, writing paper, envelopes, pens, pencils, crayons, colored pencils, pantyhose, metal objects, plastic objects, glue substances, decals, stickers, artwork: beaded, painted, glued, stringed, etc., belts, food items, candy, cologne or perfume, cassette tapes, electrical items such as radios, tape players, televisions, lottery tickets, hair, tobacco products.

More than 80 photographs and paintings of dogs and cats by noted artists grace the walls of the public spaces of the 110,000 - square - foot medical center, one of the most advanced veterinary hospitals in the nation.

With more than 100 paintings and photographs from the 1920's to the 40's and four contemporary environmental projects (including one by Maya Lin), this exhibition homes in on the utopian, isolationist, rural face of the Midwest.

I guess that's one of the things that makes them different from photographs, in that a photograph might be a record, a snap, one moment — a painting I think is about creating a small world around that photo... I really like that idea of something that you can enter like a box or an exhibition space, and enter these little rooms which for me are memories, but it's not about nostalgia — it's more about setting up something that's still living — so it's almost they're all in the present, rather than in the past.»

Individual collections include: examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

Those who have seen Antarctica's Mount Erebus tell him that his paintings capture the iconic volcano far more accurately than any photograph.

Your typical artist's blog usually consists of little more than a photograph of the latest art piece, with a brief description like, «I painted this yesterday.

With more than 200 paintings, sculptures, installations, drawings, photographs, ephemera, and films, the show reveals a scene that was much more diverse than has previously been acknowledged, with women and artists of color playing major roles.

The Parrish holds the largest public collection of William Merritt Chase (over 40 paintings and works on paper) and an extensive archive, including more than 1,000 photographs relating to the life and work of the artist, in particular family photographs of summers spent on the East End.

While Schnabel has been making paintings with spray - paint for more than thirty years, the body of work on view in Enigmas remains relatively unknown; these more recent paintings are built on a single found photograph whose weathered emulsions gave birth to an image beyond the original.

It now owns more than 4,000 drawings, paintings, prints, photographs and sculptures.

The exhibition brings together more than 40 works including paintings, photographs, collages, sculptures,...

The exhibit focuses on what might be, rather than what is, in a Surrealist - inspired showing of paintings, photographs, and sculpture.

An exhibition at Dulwich Picture Gallery is the first major retrospective of this elusive artist in the UK and showcases more than ninety of his works, including oil paintings, watercolours, drawings, and photographs.

The show included more than 100 drawings, paintings, video installations, performance works, PowerPoints, Instagram photographs and collages.

Stretched over 500m2, the museum has at its disposal one of the largest archives in the world, which includes more than 1000 metres of archive material (files, newspaper cut outs, videos, posters, photographs, paintings, sculptures and so on).

Focusing on historical context and featuring more than 200 works (including paintings, photographs and ephemera), the exhibition represents an immense archival feat by curator Melissa Rachleff.

Individual collections include: African art and samurai armour owned by Arman; examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

«Jay Defeo: A Retrospective» at the Whitney Museum of American Art in New York examines more than 150 of DeFeo's paintings, collages, photographs and jewelry, many of which are exhibited for the first time.

The Grace Museum's art collection of more than 1,500 works of art is composed of paintings, fine art prints, artist's books, sculpture, photographs, and works on paper including drawings, watercolors, and pastels.

Occupying all nine galleries of the Museum, the exhibition encompasses more than 80 Still paintings, works on paper, photographs, and sculptures.

We still tend to value paintings more highly than photographs, so if you hang one beside another the likely assumption is that the photograph emulates the painting.

More than fifty paintings, drawings, photographs, works on paper and sculptures attest to the power that can come from representing the black body and the responsibilities that may attend these representations.

The entire top two floors of the museum, including the Rooftop Garden, feature more than 160 paintings, sculptures, photographs, and video works by Alexander Calder, Chuck Close, Anselm Kiefer, Roy Lichtenstein, Agnes Martin, Gerhard Richter, Cy Twombly, Andy Warhol, and many more.

