In Untitled (1958), Chu Teh - Chun conflates the Chinese landscape
painting tradition with the free spirit of Art Informel and Western abstraction; while in Bangkok III (2013), Andreas Gursky depicts the Chao Phraya as a dark, reflective flow, conjuring a lineage of painterly depictions of water, from the cascading riverbanks of Song dynasty landscape paintings to Claude Monet's Nymphéas.
The Brooklyn - based artist challenges
painting traditions with his abstract and textured «oil skins.»
Not exact matches
So I've heard from more than a few of my Reformed brother and sisters that I have a bad habit of
painting the Reformed
tradition with a broad brush (especially when I'm disagreeing vehemently
with more conservative groups like the Gospel Coalition!).
Although I grew up in a secular state (Soviet Union), we always celebrated the
tradition of Easter by
painting eggs, baking kulich and paskha, and sharing it all
with close ones.
And in a third cave, patches of red
paint were applied to the walls at least 65,500 years ago,
with more
paintings added over a period of 25,000 years or more — signaling a long Neandertal
tradition of cave art, the researchers say.
A Chinese
tradition for over a thousand years, this hand -
painted garden stool is crafted of porcelain and detailed
with pierced cutouts and a glossy finish.
A Chinese
tradition for over a thousand years, this hand -
painted garden stool is crafted of porcelain and detailed
with pierced cutouts and a glossy blue - and - white finish.
Easter is such a lovely holiday, not only because there's lots of chocolate involved, but because my family has a lot of little
traditions, like
painting eggs
with wax.
Paintings and prints frequently carry particular meaning within Petzold's films, as examples of the ancient
tradition of ekphrasis, probably none more so than in Phoenix's immediate predecessor Barbara (2012)
with its conspicuous Rembrandt print, but likewise in much earlier works like Die Beischlafdiebin (The Sex Thief, 1998)
with a Gerard Richter on the wall — another artist conspicuously engaged
with multiple forms of peculiarly German afterness.4
Just a handful of options will be available on the new Bullitt Mustang: MagneRide dampers, black leather - trimmed Recaro seats, Shadow Black exterior
paint (if you're an enemy of
tradition), and a «Bullitt Electronics Package» (navigation, upgraded audio, driver memory seats / mirrors, Blind Spot Information System
with Cross-Traffic Alert).
It is finished in its original two - tone Black and Tan that looks especially nice even three decades after it was applied by Tiffany Motor Coach but obviously there's much more to the coupe than just
paint, cool cars like this that are built in the same
tradition of the Excalibur and Zimmer add century - old class and distinction to more modern components, that's where you get the custom swoopy fenders, decorative exterior exhaust ports, 2 exterior spare tires, full - length running boards, and bright wire wheels and of course the classic - style trunk
with leather straps but beyond the grandest of grand touring appearance are the fundamentals you want for example, the doors are unaltered from the original Mercury Cougar body, the same goes for much of the main glass and underlying components, so maintaining this one - of - a-kind appearance is much easier than it might first seem.
However, the theme throughout the city is blue,
with many houses continuing the old age
tradition with blue
paint or a blue roof.
The gorgeous interior décor of the villa, including original
paintings and statuary, evoke Mexican folk
traditions with exquisite, contemporary style.
Corwin writes: «In the
tradition of Klein and Dubuffet, Strobert chooses to site her artistic practice within the confines of
painting, while literally doing everything she can to reconfigure that discipline through a re-orientation of mediums and
with an expressionistic yet pragmatic eye... Strobert's
painting isn't abstract
painting but the abstraction of
painting.
Calligraphy, miniature
painting, Sufi mysticism, and other
traditions are the starting point for a new generation of artists from the Islamic world who are using the language of contemporary art to inflect their work
with multiple layers of meaning.
Using a condensed and dramatic form mixing elements of comic book art, Californian underground, and murals
with the great European
tradition, the large scale religious implementations of the Baroque in particular, Danø works range from the traditional
painting to reliefs and singular objects.
