Sentences with phrase «painting these images over»

«If they were painting these images over and over, they had to have been significant,» she thought.

(He often pours resin on a canvas and then paints images over it, or douses fabrics with lacquer before sketching patterns on top of them.)

Doig often paints an image over and over, explaining that the subject contains something to which he is repeatedly drawn.

Not exact matches

On the album opener, «Cape Canaveral,» Oberst goes stream - of - conscience over a simple acoustic strum, painting images like «Watch the migrants smoke in the old orange grove / And the red rocket blaze over Cape Canaveral.»

I've never had an appreciation for grape juice and stale crackers, so for this image I didn't want to paint birds picking over seeds, bread crumbs or bugs.

However, a few months in, the image I had in my head of what our relationship would look like has already been painted over with the some hard truths.

Pictures painted on the walls of my womb began to emerge» (The Mother's Songs: Images of God the Mother [Paulist Press, 1986], p. 67) She discovered the Great Mother in the awesome beauty of the desert, brooding over a world still in the process of being born.

Rosie O'Donnell deals with her anger over Trump's presidency by painting acrylics of him on canvas and, using an iPad Pro and a stylus, creates disturbing digital images of her archenemy with titles like «Coward,» «Liar,» «Rapist,» «Thief,» and, most recently, «Stormy.»

Thousands of still images tell the story of a week when the local community and artist Ross Wilson painted over a paramilitary gunman and replaced it with «A Portrait of a King» - a mural of King William III.

It paints an image of orange robed power - brokers doing business while incense wafts in the background, or of be-suited Buddha's on cell phones focusing on compassion over profits.

I have used it over painted pieces before and have had no issues with the images smearing.

I especially love how the last image even continues the theme over the painting.

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Images via TFS Forums It looks like Marc Jacobs still hasn't gotten over that time earlier this year when graffiti artist Kidult spray - painted «ART» in giant hot pink letters across the designer's Soho boutique.

Inside the book is jam - packed with over 1,000 images of every aspect of the production from concept artwork to photographs and development paintings.

«It began with musings on epochal paintings and evolved with the photographs I had taken over the years,» said Kiarostami, «Each of these frames is in essence 4 minutes and 30 seconds of what I imagine to have transpired before and after a single image».

From the ship, a device called an acoustic echo machine painted colorful real - time images of the canyon as we passed over it.

The folks over PocketNow have leaked out an image of the 4G WiMAX capable Sprint branded Samsung Epic 4G Touch handset, painted in white color.

Whether the painted scene is based on the city streets of Detroit, or of vintage cars lying in the middle of a parking lot in sun - drenched California, you'll enjoy spending time poring over each image, trying to determine its theme, its message and the story behind it.

Sometimes I dive straight in with the paint, others are drawn free - hand but for a very large and intricate painting like this I use a projector and draw over the image, ensuring that the bowls of the glasses are correct in shape and perspective.

Even today, after decades of appropriation - based art, some viewers are taken aback, at least momentarily, when they realize that Drexler is «merely» painting over borrowed images.

The exhibition, which will run through October 12th, features over 75 original paintings, bronze sculptures, embellished reproductions and collectible images from the legendary careers of Seuss (or Theodor Seuss Geisel, if you're on a real - name basis) and ten authorized Disney artists.

Scopophilia, which consists of over 400 photographs culled from Goldin's career, pairs her own autobiographical images with new photographs of paintings and sculpture from the Louvre's collection.

Over the past twenty years, she has employed a diverse array of techniques and vocabularies, ranging from the cheerily clumsy figuration of folk painting to imitations of digital image editing (an interest that has also extended to the incorporation of digitally printed wallpaper and conversational text elements into her canvases).

Multiple layers of geometric and gestural marks are silkscreened and hand painted over these flattened images creating a rhythm within the painting while obfuscating the original subject matter.

He works small, his colors range all over the map, and his images do not derive from the painting's edge.

Small paintings of fires are plastered upon images of the trees, whereas a Gothic arch encasing plasticine babies hangs over the marine setting.

The paintings superimpose suggestive text written by Ellis and set in Los Angeles inspired fonts over stock - photographic images selected and purchased online by Israel: sunsets, surf, aerial views of Los Angeles, and close - up details highlighting local architectural vernacular.

And his processes as a printmaker lie well outside conventional techniques: he rarely printed a plate the same way twice, often painted over his prints, cut down and repurposed his plates for other images, and experimented with grounds and unusual supports, including fabric.

