This group of
paintings and sculptures deal with idea...
Her paintings and sculptures deal in epochs of cultural quicksand: when cultures — by means either violent or acquiescent — merge and cannibalize each other, producing intertwined histories and peoples.
His performances,
paintings and sculptures deal with the mythological aspects the everyday and fictional narratives of the present.
This group of
paintings and sculptures deal with ideas of memory in an age of digital technology.
Not exact matches
It was a shop
dealing in works of art is called «Gallery Inari», such as
paintings and sculptures!
His concurrent exhibition comes in two flavors: candy - colorful
paintings on tricked - out canvases at Perrotin
and monumental wood
sculptures at Mary Boone, plus a few circular
paintings to sweeten the
deal.
The gallery
deals in a distinctive combination of
painting, drawing,
sculpture, photography, video
and installation - based work.
When
dealing with an artist as subtle as Arturo Herrera, the manner of interpretation is by nature complex, further complicated by what at first seems like wildly varied
and distinct bodies of work, each adopting the formal affectations of the medium at hand: architectural interventions, collage, abstract
paintings, biomorphic abstractions, hybrid
paintings, photography,
sculpture, mail art.
Flight from Nature proposes that a great
deal of
painting and sculpture today is concerned with the imitation of life.
Quinn's
sculpture,
paintings and drawings often
deal with the distanced relationship we have with our bodies, highlighting how the conflict between the «natural»
and «cultural» has a grip on the contemporary psyche.
Iván Argote's practice
deals with social, political
and art historical fields through mediums as varied as video, photography,
sculpture and painting.
A good
deal of American
painting and sculpture since 1900 has been a series of revolts against tradition.
The exhibition will include drawings, photographs,
paintings,
sculpture, ephemera,
and material culture that
deal with changing conceptions of the body over time in Philadelphia scientific
and artistic culture.
Discussion Bound MARCH 10 — Tuesday at 3:00 p.m. New
Deal Art in North Carolina: The Murals,
Sculptures, Reliefs,
Paintings, Oils
and Frescoes
and Their Creators by Anita Price Davis
Flight from Nature proposes that a great
deal of
painting and sculpture today is concerned with the imitation of life - it aims to represent a man, a tree or a flower.
Strauss Bourque - LaFrance is a New York based artist whose work
deals with
painting - in - the - expanded - field,
painting - as - collage,
painting - as - performance,
and painting - as -
sculpture.
Rodney McMillian: The Black Show, on view at the Institute of Contemporary Art at the University of Pennsylvania (February 3 — August 14, 2016), brings together a tightly focused selection of new
and recent
paintings,
sculptures,
and videos that
deal with blackness as subject, form, process, emotion,
and politics.
Her
paintings and sculptures may be knocked - about as well as knockabout, but there is a great
deal of personal abjection in them.
Dealing largely in the secondary market, Jonathan Boos specializes in American
paintings, drawings,
and sculpture of the 19th
and 20th centuries with a particular focus on works of the highest quality from the Ashcan School, Modernism (including the Stieglitz Group), Realism,
and the post-war period.
This companion volume to the artist's largest exhibition to date is a feast taken from countless visual documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren,
and Niagara (born Lynn Rovner) in 1973 while Kelly
and Shaw were students at the University of Michigan in Ann Arbor; early performative
sculptures and objects; drawings;
paintings; handmade dolls
and stuffed animal
sculptures; photography; videos;
and endless inventive installations in various forms
and shapes that explore
and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics,
and whatever else lies between the grotesque
and the sublime, the sacred
and the profane.
His work
deals with diverse topics such as the political / social constitution of the Puerto Rican nationality & the hegemonic colonial ideology, art making processes,
and the diffusion of collective imagery, through photography, installation,
sculpture, video,
painting,
and found objects.
It
deals with all genres
and forms of art, from anthropological to minimalist themes
and sculpture and painting to video installations.
The work itself is a cycle of roughly 30
paintings and one
sculpture from 2007
and 2008 that
deal with the biblical figure of the Virgin Mary.
His
sculptures,
paintings and installations
deal thematically
and formally with the utopian aspects of Polish architecture in the post-communist era.
The artist's oeuvre, which
deals with both abstraction
and representation, is based upon the history of the two central pillars of 20th - century American art: one being abstract
and minimal
painting and sculpture, the other being the use of imagery to express language, communication
and humour.
The booth features Wally Hedrick's black
paintings, a series in which the artist
painted over existing
paintings in black
paint every time the U.S. invaded another country, culminating in The War Room, an installation he made in the late 1960s; preliminary drawings from performance artist Simone Forti's «News Animations» series, her way of understanding
and dealing with world news (one drawing reads «Reason, fear, hatred, compassion, survival» drawn on a figure);
and Judith Bernstein's phallic
sculptures and 2D works, including a modified American flag topped with phallic balloons contained in glass - covered frames.
Shows in Chelsea, Downtown, Brooklyn
and Queens galleries highlight artists pushing the boundaries with art that
deals with urban displacement through
sculpture and installations, preserving marginalized culture
and the processes of
painting and art making, creating identity for those who can not,
and creating conceptual art about contemporary communication.
In the past, for example, Kiefer has employed the symbolism of Norse mythology alongside the forms of National Socialist architecture,
and for this exhibition, he uses this as a basis for dramatic new
paintings and sculpture that
deal simultaneously with notions of creation
and destruction, life
and death.
The Gallery
deals in
paintings and sculpture by prominent international artists.
Dealing exclusively in Canadian art since 1974, Canada House Gallery features an incredibly diverse collection of
paintings and sculptures by notable Canadian artists.
Dealing with the theme of dialogue between nature
and culture, the artist presents his
paintings,
sculptures and installations to Brazil for the first time.
Sarmento has developed a multi-media visual language — combining film, video, sound,
painting,
sculpture and installations — which often
deals with issues of complex interpersonal relationships.
Having suggested in his introduction to «Information» that
painting might not be up to the task of dealing with the complexities of contemporary reality, Mr. McShine shifted course — as art did — and in 1984 organized another sprawling show, «An International Survey of Recent Painting and Sculpture
painting might not be up to the task of
dealing with the complexities of contemporary reality, Mr. McShine shifted course — as art did —
and in 1984 organized another sprawling show, «An International Survey of Recent
Painting and Sculpture
Painting and Sculpture.»
Other types of art, including Contemporary folk artifacts, 19th century landscape
painting, American Impressionism,
and pieces from the Gilded Age are all well represented, as is African - American art, photography,
sculpture, prints, drawings, folk art, 20th century abstract art
and New
Deal projects.
In addition to
paintings,
sculptures,
and works on paper by Modern Masters, Sigrid Freundorfer Fine Art also
deals in works by younger
and mid-career abstract
and representational artists.
Museum of Art, The University of Oklahoma, Norman; WPA Collection, 1942 Revisiting the New
Deal surveys the large collection of
painting,
sculpture and prints that the museum acquired from the federal government between 1935
and 1943.
«What [Corse] was doing with light was so pioneering,
and yet her practice has not been
dealt with the same art historical attention, perhaps because she was
painting at a time when
sculpture seemed to have the most currency,» Lowry tells artnet News.