In both the «Gray
Paintings (Loxodonta)» and the «Organ Pipes», the materiality of the objects open up to suggest a vast scope of cultural production — the elemental tin transformed into the majestic pipe organ, an achievement of pre-industrial design on par with horology; the «Gray Paintings (Loxodonta)» echoing the stone surface of prehistoric cave paintings and also the modernist tradition of the mo
Paintings (Loxodonta)» and the «Organ Pipes», the materiality of the objects open up to suggest a vast scope of cultural production — the elemental tin transformed into the majestic pipe organ, an achievement of pre-industrial design on par
with horology; the «Gray
Paintings (Loxodonta)» echoing the stone surface of prehistoric cave paintings and also the modernist tradition of the mo
Paintings (Loxodonta)» echoing the stone surface of prehistoric cave
paintings and also the modernist tradition of the mo
paintings and also the modernist
tradition of the monochrome.
In his oeuvre, he combines the
traditions of European modernist
painting with influences from American postwar art.
Her
paintings are influenced by European and American art
traditions and tensions, and she reconciles them
with her own pictorial voice, albeit one that gives a shout out to artists including Henri Matisse, David Hockney, Albert Oehlen, and Dana Schutz, to name a few.
In this new series of
paintings, he draws on Indian and Western European
traditions to create a hybrid visual language
with which to relate intimate tales of sensual and spiritual encounter.
For YSP he will make new
painting and sculpture — resolutely contemporary works that will integrate an inclination towards geometry
with the romantic sincerity of landscape
painting in the historical
tradition.
SATTERWHITE: I had roadblock
with painting because of the Western
tradition.
The three
paintings and a collage, all featuring the same figure
with folded arms, seem to be rooted in the painterly
tradition reminiscent of Otto Dix and even early Tair Salakhov.
His
paintings, drawings and sculptures were often classified as «California Funk,» a description foisted upon a group of West Coast artists who treated
tradition with cheery disregard.
They also show her flaunting art - historical
tradition, playing
with the boundaries between
painting and collage, using materials unexpectedly, and infusing her work
with her a sense of alchemy.
In an art world where somehow Anti-Formalism became synonymous
with the Anti-War movement artists were supposed to tear down the
tradition of
painting and sculpture as a metaphor for being anti-government.
Whereas Davenport identifies Balthus's
paintings with the
tradition of modern French culture for which the world and imagination of children are well respected, and understood, unlike the puritanical value ingrained in American culture that certainly lessens the appreciation of Balthus's vision.
His gargantuan semi-abstract
paintings of fruit and flowers are credited
with merging process art
with the still life
tradition of Western
painting.
The bindi becomes a language or code we begin to read through works that elicit formal connections
with abstract expressionism, op art, and geometric abstraction from Western
painting and the tantric and neo-tantric
traditions of India.
From Norman Lewis to Joe Overstreet, the Harlem Renaissance — derived
tradition of African - American abstract
painting (which has historically had a primarily black audience) is intermingled
with the
tradition of so - called self - taught or outsider artists such as Bill Traylor and Bessie Harvey (whose audience has been mostly in the rural south and mostly black); the more recent wave of African - American conceptualism represented by Adrian Piper, Lorna Simpson, and others (whose work
Referencing the «old masters» of art history and
tradition, she creates her own versions, much like Picasso did
with Manet's iconic
painting, Le Déjeuner sur l'herbe.
She has been one of the most talked about artists of the past decade, consistently finding new narrative structures to infuse the venerable
tradition of
painting with an unpredict - able expressionism.
Inspired by jazz and his family's quilting
traditions, since the 1980s Al Loving has been broadening the definition of modern
painting and drawing, experimenting
with heavy paper and color to create three - dimensional collages.
Wyatt Resident Artists Gallery Negar Ahkami's expressive, tactile
paintings are inspired by Iranian art, and by global visual
traditions that intersect
with Iran's rich art history.
