Sentences with phrase «painting with other artists»

As I mentioned earlier, I feel like painting with other artists is the best way to learn.

Not exact matches

an artist who is traveling around the world, loving life, sharing with others, painting pictures, make others smile and who is grateful for all the wonderful experiences and places in that beautiful world:)

The Color of Art: Free Art Books Page, has a large collection of FREE artists reference works on oil painting, watercolor painting and other artist's Free Social Media report «Cliffs Notes for Social Media» comes with short to the point tips to improve your social media presence.

Performance artist Laurie Anderson offers up something of a living painting with «Heart of a Dog,» her provocative free - form reflection on life and death, humans and animals, the moon and the stars and other big picture ideas.

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

Moreover you can find on TES Resources the individual artists quotes by Marinetti and the other Futurist artists as Carra, Severini, Boccioni under their own name - with their stories on life and their Futurist painting art.

With other Blaue Reiter artists like Kandinsky and Gabriele Munter Marianne Werefkin and Jawlensky painted many colorful landscapes in «open air» - in and around the village Murnau.

Moreover he lived for circa ten years - till 1914 - in Murnau together with German woman - painter Gabriele Münter - they painted many landscape - paintings in open air togehter with other Blue Rider artists, like Jawlensky, Marianne Werefkin and PauL Klee.

Marianne frequently painted together in open air with Kandinsky and the other artists between 1908 - 1914.

Not primarily a portrait artist, her paintings focus on the subtleties within human interactions with others and the human experience in general.

Mack, who is currently writing the series with Bendis, said that DC Exclusive artist Klaus Janson will not feature on the series, but instead it will be fully painted in the style of Elektra: Assassin by none other than Bill Sienkiewicz himself.

Many galleries are located there where indigenous artists show their paintings, sculptures on woIt is a great cultural experience and gets you involved with the community through meeting the people, and many other means of expression.

The program lets guests rub elbows, paint brushes and other artist's tools with some of Arizona's most talented artists in a host of different mediums.

As a member, you'll be able to connect with other artists who work in similar media, including all kinds of painting (even digital), sculpture, photography, mixed media, and more.

Calligraphy, miniature painting, Sufi mysticism, and other traditions are the starting point for a new generation of artists from the Islamic world who are using the language of contemporary art to inflect their work with multiple layers of meaning.

Short Circuit (1955) is similar to other works from the period; it incorporates sculptural elements with both painting and drawing and combines abstraction with images and objects plucked from the young artist's world.

He says his biggest challenge was creating the facial features, expressions and details that other artists usually depict with paint, charcoal and pencils.

In the 1970s and 1980s, he created collaborative paintings during Happenings with other artists and musicians.

Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.

Every man or woman painted by Alice Neel comes across as an intriguing person with an interesting story to tell, and it shouldn't come as a surprise that, unlike other artists, she loved chatting with her models while they posed for her.

We have talked with him about his drive to work from life, the painting challenges that come with diminished vision, how to use the inspiration you get from other painters, and what it was like coming to New York City as a young artist in the nineteen fifties.

In Veronica's carefully selected show, Gabriel finds himself in the mix with nine other artists, including two New American Paintings» alumi, Sarah Cain (NAP # 73) and Kate Shepherd (NAP # 44).

The first section, for instance, is dedicated to the «portrait without a person» — exemplified by Marsden Hartley's Painting, Number 5, memorializing a German soldier and love of the artist with an array of personal ephemera (epaulets from the subject's uniform and a chessboard, in homage to his favorite pastime, among other objects and symbols).

Now the Tate, together with three other museums, has mounted the artist's first truly comprehensive survey, spanning nearly five decades to 2004, when Martin died, still painting, at age 92.

Edited by the exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's work — her life, relationship with other artists, the influence of South - Asian philosophy — alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre.

I soaked it all up, and we had fun painting in the studios on weekends, a loose group with Emily Wilson, Chris Lesnewski, Margaret Trimble, Steve Schwartz, Susan Weller, John Beech, with other artists around: Cynthia Lin, John Zurier, Russell Steinert, Jack Hanley, Deborah Oropallo, and René de Guzman.

Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.

