Sentences with phrase «paintings and installation objects»

Using the DuBois designs, Gates has created a series of new paintings and installation objects for the show at Regen Projects in Hollywood.

Not exact matches

The piece is an installation at Walker Art Center consisting of objects collected by Martin Wong and includes Wong's paintings.

As such, they appear throughout his graffiti writing, painting, drawings and found object installations.

Best known for her colossal sculptural projects, for over five decades Phyllida Barlow has employed a distinctive vocabulary of inexpensive materials such as plywood, cardboard, plaster, cement, fabric and paint to create striking sculptures and bold and expansive installations that confront the relationship between objects and the space that surrounds them.

Finding traditional painting and sculpture too restrictive and self - contained, Irwin was the first to make objects and installations that were purely designed to manipulate the light in front of or around the viewer.

Michael Assiff makes paintings, objects and installations that investigate cultural heritage, environmentalism and branding within the anthropocene.

Amanda Ross - Ho's work across sculpture, painting, installation, and photography explores the appropriation and dissemination of images and objects.

Subtle, unsettling investigations into the ways in which objects can be transformed by context — and the construction of the context itself — are the hallmarks of Carissa Rodriguez's photos, paintings, videos, and installations.

Incorporating elements of painting, architecture, and installation within her sculpture, Sze investigates the value we place on objects and explores how objects ascribe meaning to the places and times we inhabit.

His work spans a range of media including photography, painting, sculpture, installation and use of the ready - made to create assemblages from everyday found objects such as books, ceramics, TV sets and other house - hold goods and paraphernalia, which Liu Wei transforms into sculptural objects and installations of eloquent complexity.

Incorporating found materials with historic significance and meaningful objects from his past, Bailey's mixed - media works span two - dimensional collaged paintings, sculptures, and installations.

These images are drawn from his imagination as well as a range of other sources and also manifest themselves across large paintings on paper, used domestic objects such as batteries, mops and Underground Travelcard receipts, and expansive wall painting installations involving the surrounding architectural elements.

Recognized since the early 1990s as a pioneer of contemporary installation art, Jessica Stockholder uses a combination of paint, found objects, and architectural interventions.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

A hybrid of theater, sound, painting, and sculpture, the installation invited the audience to develop a «score» for handling these amplified objects.

Sigmar Polke is widely recognized for his multidisciplinary output of paintings, photographs, drawings, prints, objects, installations, and films.

It consists of four kinds of objects: your paper weavings, which you display on horizontal pedestals; inkjet print of textile patterns; enamel paintings, and — smack in the middle of the exhibition — an installation of your Oyster # 9 (2014)-- a giant, round painting mounted on what look like several dustbin lids welded together.

Throughout his brief and influential career, Palermo executed paintings, «objects,» installations, wall drawings, and works on paper that addressed the contextual and semantic issues at stake in the construction, exhibition, and reception of works of art.

Alternating sculpture — the medium in which he develops a broader spectrum, ranging from small three - dimensional creations to large - sized installations and hybrid objects — with photography, drawing, and mural painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images, and spaces.

The artist makes drawings from grease paint and fire, uses edible materials such as butter, chocolate and alcohol to make hilarious and sad installations (beds that wet themselves, pillows that smoke), and handcrafts exquisite reproductions of both animate and inanimate objects (an upended trashcan sewn from felt, a mangy, fake - fur fox, a two - story folding chair).

For Ms. Anderson, Mass MoCA is creating installation galleries; a production studio where visitors can watch her create audio and video works; and a display of the costumes, instruments, paintings and other objects she makes.

The main gallery, chock full, feels more like an installation than an exhibition of discrete paintings and sculptural objects.

The exhibition will feature a sprawling installation of paintings, drawings, and sculptural objects ranging from vessels to surfboards, including new work created specifically for the space at MCASB.

Inspired by the idea of an imagined society in which psychotherapy is a freely available drop - in service, Johnson's installation of large - scale paintings, hanging plants, Persian rugs and four wooden day beds questions established definitions of the art object and its limitations, as well as the relationship between individual and shared cultural experience.

Visitors are invited to observe airborne and earthbound geometric constructions saturated in bright colours; examine his Bólides (Fireballs), interactive composite objects filled with sand and other substances, which were intended to be handled by viewers; dance samba in one of his Parangolés, capes designed by the artist to be worn by the public; play billiard on a pool table that is supposed to send you back to the atmosphere of Vincent Van Gogh's painting The Night Cafe; and experience immersive exotic or unfamiliar environments, as in his installations Tropicália (1967) and Eden (1969).