Strategies of Non-Intention: John Cage & artists he collected / Gering / 14 E 63 (new location) / thru 8/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Distilled: The Small
Painting Show / Jacobson / 17 E 71 / thru 7/31 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Helen Frankenthaler and David Smith / Starr / 5 E 73 / thru 8/8 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 8/22 (extended) Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 7/11 (extended) Jeff Koons / Whitney Museum / Madison @ 75 / thru 10/19 Opening 6/27 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/3 Ed Rusha thru 7/11; Marcel Duchamp thru 8/8 Opening 6/26 / Gagosian / 980 Madison @ 77th Barbara Crane / Higher Pictures / 980 Madison @ 77 / thru 6/21 Journal / Venus Over Manhattan / 980 Madison @ 77 / thru 7/26 Lynn Chadwick / Blain - DiDonna / 981 Madison @ 77 / thru 7/25 James Lee Byars / Werner / 4 E 77 / thru 8/30 Peter Davies / Roitfeld / 5a E 78 / thru 8/10 Eddie Martinez / Half / 43 East 78 / thru 7/15 Nancy Graves / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 6/27 Jean Dubuffet; Miquel Barcelo / Acquavella / 18 E 79 / thru 9/19 Opening 6/30 Lucien Smith / Skarstedt / 20 E 79 / thru 6/27 Luke Diiorio / Blumenthal / 1045 Madison @ 80 / thru 7/2 Lucas Samaras thru 9/1; Dan Graham
with Gunther Vogt thru 11/2; Goya thru 8/3; Etc. / Met Museum / 5th Avenue @ 82nd Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 The Annual: Redifining
Tradition / National Academy / 1083 Fifth Avenue @ 89 / thru 9/14 Sophie Calle / Cooper + Perrotin @ The Episcopal Church of the Heavenly Rest / 2 E 90 / thru 6/25 Mel Bochner thru 9/21; Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open
with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29 If You Build It / No Longer Empty / 115 & St. Nicholas Ave. / thru 8/10 Opening 6/25 (7 - 9 PM) BROOKLYN Parallel Shift / NARS Foundation / 201 46th Street — floor 4, Sunset Park / thru 6/20 Itness: MaDora Frey; Nicola Ginzel; Heide Hatry; Fawn Krieger; Seren Morey / Trestle / 168 7th, Gowanus / thru 7/2 Myles Bennett, Jay Gaskill, Cat Glennon, Enrico Gomez, Eliot Markell, Esther Ruiz and Jeanne Tremel / Ground Floor / 343 5th / thru 6 /?
James Prosek's practice is inspired by the long
tradition in art history of depicting nature — starting
with paintings of animals deep within the caves of Lascaux and Altamira to detailed drawings of animals by Albrecht Dürer.
There's a whole
tradition of optical art which you don't seem to associate yourself
with, and I don't think your
paintings are really in that category.
These recent works
with their multiple perspectives and deceptively simple rendering of landscape and figure look much connected to the
tradition of Korean ink
painting from which they do indeed come.
A pioneer in
painting and former professor at Bard College, Murray is known for distinctively shaped canvases that break
with art - historical
tradition and blur the lines between
painting and sculpture.
So
painting,
with its long history and high cultural status, its
tradition that includes Titian and Rembandt and Rothko, has become the popular art of our time.
This work can be interpreted in the simplest, most direct manner — as a stereotyped image of China's food culture and
painting traditions, but at the same time, its multiple references to various Chinese social and historical backgrounds make interpretation much more difficult: the use of objects to express morality in Chinese landscaping, satirical poetry mocking ostentatious refinement, and the imitation of handwritten menus to capture a scene of civil life... Viewers unfamiliar
with the specific context can easily find themselves lost in the smokescreen of mysterious Oriental poetic calligraphy and bonsai art.
Over the past 17 years, Shahzia Sikander has worked within the
tradition of Indo - Persian miniature
painting — creating a dialogue
with a traditional form of art while engaging in a transformative task.
Marked a conflict
with the art of
painting and especially the expressive
tradition, revolted against all Western Art, which was dominated by the School of Vision.
The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising
painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale
with new large - scale works on paper, drawing on the British
tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.
Jirō bows to
tradition, too, as
with a calligraphic black
painting broken by a white impasto circle.
He notes that the artist's off - kilter, hand -
painted geometry — unlike the hard - edge look created by applying and peeling off tape — places him in «a
tradition that goes back to early abstract
painting by Mondrian and Malevich,» adding, «I see his ties
with Constructivist
painting.»
As
with both
traditions, he plays
with painting and architecture — again envisioned as plane and volume.
On the one hand,
painting today is getting along just fine
with tradition, thank you, now that no one is declaring it dead.
«The work represents traditional
painting, in the sense that each artist engages
with painting's
traditions, testing and ultimately reshaping historical strategies like appropriation and bricolage and reframing more metaphysical, high - stakes questions surrounding notions of originality, subjectivity, and spiritual transcendence,» states the museum.
Af Klint is now finally credited
with making the first non-objective
painting in the Western fine - art
tradition, and it is both her grand imagination and sense of purpose, and the idea of how histories are and can be constantly re-written, that has informed and inspired McElheny's new works.