Are you putting off
painting your rooms because you know it is a major task and you just can't find the motivation?
Many homeowners turn to blue when
painting a room because they want a comfortable, inviting feel in their home.
Are you putting off
painting your rooms because you know it is a major task and you just can't find the motivation?
Are you putting off
painting your rooms because you know it is a major task and you just can't find the motivation?
First I felt that I did not want to
paint this room because we are moving in a few months, so why waste all that time and sweat?
I painted the room BECAUSE we're getting ready to go to China!!
This isn't the first time I have repainted over a freshly
painted room because that undertone wasn't something I could live with, or the paint cast a weird tint that just was not worth settling for.
Not exact matches
It was perfect
because we were
painting my youngest son's
room all day and when we walked out... dinner was done!
Not just
because we ran out of time, or
paint money, but mostly
because it was lined with sleeping bags and gear from wall to wall as we made a mess in every other
room of the house.
Because we chose to not learn the gender of our child, we
painted the
room a lovely — and neutral — sage green.
These infrared heaters are used to cure the
paint on cars
because it heats the
paint from the inside out or as
room heaters.
I'll crank up my Mumford and Sons Pandora station and
paint a piece of furniture or redecorate the living
room or put together a tablescape just
because when I create something, I feel at peace.
Because the ceiling in the music
room is copper metallic tile, I decided to dry brush some copper
paint over top of the gold and white.
This is usually where my dining
room table is, but we had the pictures off the walls and the table moved
because we
painted over the weekend (goodbye «greige,» hello white!).
It's possible you may have seen the huge patterned wall I
painted in our dining
room because I'm pretty much obsessed with it and share it every chance I get!
I keep waiting
because I know you are going to «eventually»
paint your dining
room chairs.
I need to makeover my living
room because there is no
paint or pictures on the walls.
I scribbled all over it quite quickly, more or less
because I couldn't wait to see what it looked like finished, but I'm so happy I didn't resort to my black chalkboard
paint left over from the dining
room door.
This is
because neutral - color living
room furniture will allow you to easily change your living
room's look just by adding an extra coat of
paint on the walls or adding in new accessories.
I chose to use black
paint for the lettering
because every
room needs a little black.
I'm anxious to get working on the guest
room because it is one of the last
rooms to
paint.
My mantel doesn't get any love this year
because I am tearing down the wallpaper in the living
room (six layers) and
painting!
Use sandpaper (I used 150 grit
because that is all we had in the house... the living
room project has eaten up all my sandpaper) to remove
paint.
I know the feeling
because I did a milk
paint black dresser as well for my older son's
room.
There was no receptionist, flat screen TVs, or abstract
paintings... the grand tour didn't require any walking
because the whole office is visible from the middle of the
room...
It's more Zelda, but it still feels fresh - partly due to the 3D reworking of the 2D Zelda style, and partly
because of the new puzzles that'll keep you stumped, and the new mechanic in which Link can merge onto a wall as a
painting, and move around the outside of a
room.
I saw a huge
painting in an art gallery around here that was going for $ 29,000 and I immediately wondered if that artist was ever going to see a profit for that
painting because most people don't have the
room for that size
painting and unless one is very wealthy they're not going to pay that much money for a
painting even though very beautiful, tucked away in some small art gallery at a seaside resort!
Rose Sharp writes that Goodman's oeuvre «is a little bit difficult to sum up, perhaps,
because over the course of this long and productive career, her creative output has vacillated between
painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large
paintings that grab your eye from across the
room.
Those big
paintings they made, they were in a certain group and I couldn't make
paintings that big even if I wanted to
because I had no
room.
Historically, wallpaper was a relatively inexpensive, multiple alternative to one - of - a-kind mural
painting or woven tapestries; almost from its inception, it had the additional advantage of being easily tailored to the size of the
room because repeat designs could be matched, edge to edge, sheet to sheet.
I think it was
because people didn't understand that being in a
room with one of those
paintings was a privilege, and that you needed to act on the privilege immediately.
Her «thing» is a little bit difficult to sum up, perhaps,
because over the course of this long and productive career, her creative output has vacillated between
painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large
paintings that grab your eye from across the
room.
