The show contains many classics, such as black
paintings by Ad Reinhardt, and some familiar recent things, such as Bill Viola's video installation «Room for Saint John of the Cross» (1983).
Like a procession of Japanese monks with black robes and shaven heads, the 13 late
paintings by Ad Reinhardt circle a large white room at David Zwirner Gallery.
March 7, 2008 — ongoing This installation, drawn from the Museum's collection of
paintings by Ad Reinhardt and Mark Rothko, focuses specifically on the fertile years between the late 1940s and the early 1960s, during which each artist identified the style and format that would engage him for the rest of his career.
This installation, drawn from the Museum's collection of
paintings by Ad Reinhardt and Mark Rothko, focuses specifically on the fertile years between the late 1940s and the early 1960s, during which each artist identified the style and format that would engage him for the rest of his career.
Additionally, the Dwan bequest will include five paintings by Yves Klein — the Gallery's first acquisition of works by Klein, a leading member of the nouveau réalistes — as well as
paintings by Ad Reinhardt and Agnes Martin; and sculptures by such minimalist artists as Carl Andre, Dan Flavin, Sol LeWitt, Robert Morris, and Fred Sandback.
I passed over blue
paintings by Ad Reinhardt, having said enough about him in black.
Like a procession of Japanese monks with black robes and shaven heads, the 13 late
paintings by Ad Reinhardt circle a large white room at David Zwirner Gallery: ascetic, elegant, identical at first glance but subtly different on closer inspection.
Most paintings and sculpture being soundless by nature, instructive differences among, say, an early»60s black
painting by Ad Reinhardt - BAM's own pristine example - a de Chirico dreamscape and a classic Magritte are hard to detect.
Round the corner, I'm caught in the highly tuned harmonics of a 1950
painting by Ad Reinhardt.
An early aluminum painting by Frank Stella hangs near a black
painting by Ad Reinhardt.
She co-curated Seeing Double: Emulation in Theory and Practice and curated Imageless, the culmination of a research project on the scientific analysis and experimental laser treatment of a damaged study
painting by Ad Reinhardt.
Not exact matches
On the basis of information in the Chronicle of Arbel, he
paints out that
by the year
AD 100, the Christian faith spread not only in Arbel in Mesopotamia but also in the villages near
by on the mountains, lie concludes: «If,
by the beginning of the second century, the Christian faith had already won converts among the inhabitants of the mountain village in Hadiab, then there can be no doubt that the Christian faith had been established before the end of the first century in Edessa and also in Osrhoene, which were on the high way connecting Arbel with Palestine and Syria.»
Ms. Quinn was clearly ruffled
by the group's first
ad, which
painted her as a calculating politician willing to compromise her principles to get ahead.
Do yourself a favor
by ignoring the film's trailers and onslaught of
ad spots that inadvertently
paint Megamind as just another tighted candidate looking for a free ride.
The artist's large scale canvases and
painting installations are punctuated
by movements like those of film credits, the urban environ of advertising and posters, or the frenetic energy of pop - up
ads.
Inspired
by the transcendent qualities of
paintings by Mark Rothko and
Ad Reinhardt, Martin considered herself to be an Abstract Expressionist.
One of my recent
paintings depicts a zoomed - in section of a pink satin dress, worn
by the actress Nicole Kidman, from an
ad for luxury watches.
In a catalog essay on Elizabeth Murray, Robert Storr reels off more than a dozen women on the radar of 1950s art, as measured
by a «yearbook» edited
by Robert Motherwell and
Ad Reinhardt before Reinhardt's black
paintings.
His word
painting «Untitled» (1990 - 1991), in enamel and graphite on aluminum, which begins with «THESHOWISO / VERTHE AUDIEN / CEGETUP,» dominates the room devoted to art based on language and advertising, which includes a joke
painting by Richard Prince («Nancy to Her Girlfriend,» 1988) and the mock liquor
ad, «Come Through with Taste ⎯ Myers's Dark Rum ⎯ Quote Newsweek» (1986)
by Jeff Koons.
By the mid-1960s,
Ad Reinhardt made black
painting both a site of contemplation and refusal.
Abstract artists famed for their monochrome
paintings include Kazmir Malevich, Yves Klein and
Ad Reinhardt, and Group Zero, a worldwide network of abstract artists in multiple mediums begun
by German artists Heinz Mack and Otto Piene.
The «nothing but
painting»
by Ad Reinhardt bought my attention, as at first look it seems to be completely black.
The collection includes abstract
paintings by Clyfford Still,
Ad Reinhardt, Agnes Martin, Brice Marden and Frank Stella, sculpture
by Donald Judd, Lynda Benglis and Jackie Ferrara, and concentrated bodies of work
by Chris Burden, Chuck Close, Robert Irwin, Gerhard Richter, Mike Kelley and Kiki Smith.
Büchler's selection includes Kris Fierens's blurry, washed - out
paintings, monochrome photography
by Pamela Rosenkranz, Ian Rawlinson's
ad hoc - looking sculpture, Gregor Hylla's geometric abstract
painting, and a video work
by Maeve Rendle depicting an appropriately unsynchronised piano rehearsal.
When the Museum of Modern Art sent him their 5
by 5 foot black
painting for repair,
Ad told me that he offered to send them another
painting, saying that they were all alike.