Since his bravura institutional outing in 1997 at the Stedelijk Museum, Amsterdam, Melgaard's forté has been crass, crudely drawn, graffiti - like images of, and writings about, bareback and interracial gay sex — «hate fucking,» «gay terrorism,» «white Daddy dick,» «big fat black dick,» «straight cock,» and other delightful variations on the theme, all layered and scrawled on paintings, old beds, couches spilling over with posters, and other messy piles of carefully amalgamated bric - a-brac.

But whereas the work of those artists achieves a meaningful dissonance through a sundry aggregation of disjunctive motifs, Picabia's layered images serve to reinforce one another within each painting, coalescing in their signification into a unified expression or theme: in one case it is the seductive menace of his Portrait of Kiki (ca. 1938 - 40), a demimonde figure painted in lurid yellows and greens with a spider form imposed over her face; in another it is the cheesy eroticism of Reve (ca. 1935), an image of a sleeping woman about to be kissed imposed over a nude standing (like Botticelli's Venus, but with arms upraised) on the surface of the waves.

Lee painted the Little Image series of 31 paintings (1946 - 50) that represent her first all - over abstractions.

Her images convey a sense of timelessness, as though they could depict scenes from a brothel in an abandoned mining town as readily as an artist's loft in Brooklyn, and often feature a thick, red X loosely painted over the composition.

In this present exhibition, Ventura collages and hand - paints over every image.

The title of Byron Kim's gorgeous painting «Innocence Over Blue,» along with its image, comes from a poem by the St. Louis writer Carl Phillips describing the color and texture of a bruise on a lover's skin.

Jean Cooke RA has explored her own image through self - portraiture over many years, including painting herself wearing a heavy brass fireman's helmet.

At a time when we are immersed in a cacophony of media images and sounds, and live in a climate of anxiety often provoked by invisible and abstract adversaries, the four fundamental expressive art forms — painting, sculpture, installation and performance — are amalgamated over the course of the exhibition, with contributions from Philippe Parreno, Adel Abdessemed, Roni Horn, David Hammons, Mark Grotjahn, Marlene Dumas and many more.

When she came to paint Andy Warhol after he had been shot by a deranged feminist, she deconstructed the public image he had built up over two decades simply by asking him to take off his shirt.

Over the past five decades, in her painting, drawings, prints and illustrations, Applebroog has been exploring subjects informed by feminism, power and violence, women's sexuality and the domestic space using images stylistically reminiscent of comics, at once beguiling and disturbing.

Over the last thirty years, Wool has explored many different methods for creating abstract images, often utilizing printmaking techniques in combination with painting.

Over and over again in the catalog, we read about Ligon's love for painting — de Kooning's Pirate (Untitled II)(1981) is a favorite, apparently — and how he, um, «opened up the semantic rules of identity and linguistic constructions between object - text and image - sign relations through the use of photography and text based on the appropriation of language, sign, text, and speech as material for his painting practice.&raOver and over again in the catalog, we read about Ligon's love for painting — de Kooning's Pirate (Untitled II)(1981) is a favorite, apparently — and how he, um, «opened up the semantic rules of identity and linguistic constructions between object - text and image - sign relations through the use of photography and text based on the appropriation of language, sign, text, and speech as material for his painting practice.&raover again in the catalog, we read about Ligon's love for painting — de Kooning's Pirate (Untitled II)(1981) is a favorite, apparently — and how he, um, «opened up the semantic rules of identity and linguistic constructions between object - text and image - sign relations through the use of photography and text based on the appropriation of language, sign, text, and speech as material for his painting practice.»

This figure derives from an earlier painting, Wall Jumpers (2002), the source of which was a media image showing Palestinians scrambling over the separation barrier built by Israel in the occupied territories.

As a child, creates an elaborately decorated environment in his room, drawing images on the walls, painting red fleurs - de-lis all over the woodwork and furniture, and building a structure of crates filled with jars and boxes of found objects to divide the room that he shares with his only sibling, Janet, born in 1936.

He then painted over them in gouache to evoke images of India.

Though Shepherd has used 3D modeling software to create images for her forceful yet refined paintings over the last twelve years, her newest work more explicitly exposes a digitally generated line, making the computer process itself the subject of the work.

The images» continuing power, more than 60 years later, to speak about race and violence is being demonstrated once again in protests that have arisen online and at the newly opened Whitney Biennial over the decision of a white artist, Dana Schutz, to make a painting based on the photographs.

To make them Wittenberg lays printing glass over an ink study and paints in the images, allowing her to condense certain structural marks in unusual and counterintuitive ways so that instead of feeling modeled out of brushwork, they seem to be whirled onto the surface.

Her self - taught process consisted of blowing up images from magazines and newspapers, collaging them onto canvas, and then painting over them in bright, saturated colors.

In some images, he omitted entirely to paint the head, just a fluffy cloud is hovering over an empty neck.