Sentences with phrase «paintings at each venue»

Not exact matches

At a major tasting marking the 50th anniversary of the wine region held at the venue late last year, my attention kept wandering again — this time the glass of chardonnay in my hand had to compete for my attention with the magnificent Emily Kame Kngwarreye painting on the walAt a major tasting marking the 50th anniversary of the wine region held at the venue late last year, my attention kept wandering again — this time the glass of chardonnay in my hand had to compete for my attention with the magnificent Emily Kame Kngwarreye painting on the walat the venue late last year, my attention kept wandering again — this time the glass of chardonnay in my hand had to compete for my attention with the magnificent Emily Kame Kngwarreye painting on the wall.

So it was no surprise when the band's upcoming tour date at House of Blues sold out so quickly that tour promoters hastily found a slightly larger venue, South Side Ballroom, to hold the throngs of eager fans decked out in their face paint and Coachella-esque headbands.

The inventive LIVE cultural events included painting, ceramic making on a wheel, dancing and gymnastics, live photo sessions, musicians and henna art — all performed live and in - person at the various venues.

I still to this day have to take a deep breath in the parking lot before opening my trunk and pulling paintings out when I show up at a new venue, or when I have sold a commissioned piece and am showing up to give it to them for the first time.

In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSM.

At both venues, works by Los Angeles artist Mark Bradford (who is representing the United States at the Venice Biennale this year) are on view alongside related Clyfford Still (1904 - 1980) paintings that Bradford helped to selecAt both venues, works by Los Angeles artist Mark Bradford (who is representing the United States at the Venice Biennale this year) are on view alongside related Clyfford Still (1904 - 1980) paintings that Bradford helped to selecat the Venice Biennale this year) are on view alongside related Clyfford Still (1904 - 1980) paintings that Bradford helped to select.

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

He has had over 130 solo exhibitions of paintings and prints, as well as presented his experimental theater pieces at such venues as the Franklin Furnace, New York City, Walker Art Center, Minneapolis, and The Smithsonian Institution, Washington, DC.

At the gallery's 293 Tenth Avenue location, «Robert Motherwell: Early Paintings» examines the lesser - known, experimental abstractions of the artist's pre - «Elegy» years.1 Around the corner at Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark RothkoAt the gallery's 293 Tenth Avenue location, «Robert Motherwell: Early Paintings» examines the lesser - known, experimental abstractions of the artist's pre - «Elegy» years.1 Around the corner at Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothkoat Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothkoat the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr, among others, with Lee Krasner, Jackson Pollock, and Mark Rothko.3

Graham is on the painting faculty at the School of the Museum of Fine Arts, Boston, and has taught at Rhode Island School of Design in Providence, RI, and the Graduate School of Design at Harvard University, Cambridge, MA, as well as at numerous international venues.

The Kasmin exhibition is a sequel to Feel Good Paintings for Feel Bad Times, mounted at the same venue three years back.

Taking place at two venues, the show opens with a daring and original selection of new performance work, sculptural installation, painting and photography, each exploring a point of view as unique as the show's many Us's.

In 2015, a retrospective organised by Andrea Bellini, director of the Centre d'Art Contemporain Genève, was staged at that venue in Geneva, with further exhibitions in Bergen, Rome, and Porto succeeding it as part of a collaborative curatorial project; last year, paintings by Griffa featured in the Venice Biennale for the first time since 1980.

His drawings have been shown at Gallery Joe (Philadelphia, PA), Finlandia University (Hancock, MI), The Painted Bride (Philadelphia, PA), and other venues.

Gerhard Richter: New Paintings is published to accompany an exhibition of the paintings at a particularly meaningful venue — the Museum Ludwig in Cologne, the city where Richter lives aPaintings is published to accompany an exhibition of the paintings at a particularly meaningful venue — the Museum Ludwig in Cologne, the city where Richter lives apaintings at a particularly meaningful venue — the Museum Ludwig in Cologne, the city where Richter lives and works.

Her works include paintings and sculptures and has shown in different venues including Houston Fine Art Fair, Chicago Artist Coalition, Women Made Gallery and Soap Factory and also lectured at Siamak Pourzand Foundation.

