Sentences with phrase «painting the booth walls»

Inspired by Sigmund Freud's study, which is preserved in a museum a few miles from the fair, Wallinger represents Freud's themes of the conscious and unconscious mind by painting the booth walls red and green.

Not exact matches

In addition to Nozkowski's paintings in the Pace Wildenstein booth, there was a wall of quiet, mostly achromatic paintings by Avis Newman at Lisson Gallery; both big - name galleries at the Armory Show.

Jordan Wolfson's «Riverboat Song» opens at David Zwirner's West 19th Street space on May 2: three new wall - based works by the artist premiere at the fair with Zwirner alongside an original series of paintings by the gallery's newest signing, Josh Smith - two solos in one booth (D29).

At ABMB, Pace showed (and sold, at prices ranging from $ 75,000 to $ 1m) 16 signature black Louise Nevelsons; Mitchell - Innes & Nash gave a wall to Jessica Stockholder's 14 - element assemblage; Rosalyn Drexler's canvas collages of magazine strips took over Garth Greenan's Survey booth; a Kiki Smith white car - painted bronze anchored Timothy Taylor's space; Noga, the sole Israeli gallery (why?)

In Proyectos Monclova's booth, Tercerunquinto (established 1996) will stage a performative work, painting Mexican political campaign murals directly onto the walls.

Another is that of Tiwani Contemporary, the walls of which are covered with the paintings of Francisco Vidal, an artist who was inspired by jazz music and who you can periodically catch DJ» ing at the booth.

Behind the installation, on the gray wallpapered walls of the booth, hang paintings of crumbling houses.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Highlights included Cherry and Martin's solo booth of new Amanda Ross - Ho canvas works, Jack Shainman's elaborate wall of Nick Cave soundsuits (as well as El Anatsui's intricate aluminum works), Roberts & Tilton's gorgeous Wiley painting, Deitch Projects» glass Barry McGee wall piece, Charim Galerie's solo booth of Valie Export works and hilger Contemporary's luscious Massimo Vitali photograph.

Consisting of cottons strings in colors of grey, pale green and cream, which were tacked to one corner of the booth, and then pulled to another corner to create a sort of linear cobweb, the piece recalled both the wall drawings of Sol LeWitt and the paintings of Agnes Martin writ in 3 - D.

These sculptures, which Chiappa said were partly inspired by Jean Arp's aleatory «dropped paintings» (the holes in the cheese, for instance, were created by unpredictable chemical reactions), lined the walls at Kate Werble's booth, while another metal sculpture by the artist suggesting a basketball without the orange parts sat on the floor.

Other noteworthy works were a Katherine Bernhardt canvas of her usual 2 - d miss - mash of objects, Puppies Puppies, Nolan Simon's Earth which took up most of the What Pipeline (Detroit) booth, forcing fair - goers to squeeze into odd spaces and angles to view the paintings on the walls, and Mika Tajima's spray - painted Jacuzzi - like structures at Eleven Rivington (New York).

Her paintings, which have been flying off the walls of art fair booths by Johannes Vogt Gallery, made a splash at the Carnegie International this year, and new films were featured in her first solo show at Callicoon Fine Arts.

On Proyectos Monclova's booth, the Mexican collective Tercerunquinto are painting Mexican political campaign murals directly onto the walls and there's more hard - hitting political work in a new series from Santiago Sierra on Milan's Prometeogallery di Ida Pisani, together with a never before seen installation by Manuel Ocampo on Tyler Rollins Fine Art which, in the Filipino artist's inimitable style, draws on religious iconography to reflect on current global events.

Focal points of the booth will be the presentation of The Lovers by Marina Abramović, a body of work she created after walking the Great Wall of China in 1988; Embajada Rusa, a new sculpture by Los Carpinteros constructed from LEGO ® bricks, playfully reimagining the architecture of the Russian Embassy in Cuba; a group of new paintings by Hugo McCloud; and The Time Vivarium, a stop - animation film by Sun Xun, created for his debut exhibition at the gallery in 2015.

Hauser and Wirth has mounted a winningly anarchic booth whose walls have been painted by Martin Creed in various patterns of blue and black stripes — against which paintings by Rita Ackermann, sculptures by the late Juan Muñoz, and photographs by Roni Horn look positively groovy.

The real star of the booth, however, was not the paintings on the walls, but the chairs at the gallery's desk.

Marc Glimcher, the proprietor of Pace, was leaning against the wall of his gallery's booth, which was painted light blue and had a series of small Kiki Smith sculptures of birds and wolves that looked like they were leaping through an azure sky.

Set in a stadium - sized space, artists were invited to present existing or commissioned large - scale sculptures, paintings, installations, projections, and live performances, free of the confines of the traditional walls of art fair booths.

With only one wall erected for the booth, König Galerie is changing the large - scale paintings each day.

Then Hill stepped into the Cohan booth, its walls painted dark gray to display videos, priced from $ 240,000 to $ 375,000, that explore the interactions between man and nature.

At the Frieze fair, which opens on Friday, numerous galleries will include work by Biennial artists: New York's Mitchell Innes and Nash, which represents Pope.L, whose massive installation in the Whitney included hundreds of pieces of bologna affixed to the wall in pushpins, will be offering one of the artist's (less perishable) photographs; the Los Angeles - based Night Gallery will feature works by Samara Golden, whose installation in the Whitney, The Meat Grinder's Iron Clothes, included miniature interiors and a profusion of mirrors; and Mary Mary, a Glasgow gallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the Biennial.

The gallery has given its booth walls to Hempton to use as a canvas, which she's covered in swaths of paint.

In one of The Armory Show's few overtly political moments, a powerful and timely painting by Titus Kaphar hangs on the booth's outer wall; the work (The Cost of Removal, 2017) was inspired by President Trump's hanging of a portrait of Andrew Jackson in the Oval Office and sees Jackson on a horse with the names of his slaves penned on shreds of canvas tacked on by rusted nails.

Hannah Greely's installation Dual replicated a dark restaurant booth that includes little landscape paintings, a wall lamp, smoky mirrors, and an old - fashioned, wall - mounted pay phone.

Additionally, Schoultz will be debuting a new large - scale wall collage and painting at the Los Angeles Contemporary Art Fair in Jerome Zodo Contemporary's booth tonight — January 19th — which will remain on view through January 22, 2012.

In the «living room» there are a few delightful Milton Avery paintings from the 1940s, as well as masterful portraits by Alice Neel and, through booth walls set up into a corridor, paintings by Yayoi Kusama.

Seven globes sitting in a circle on chairs watched over by paintings both portraits and abstract works on the wall, are the main elements of Spichtig's booth.

12» high hard walls painted white; lighting as indicated; exhibitor badges; VIP program including Opening Preview tickets and special event invitations throughout the exposition; standard booth signage.

In 2013, Brown had horror - camp artist Bjarne Melgaard paint the walls of his Frieze New York booth magenta and fill its labyrinthe arrangement with heaps of neon fleece carpets that made it difficult to walk (sort of a «fuck you» to fairgoers in heels — but then again, the carpets were also for sale, at $ 12,000 each).

There, the booth of London - based Laura Bartlett Gallery has been transformed completely into a lobby of a South American money exchange booth, complete with bright - colored flora, checkered tile floor, neon - teal walls, and a rickety stand with hand - painted signs advertising tarjetas prepagadas.