The big yellow
painting in the far
room («Rain in The Port of Spain») is actually for me, quite a sad
painting because within the city of Porto Spain where I live one whole city block in the centre of the city is occupied by the jail.
Confide in the gallerist that you feel that they are the right one to find a really good
painting for your laundry
room / guest toilet / garage,
because you're looking for something «really trashy.»
There, spread across three spacious
rooms, are major yellow notes: (left) Minoru Kawabata's Yellow Slow (1965) at the front, and in the second
room, works by Lawrence Calcagno and Hisao Hanafusa announcing that yellow's distinction - its spectral transition in the ROY G continuum between hot orange and cooling green - can be stunning,
because it's unusual, and
because it's really hard to make a good less great yellow
painting.
Her focus is video / audio installations
because there is
room in them for everything (
painting, technology, language, music, movement, lousy, flowing pictures, poetry, commotion, premonition of death, sex and friendliness)-- like in a compact handbag.
The scene in the
painting shows Eros waiting outside Psyche's
room where he visits every night to sleep with her when she can not see him in dark,
because he is scared that she will fall in love to death with his unparalleled beauty.
I stopped
painting temporarily at the end of the 1970s / beginning of the 80s,
because it was too suffocating, too existential, and it didn't leave
room for distance.
Modern Art Museum of Fort Worth Curator Michael Auping stood in a
room full of Sue Tilley
paintings, and talked about the importance of Freud to an American audience: «It was very important for us to bring this show to America,
because we have nothing like this.
Yves Klein, who was a foreigner, I was really interested in;
because, again, there I saw in him a real Dadaist, a man who was able to show an empty
room or those blue, blue
paintings.
I've come to
painting in a reverse sort of way
because I started doing wall drawings in the late 70s and 80s, then, in the early 90s, when I started to
paint walls, it became obvious that
painting rooms was like turning the
room itself into a
painting.
These
paintings were generated out of three portraits [in the professors
room]-- and I will explain
painting by
painting where it all came from, and how it actually came together,
because it's in two levels and there are two distinct modes — there are different
painting modes — and there are different atmospheres.
In another
room were Patrick's portraits of her and her husband, in the kitchen the food paintings, in the guest room — called the Dolphin Room because of the motifs printed on the bedspread — were views of the harbor of Fort Smith, and then in the corridor portraits and self portra
room were Patrick's portraits of her and her husband, in the kitchen the food
paintings, in the guest
room — called the Dolphin Room because of the motifs printed on the bedspread — were views of the harbor of Fort Smith, and then in the corridor portraits and self portra
room — called the Dolphin
Room because of the motifs printed on the bedspread — were views of the harbor of Fort Smith, and then in the corridor portraits and self portra
Room because of the motifs printed on the bedspread — were views of the harbor of Fort Smith, and then in the corridor portraits and self portraits.
Not an inch of space was put to waste in the second floor galleries, though a few pieces — all three of Sigmar Polke's huge Ben - Day dot
paintings and Gerhard Richter's «Cityscape PL» (1970)-- only come into focus at a distance difficult to access,
because of the layout of the
room.
For A New Order she presents new sculptures made in materials including cotton wool,
paint, ribbon, cellophane, polythene and eyeshadow, most of which —
because of the scale and materials involved — the artist made directly within the
rooms of the Gallery.
But this might be
because their best work has been kept back to be installed in a corridor of old GLC committee
rooms - not least Kippenberger's Paris Bar Berlin, a neo-Edward Hopper
painting of the bar he had previously decorated and installed with his own works.
The Albright - Knox could not show the
paintings in the same
room because of restrictions on how Still's works can be presented that the museum agreed to years ago when it accepted the objects into its holdings.
Two of the three cave
paintings are separated and given the side
room to have their own private dialogue, probably
because they're so bold compared to the pale, twinkling ghosts in the main space.
Finally, repaint the
room —
because paint is an odor neutralizer.
Well, then you have poor advice
because there are plenty of people out there that will pay you $ 40 dollars an hour to mow their lawn, change out a faucet, move debris from their lawn or
paint a
room.