Primarily a collection of drawings, the Vogels» collection also includes paintings, sculptures, photographs, and prints by more than 170 contemporary artists, mainly working in the United States.

Co-curated by acclaimed novelist Colm Tóibín and Declan Kiely, head of the Morgan's Department of Literary and Historical Manuscripts, the exhibition includes a rich and eclectic selection of more than fifty paintings, drawings, watercolors, sculptures, photographs, manuscripts, letters, and printed books from two dozen museums and private collections in the United States, Great Britain, and Ireland.

The Whitney is dedicated to collecting, preserving, interpreting, and exhibiting American art, and its collection — comprising more than 19,000 paintings, sculptures, drawings, prints, photographs, films, videos, and new media by more than 2,900 artists — contains some of the most significant and exciting work created by artists in the United States during the twentieth and twenty - first centuries.

It is one of the most comprehensive single - artist museums in the world, which includes more than 4,000 works of art by Warhol including paintings, drawings, prints, photographs, films and videos.

The first section of the exhibition is devoted to the South and features more than 40 works by both trained and self - taught artists, including paintings by Jacob Lawrence and Lamar Dodd, photographs by Walker Evans and Peter Sekaer, and drawings by Bill Traylor.

Organized in collaboration with the Brandywine River Museum of Art, the exhibition will feature more than 200 artworks, including more than 70 from the High's permanent collection, and encompass a wide range of media and makers — from paintings and photographs to murals and sculpture, by trained and self - taught artists, modernists and regionalists.

The images» continuing power, more than 60 years later, to speak about race and violence is being demonstrated once again in protests that have arisen online and at the newly opened Whitney Biennial over the decision of a white artist, Dana Schutz, to make a painting based on the photographs.

Taken around 1964, it had been commissioned by Francis Bacon, who preferred to paint from photographs rather than live models.

More than two dozen artists and writers are calling for the Whitney Museum of American Art to take down a painting by Dana Schutz that is based on a historic 1955 photograph of the funeral of African American teenager Emmett Till.

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media including drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

The collections now number more than 8,300 paintings, works on paper, sculptures, photographs and illustrations by American artists.

More than 50 years ago, Gerhard Richter began mounting parts of his extensive collection of pictorial material on cardboard, hoping to create order and clarity among his archive of photos, newspaper clippings, sketches, drawings, construction plans, room design, collages, overpainted photographs and drafts of paintings.

Covering more than a century of artistic development in the U.S., the exhibition features a broad range of media, including collages, drawings, new media works, paintings, photographs, prints, sculptures, and text - based conceptual portraiture, loosely divided into three chronological sections:

Surrealism: The Conjured Life presents more than 100 paintings, sculptures, drawings, and photographs that demonstrate the deep currents that Surrealism sent through the international art world — and especially through Chicago — since its emergence in the first half of the twentieth century.

The exhibition features more than 100 paintings, sculptures, photographs, drawings, prints, textiles and ceramics by more than 50 artists, including Lee Krasner, Eva Hesse, Louise Bourgeois, Lygia Clark and Agnes Martin.

Drawn from major public and private collections in the United States, the paintings are accompanied by more than one hundred beautifully fluid studies in various media: drawings, oil sketches, sculptures, digital composites, photographs, and prints — many never previously seen by the public.

It features more than 90 paintings, photographs, sculptures, and costumes relating to American dance from 1830 to 1960.

Less photographs than they are paintings using photographic materials (paper and light), the images resemble beautiful fairy - scapes, or reflections on still water.

More than 100 exemplary works on paper including photographs, and paintings by 27 artists provide an informative overview of the development of German art — and thus also of the history of the country — from the 1960s up to the present day.

The exhibition features American artists for whom Blake was an important inspiration and includes more than 130 paintings, prints, drawings, photographs, films, and posters, as well as original Blake prints and illuminated books from collections throughout the United States.

It will house more than three - hundred paintings and drawings by Bartlett as well as the complete archive of his sketch books, photographs, journals, and other objects related to his artistic practice.