2003 Annual Student Exhibition Chuck Close Prints: Process and Collaboration Robert Knox: Non-Fiction Paintings Fred Wilson: Objects & Installations, 1979 - 2000 Single Channel: Collaborationg with the Moving Image 25th Master of Fine Arts Thesis Exhibition Angela Grauerholz: Reading Room for the Working Artist and Privation Mads Gamdrup: Renunciation

Contemporary heir to the pop artists, Da Corte combines these common consumer objects with pop cultural references, personal family narratives — and even other artists» work — in vibrant sculptures, paintings, videos, and immersive installations.

The nature of the exhibition is such that sculptures, paintings and installations transition from prop to image to art object, staging an enquiry into whether these fictional depictions in mass media ultimately have greater influence in defining a collective understanding of art than art itself does.

There were some recurring themes throughout the fairs: spider webs — indeed, webs, laces and strings of all kinds; big black paintings and objects; and leaning as a mode of installation.

Her work is expressed in diverse mediums such as new media, video, installation, and performance as well as traditinal media such as paintings and sculptural objects.

Nedko Solakov (b. 1957, Cherven Briag, Bulgaria) is a Sofia - based artist who has exhibited widely in international venues, often creating installations of drawings, paintings, objects and writings on the gallery wall.

Installation view: Palermo's meticulously - built plexi - and - wood objects in foreground, my wall of paintings in the background.

STRENGTH AND SPLENDOR: WROUGHT IRON FROM THE MUSÉE LE SECQ DES TOURNELLES Nearly 900 door knockers, escutcheons, locks, keys, signs and other objects made of wrought iron from a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paintinAND SPLENDOR: WROUGHT IRON FROM THE MUSÉE LE SECQ DES TOURNELLES Nearly 900 door knockers, escutcheons, locks, keys, signs and other objects made of wrought iron from a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paintinand other objects made of wrought iron from a renowned collection in Rouen, France, mirror the Barnes's quirky installation of antique metalwork next to early modern paintings.

Comprised of nearly 200 pieces in a wide range of media including sculpture, painting, photography, installation art, found objects, film, and art books, the exhibition is the first to feature this little - known artist in the US.

With gentle mockery and sharp intellect, Julian Opie uses painting, printmaking, sculpture, film and light installations to reinterpret familiar objects, and illustrate how modernist concepts and forms have been assimilated into the lexicon of everyday life.

Large freestanding paintings will simultaneously act as objects, sculpture, collage, installation, and decoration as they are successively moved and re-installed within the exhibition space.

Portella will show an installation of found objects, surfboard paintings plus watercolors and oil paintings of sharks.

His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.

Best known for her colossal sculptural projects, for over four decades Barlow has employed a distinctive vocabulary of inexpensive materials such as plywood, plaster, fabric and paint to create striking sculptures and expansive installations that confront the relationship between objects and the space that surrounds them.

These include paintings, portraits and text - based works inspired by the Palm Island Riot and the stunning 3D installation of competition surfboards, adorned with traditional combat shield designs from North Cairns on the face and excerpts from a James Baldwin's article («Unnameable Objects, Unspeakable Crimes», 1966) on the obverse, through to two extraordinary and enormous drawings «Lynching I» and «Lynching II» which, placed either side of the large picture window, eloquently emphasise the dark side of Sydney's pre-eminence as the starting point of colonisation in this country.

In her tapestries, paintings, installation and sculpture, Nkanga uses her body and other organic material — plants, grasses and fruit — as catalysts to reveal the shifting nature of objects, imagery, narratives.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reObjects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

His current ongoing project entitled «Unintended Archeology of (un) Place» expands to installation, paintings and sculptural objects.

Her work involves painting, photography, fabricated objects and installations and addresses the psychological relationship between humans and the natural world.

Meta - narratives, pop and subculture artifacts, religious iconography and a wide breadth of literary references are all present in his multifaceted installations, as well as allusions to art historical antecedents ranging from Basquiat's urban poetry to Sir Howard Hodgkin's abstract paintings as sculptural objects to Jonathan Meese's theatrical symbolism.

The Museum Ludwig showcases her entire oeuvre in the artist's first - ever survey exhibition with over 120 works ranging from action - based objects from the 1990s to lacquer paintings, photographs, works on paper, video essays, anthropomorphic sculptures, performative pieces, and large - scale installations.

Presented as a site specific installation, objects, vessels and instruments, are stationed purposefully around the floor and on altar - like stands in front of opulent paintings.

This installation of paintings and sculpture as well as decorative art objects and furniture exposes a

The site - specific installation, Locals Only, is inspired by the Souks and winding alleyways of Old Dubai and, says Amir, weaving together objects found on his wanderings around Dubai with a series of new landscape paintings that endeavour to depict something of the melting pot of cultures that is Dubai.

His more recent work, which includes painting, printmaking, installations projections and drawing, continues to depict common place objects.