, at Galerie Perrotin, Paris; Painting 2.0: Expression in the Information Age, at Mumok, Vienna; Basim Magdy, at Deutsche Bank Kunsthalle, Berlin; Olga Balema, at Galerie Fons Welters, Amsterdam; Superstudio, at MAXXI, Rome; Francesco Vezzoli, at Nouveau Musée National de Monaco; Kirill Glushchenko, at VAC Foundation at Polkovaya Street 3, Moscow; Ian Cheng, at Migros Museum für Gegenwartskunst, Zürich; Liverpool Biennial 2016, at various venues, Liverpool; The Science of Imaginary Solutions, at Breese Little, London; Under the Same Sun: Art from Latin America Today, at South London Gallery; Jim Hodges, at Stephen Friedman Gallery, London; Making & Unmaking, at Camden Arts Centre, London; This Is A Voice, at Wellcome Collection, London; Paul Lee, at Maccarone, Los Angeles; Neïl Beloufa, at Ghebaly Gallery, Los Angeles; Benjamin Carlson, at Park View, Los Angeles; Michael Rakowitz, at Graham Foundation and Rhona Hoffman Gallery, Chicago; Ed Ruscha, at Edward Tyler Nahem, New York; Radcliffe Bailey, at Jack Shainman Gallery, New York, Christopher K. Ho, at Present Company, New York; Evan Robarts, at Bryce Wolkowitz Gallery, New York, Nasreen Mohamedi, at The Met Breuer, New York; Chelsea Culprit, at Yautepec, Mexico City; Arquivo Ex Machina, at Itaú Cultural, São Paulo.

Determining the correct titles of exhibitions and venues, as well as dates, materials and dimensions, and even the correct spelling of some paintings was at times another matter.

In the late 1950s, she started to incorporate collage elements into her painting, and her work was exhibited at various venues in New York.

Yoko Ono's loft at 112 Chambers Street (December 1960 — June 1961) was at once a performance venue and her painting studio.

Kerry James Marshall: Painting and Other Stuff at Fundació Antoni Tàpies, Barcelona, and Museo Nacional Centro de Arte Reina Sofía, Madrid; Venice Architecture Biennale; Enchanted: The Poetics of Wonder at Furini Arte Contemporanea, Arezzo; Susan Philipsz: The Distant Sound at various venues, Norway, Sweden and Denmark; Andreas Angelidakis: Every End Is a Beginning at EMST National Museum of Contemporary Art, Athens; Festival International d'Art de Toulouse at various venues, Toulouse; Liam Gillick: From 199C to 199D at Le Magasin, Grenoble; Manifesta 10 at State Hermitage Museum, St Petersburg; Michael Krebber: Systemic Relevance at Galerie Buchholz, Berlin; Vito Acconci: Now and Then at Grieder Contemporary, Zürich.

He presented work in «High Times Hard Times, New York Painting 1967 - 1975» at ZKM, Karlsruhe and at various other international venues.

Catalog from the juried «16th Annual Exhibition of Texas Painting and Sculpture,» October 9 — 31, 1954, held at the Dallas Museum of Fine Arts during the State Fair of Texas and other venues.

In 2013, a major survey, «Kerry James Marshall: Painting and Other Stuff,» was featured at Antwerp's Museum van Hedendaagse Kunst Antwerpen, which then traveled to Copenhagen and two venues in Spain in 2014.

Fact sheet from the exhibition, «16th Annual Exhibition of Texas Painting and Sculpture,» October 9 — 31, 1954, held at the Dallas Museum of Fine Arts during the State Fair of Texas and other venues.

Catalog from the juried and invitational «25th Annual Texas Painting and Sculpture Exhibition,» October 5 — November 3, 1963, held at the Dallas Museum of Fine Arts and other venues.

A graduate of the University of the Arts in Philadelphia and the New York School of Drawing, Painting, and Sculpture, Bui has exhibited his artwork at such venues as The Brooklyn Museum of Art, Sarah Bowen Gallery, Pierogi, and Wooster Art Space.

Catalog from the juried «24th Annual Texas Painting and Sculpture Exhibition,» April 14 — May 12, 1963, held at the Dallas Museum of Fine Arts and other venues.

Yet, as to the venues themselves, and what kind of experience they might offer, while some paintings hint at what goes on behind closed doors most tell us almost nothing about the exact nature of their business, or even their location.

For the second venue, at Charles Bank Gallery on the Lower East Side, the works will be fluorescent paintings and sculptures derived from the process.

Dallas - based artist David Bates, who first gained national recognition in the 1987 Whitney Biennial, is the subject of a two - venue retrospective at the Modern Art Museum of Fort Worth, which will emphasize his paintings, and the Nasher Sculpture Center, which will focus on his sculptures and works on paper.

Altered States looks at contemporary artists who explore psychedelia (mostly painting and some constructions with a mix of figuration, geometric and Op imagery) against a back drop of 1960s Op Art, figurative and Color Field paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues to set the stage and create the mood.

Shifting the Gaze: Painting and Feminism Date: Sunday, September 12th 2010 — Saturday, January 30th 2010 Venue: Jewish Museum, 1109 Fifth Avenue at 92nd Street

He is a New York Foundation for the Arts Painting Fellow and his artwork has been exhibited at the Drawing Center, White Columns, the Center for Book Arts, and other venues in New York City, as well as internationally.

Kim Bernard makes sculpture, installations and encaustic paintings which she exhibits widely at venues including the Portland Museum of Art, Currier Museum of Art, Fuller Craft Museum, Colby College Museum of Art, Art Complex Museum, Saco Museum and UNH Museum of Art.