Exhibitions at West 19th Street, New York, and 24 Grafton Street, London, balance the program's historical component with presentations of recent painting, photography, sculpture, and video, among other mediums, by boundary - pushing contemporary artists like Kerry James Marshall, Oscar Murillo, Diana Thater, Wolfgang Tillmans, and Jordan Wolfson.

From Norman Lewis to Joe Overstreet, the Harlem Renaissance — derived tradition of African - American abstract painting (which has historically had a primarily black audience) is intermingled with the tradition of so - called self - taught or outsider artists such as Bill Traylor and Bessie Harvey (whose audience has been mostly in the rural south and mostly black); the more recent wave of African - American conceptualism represented by Adrian Piper, Lorna Simpson, and others (whose work

Abstract paintings may be made using many media, with many artists using acrylics, while others prefer to create abstract oil paintings or abstract watercolor paintings.

Here was an only vaguely known, or for many of us a previously unheard of, German artist who, in works dating from 1972, had brought off with great confidence something similar to what one was seeing, and being excited by, in the new American paintings by, among others, Julian Schnabel, David Salle, Carroll Dunham, and Terry Winters.

More recently, Katz expanded his relationship with Colby, as well as several other Maine museums, with regular gifts of paintings and other works of art by contemporary artists through his own foundation.

Ian Stephenson (1934 - 2000) taught painting at the Chelsea School of Art alongside Richard Hamilton, Victor Pasmore and Jeremy Moon, and was exhibited widely with other significant artists of his day, including Patrick Caulfield, Howard Hodgkin and RB Kitaj.

Strategies of Non-Intention: John Cage & artists he collected / Gering / 14 E 63 (new location) / thru 8/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Distilled: The Small Painting Show / Jacobson / 17 E 71 / thru 7/31 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Helen Frankenthaler and David Smith / Starr / 5 E 73 / thru 8/8 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 8/22 (extended) Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 7/11 (extended) Jeff Koons / Whitney Museum / Madison @ 75 / thru 10/19 Opening 6/27 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/3 Ed Rusha thru 7/11; Marcel Duchamp thru 8/8 Opening 6/26 / Gagosian / 980 Madison @ 77th Barbara Crane / Higher Pictures / 980 Madison @ 77 / thru 6/21 Journal / Venus Over Manhattan / 980 Madison @ 77 / thru 7/26 Lynn Chadwick / Blain - DiDonna / 981 Madison @ 77 / thru 7/25 James Lee Byars / Werner / 4 E 77 / thru 8/30 Peter Davies / Roitfeld / 5a E 78 / thru 8/10 Eddie Martinez / Half / 43 East 78 / thru 7/15 Nancy Graves / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 6/27 Jean Dubuffet; Miquel Barcelo / Acquavella / 18 E 79 / thru 9/19 Opening 6/30 Lucien Smith / Skarstedt / 20 E 79 / thru 6/27 Luke Diiorio / Blumenthal / 1045 Madison @ 80 / thru 7/2 Lucas Samaras thru 9/1; Dan Graham with Gunther Vogt thru 11/2; Goya thru 8/3; Etc. / Met Museum / 5th Avenue @ 82nd Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 The Annual: Redifining Tradition / National Academy / 1083 Fifth Avenue @ 89 / thru 9/14 Sophie Calle / Cooper + Perrotin @ The Episcopal Church of the Heavenly Rest / 2 E 90 / thru 6/25 Mel Bochner thru 9/21; Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29 If You Build It / No Longer Empty / 115 & St. Nicholas Ave. / thru 8/10 Opening 6/25 (7 - 9 PM) BROOKLYN Parallel Shift / NARS Foundation / 201 46th Street — floor 4, Sunset Park / thru 6/20 Itness: MaDora Frey; Nicola Ginzel; Heide Hatry; Fawn Krieger; Seren Morey / Trestle / 168 7th, Gowanus / thru 7/2 Myles Bennett, Jay Gaskill, Cat Glennon, Enrico Gomez, Eliot Markell, Esther Ruiz and Jeanne Tremel / Ground Floor / 343 5th / thru 6 /?

With such notorious and controversial paintings as Bad Boy and Sleepwalker, Fischl joined the front ranks of American artists, in a high - octane downtown art scene that included Andy Warhol, David Salle, Julian Schnabel, and others.

While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam's sculptural approach was revolutionary in that it repositioned the viewer's relationship with the painting to include the object as well as the space around it, blurring the boundary between painting, sculpture, and architecture for the first time.

