Sentences with phrase «paintings as an assault»

Whenever somebody suggested tougher rules on home loans, the mortgage industry painted it as an assault on homeownership and equal opportunity.

In her catalog essay, Rosalind E. Krauss describes the Rorschach paintings as an assault on Abstract Expressionism: their anonymity usurps their authority.

Not exact matches

If a prosecutor wants to convict a man of assault, he is (without a doubt) going to paint a picture for the audience of the suffering of the defendant, and will likely use expressive language to evoke a feeling of sympathy from the jury, who (as they listen) visualize the potential suffering of the man / woman in front of them.

The portrayal of the Muslim terrorists is frightening and intense (the effort from Aymen Saidi as the terrorist leader is so filled with anger that it's painfully good), despite conveying a sense of insanity that seems circumspect, and the Algerian government is painted as dumbly trying to endanger French citizens as long as they possibly can, with only the French seeming to come out in a good light, when the assault on the plane saves the day.

Nelson Lichtenstein, a labor historian at the University of California, Santa Barbara, said the unions» strategy on testing follows years in which they have been under assault, by conservative leaders and by the bipartisan education - reform movement that has painted unions as a central obstacle to improving schools.

Splatoon's weapon set includes the Splattershot, a water - gun - like assault rifle; the Splat Charger, which works great at a distance; and the Splat Roller, which, as its name suggests, is a massive paint roller that lets you mow down enemies.

It assaults the Large Glass of Marcel Duchamp, the architectural ideal of the glass house, recently an inspiration in painting to Stefan Kürten, and the tradition of painting as a mirror or window.

Painting since Abstract Expressionism and Gerhard Richter has supplied models as well, as have Minimalism's theater and Postmodernism's assault on the natural.

The - isms of art's past half century may not have much else in common, but pretty much all first came to attention as assaults on the idea of «pure» painting.

In «Shadow» (2013), a Gustonesque large pale shape is being dragged into shadow against its will, even as a dark bar of paint assaults the shape at the top of the picture plane.

McCarthy starts things off as a painter and with an assault on painting: he flings paint against the wall with his own clothing and with all his might.

HiFructose.com describes the work of John Casey»88 BFA Painting as, «a strange, often - humorous assault on the viewer.

No wonder the blatant assaults of Neo-Expressionism and appropriation came as a relief, around 1980, and no wonder they seemed so eager to kill off modern painting.

AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about moneAS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about moneas Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about moneas New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about moneas visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about moneas the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about moneas the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about moneas good a time as any to talk about moneas any to talk about money.

In the artist's description of the paintings, she presents them as alternatives to the constant stream of information assaulting us daily.

Bromirski and LaBine are both abstract painters who extend the definition of paint on canvas by subjecting their works to a variety of «assaults,» including hole - cutting, pasting, sprinkling material such as sand (Bromirski) and layering non art - materials such as pillow cases (LaBine).