Jamie has exhibited her cutout abstract paintings extensively over the last eight years at venues including FLUXspace, Philadelphia; Seton Hall Law School, Newark; the National Arts Club, New York; and Soil Gallery, Seattle.

Last November, Soto and Good organized a viewing at the Lee Mullican studio, pulling out decades of Hurtado's drawings and paintings — a preview of sorts for solo shows of her work slated for New York and San Francisco (the venues are not yet public) and Park View's solo project with her at arteBA in Buenos Aires in May.

His second solo show was in 2012 at Valentine, and over the years his paintings have been in numerous group shows at venues such as the Paula Cooper, The Drawing Center, and Arts & Leisure.

Numerous retrospectives of Wegman's work have been made among them Wegman's World, which opened at the Walker Art Center, Minneapolis in 1981 and toured the United States and William Wegman: Paintings, Drawings, Photographs, Videotapes, which opened at the Kunstmuseum, Lucerne in 1990 traveling to venues across Europe and the United States including the Pompidou Center, Paris and The Whitney Museum of American Art, New York.

He holds a MFA in Drawing and Painting from Georgia State University, and his work has been exhibited both nationally and internationally at venues such as New Life Shop in Berlin, Germany; AQUA Art Fair in Miami, FL; and the High Museum of Art in Atlanta, GA..

Her paintings have been purchased by museums in the Netherlands and abroad, and shown at the Frans Hals Museum (Haarlem), the Stedelijk Museum (Amsterdam), Museum Kunst Palast (Dusseldorf), the Saatchi Gallery (London) and other venues.

The body of works he produced at the National Gallery offers a fresh and energising response to the paintings of Titian, Poussin, and Constable and we are delighted to share it with so many UK venues.»

Artist: Ernesto Burgos Exhibition title: Without Isolating Themes Venue: The Goma, Madrid, Spain Date: May 23 — July 11, 2015 Photography: images courtesy of the artist and The Goma, Madrid While in his first exhibition at The Goma a few years ago, Ernesto Burgos combined all kinds of elements to produce sculptures that also had room for painting, the US artist's recent work has fused these two disciplines into an inextricable whole.

Messy and visceral certainly applies to the dynamic paintings of Judith Bernstein at Mary Boone; Mark Bradford at Hauser & Wirth; Karen Schwartz at Life on Mars; and Jackie Saccoccio at a double - venue outing on the Upper East Side (Van Doren Waxter) and Lower East Side (Eleven Rivington).

1992 Picturing Paradise: The Rain Forest at Risk, Fernbank Museum of Natural History, Atlanta, USA Summer Group Show, Texas Gallery, Houston, USA Documenta IX, Kassel, Germany Quotations, Aldrich Museum of Contemporary Art, Ridgefield, USA; Museum of Contemporary Art, Dayton Art Institute, USA Painting, Self Evident: Evolutions in Abstraction, The William Halsey Gallery, Simons Center for the Arts, College of Charleston, Charleston, South Carolina, USA (Exhibition on view here and simultaneously at two other venues, The Meddin Building and the Gibbes Museum of Art, during the Spoleto Festival) Summer Group Exhibition, Ginny Williams Gallery, Denver, USA Slow Art, P.S. 1 Museum, Long Island City, New York, USA Selective Vision, TransAmerica Corporation, San Francisco, USA Psycho, Kunsthalle, New York, USA (Inaugural exhibition curated by Christian Leigh) Allegories of Modernism: Contemporary Drawings, Museum of Modern Art, New York (2/16 — 5/5/92) Twentieth Century Prints of the East End, Renee Fotouhi, East Hampton, NY

Recent completion of a series of wall paintings and mural installations at various venues: Pace London, MMK Frankfurt and the Museum Ludwig in Cologne, has led to a further articulation of Ostendarp's fields in extreme proportions, as well a reading of the subject / object connection within his own work.

Presented at eight venues, in 1989 the exhibition traveled to the New Museum in New York, where the painting was used to illustrate an invitation for the show.

Having been shown at a number of prestigious venues, such as the ICA and the Walker Art Gallery, in 2010, his paintings were exhibited at Tate St Ives in Cornwall and he was shortlisted for the Turner prize.

While exploring the dual functionality of painting as both a site and tool for image making, Saccoccio expands on an ongoing series of «portraits» and «profiles» in her current exhibition, Degree of Tilt — a two - venue presentation at 11R Eleven Rivington and Van Doren Waxter.

Mario Bencomo (b. 1953, Pinar del Río): Noted for the strong imagery, color and ambiguity of in his paintings, drawings and artist's books, Bencomo has participated in exhibitions at venues that include the Museum of Contemporary Art in Chicago, the Minnesota Museum of Art, the Contemporary Art Center in New Orleans, the Centre d'Art Santa Monica in Barcelona and the Palacio de Bellas Artes in Mexico City.