Artist Laurie Nye's other - worldly paintings filled with omnipotent female cyborgs and organic geometric shapes feature at the current group show at The Dot Project in London.

With this group of artists I'm looking at with the new figurative painting, there's more talent in New York than L.A.. It's the dialogue, the social networking of people seeing each other in person and talking and hanging With this group of artists I'm looking at with the new figurative painting, there's more talent in New York than L.A.. It's the dialogue, the social networking of people seeing each other in person and talking and hanging with the new figurative painting, there's more talent in New York than L.A.. It's the dialogue, the social networking of people seeing each other in person and talking and hanging out.

«Borrowed» Art Gets Show — For «Thanks,» his new group show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the show).

Showcasing paintings and drawings spanning from 1992 to 2017 and demonstrating the singular ambition and dynamism of Saville's work, this exhibition spans five rooms of the Scottish National Gallery of Modern Art and places the artist alongside major new works, installations and photography from five other artists preoccupied with the body, performance, process and materiality: Sara Barker, Christine Borland, Robin Rhode, Markus Schinwald, Catherine Street, and others.

Performance is so crucial to that shift — the dialogue between Cindy Sherman and other artists in her circle like Longo or David Salle, who went to CalArts with all the dance and performance art and turned it into paintings.

Curator Gary Garrels worked with six abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own recent paintings as well as works by other artists who have influenced their thinking.

Highlights include a focus on «experimental» drawing with individual displays by artists such as Eduardo Basualdo, from Argentina; Mateo López and Nicolás Paris from Colombia; deconstructed painting and sculpture with largescale displays by Brazilian artists Leda Catunda, Adriano Costa, Maria Nepomuceno, Erika Verzutti and Cuban artists Los Carpinteros, among others; and a strong emphasis on street art and urban culture, with largescale participative installations by Os Gêmeos and Paulo Nazareth from Brazil, and individual displays by Mexican artists Pedro Reyes, Moris, and Edgardo Aragón.

Additionally, the work is layered with references to literature, film and other artists, including David Hockney and Derek Jarman, whose paintings also feature in the exhibition.

Perhaps bridging the two, Chambers, who identifies as a genderqueer artist, says her acrylic paintings redirect the cultural tendency to organize people by age, gender, income and other «checked - off boxes» to the unruliness of the natural world: «I live with enough ambiguity projected onto me through assigned labels.»

While Frankfort's work seems to eschew some of this historical weight in favor of a nuanced linguistic playfulness suggestive of the paintings of various other artists, including Ed Ruscha, Mel Bochner, Suzanne McClelland, and Kay Rosen, it nevertheless both engages with the physicality of paint and retains a certain conceptual directness evocative of Louise Fishman's groundbreaking «Angry Paintings» from 1973 (recently included in the exhibition &lapaintings of various other artists, including Ed Ruscha, Mel Bochner, Suzanne McClelland, and Kay Rosen, it nevertheless both engages with the physicality of paint and retains a certain conceptual directness evocative of Louise Fishman's groundbreaking «Angry Paintings» from 1973 (recently included in the exhibition &laPaintings» from 1973 (recently included in the exhibition «WACK!

Brilliantly combining world - serious and Miami playful, the Rubell Family Collection offered a mini-retrospective selected from its more than 6,300 works and 800 artists, as well as work commissioned for the exhibition from the likes of Mark Flood, Aaron Curry, Kaari Upson, Will Boone and, from newcomer Lucy Dodd, a room - long abstract painting inspired by Picasso's Guernica (watch her prices jump — the Rubells are opinion - makers, as we've seen with Hernan Bas among others).

Gavin Brown even creates an installation from Rob Pruitt's silvered desk chairs and wheelchairs facing paintings and wallpaper by other gallery artists, with no seating allowed.

More importantly — and more in Mr. Kim's» case than with many other artists overtly wrestling with multiple traditions — Mr. Kim's success lies in his assimilation of both eastern and western traditions, his acknowledgement of being influenced by and unavoidably immersed in several cultures, and his ability to forge his experience into successful paintings which are singularly his own.

More than many of White's contemporaries, the artist enjoys the spatial illusion of paint, creating areas of color that read completely flat while other passages extrude and recede, impressions often complicated by the introduction of objects and her recent experiments with text.