Other works include a fragment of a Roman sarcophagus depicting a Nereid and Triton, dating from the second century
AD, a Gustave Courbet seascape, and
paintings by some of the twentieth century's most important artists, including Francis Bacon and Yves Klein.
He is not alone either in assuming multiple guises — like Richard Prince with his stale jokes and the Marlboro man, Robert Gober with industrial sinks and pretend newspaper bundles, Jeff Koons with a ceramic poodle and an
ad for rum, Josephine Pryde with a cute kid and otherwise identical auto bodies disfigured
by splashes of
paint, or Liz Deschenes with green screens lit from within and an unsteady pattern of white dots.
In the summer of 1972, inspired
by the work of
Ad Reinhardt, he introduced grid - like patterns of black markings onto these works, which he referred to as his «Cancel»
paintings.
Thomas Hess papers, Archives of American Art, Smithsonian Institution July 11 — September 14, 2008
Ad Reinhardt's Black
Painting, 1960 — 66 (1960 — 66) was donated to the Guggenheim Museum in 2000 by AXA Art Insurance Corporation as a study painting after it was deemed irreparably
Painting, 1960 — 66 (1960 — 66) was donated to the Guggenheim Museum in 2000
by AXA Art Insurance Corporation as a study
painting after it was deemed irreparably
painting after it was deemed irreparably damaged.
The exhibition includes
paintings and sculpture
by the luminaries of the American postwar period: Jackson Pollock, Willem de Kooning, Mark Rothko, Arshile Gorky, Barnett Newman, Hans Hofmann, Lee Krasner,
Ad Reinhardt, David Smith, Clyfford Still, Helen Frankenthaler, and Frank Stella.
Krebber's work represents the reductio
ad absurdum of a love - hate attitude toward
painting that was common among the artists of the 1980s Cologne art scene led
by Martin Kippenberger (for whom Krebber once worked as a studio assistant).
In this new exhibition, Ostendarp looks more specifically at artists he has studied for decades, particularly
Ad Reinhardt's late black
paintings at the Jewish Museum exhibition of 1966, Lee Lozano's wave
paintings at the Whitney Museum of American Art in 1970, and Barnett Newman's Stations of the Cross, which was shown in the legendary exhibition Lema Sabachthani (organized
by Lawrence Alloway) at the Guggenheim Museum that same year.
BAMPFA's collection of Modern art is built around a remarkable core holding of fifty
paintings by the Abstract Expressionist painter and teacher Hans Hofmann and includes significant works
by Mark Rothko, Helen Frankenthaler,
Ad Reinhardt, Jackson Pollock, David Smith, and Clyfford Still.
She coils the
painted newsprint together to form colossal landmasses, supported
by an
ad hoc, makeshift ramp.
A tranquil, meditative tenor is established
by paintings from Agnes Martin,
Ad Reinhardt, Ellsworth Kelly, Frank Stella, Jo Baer, Carmen Herrera, and Jasper Johns, only to be radically disrupted
by the reentry of day - to - day life into art's refined spaces.
Ad Reinhardt, Drawing, 1946 December 2008 / January 2009 Reply to Irving Sandler,
by Michael Corris Katia Santibañez: New Work,
by Phong Bui
Ad Reinhardt's Emblematic Drawings In Their Moment,
by Joseph Masheck Tibor Freund: Motion in
Paintings,
by Craig Olson Mary Heilmann: To Be Someone,
by Anne Byrd Ronald Bladen: Sculpture of the 1960s and 70s,
by Ben La Rocco November 2008 Re: Michael Corris In Conversation with Joan Waltemath on -LSB-...]
1 When Swiss - born artist Rudolf de Crignis (1948 — 2006) first visited Manhattan in the late 1970s, he was deeply affected
by Minimalism, particularly the powerfully spare abstract
paintings of Agnes Martin, Robert Ryman, Brice Marden, and
Ad Reinhardt.
A term originating in the late 1950s for abstract
paintings characterized
by sharply defined geometric areas of flat colors conveying little or no depth, such as works
by Ellsworth Kelly, Kenneth Noland,
Ad Reinhardt, and Barnett Newman.
Recently, De Feo has begun to re-work fashion
ads by painting graphic petals onto the printed surface.
There according to ADAA's press release, 303 will «mark the 100th birthday of
Ad Reinhardt»
by showing erm, Jacob Kassay, who likes nothing more than looking at nice books on Reinhardt before slapping out another
painting.
His career thrived on the claims for «action
painting»
by Harold Rosenberg, just when Clement Greenberg in his formalism, Jackson Pollock in his dance around the edge of the canvas, and
Ad Reinhardt in his refusal were beginning to dominate the critical debate.
Between the years 1953 and 1967,
Ad Reinhardt focused exclusively on his now signature black
paintings, which could be described as quite inspired
by the aforementioned Black Square
by Malevich.
Pieter Vermeersch, (1973 ---RRB-, one of the younger generation of artists here, responds to ideas explored
by artists like Piet Mondrian and
Ad Reinhardt, both acknowledged influences on Tuymans himself,
by testing the very nature of
painting itself.
Elsewhere in the show, a darkened galley features a large floor
painting of black - and - white spirals, Spazio
Ad Attivazione Cinetica 6B (1966/2015)
by Italian artist Marina Apollonio.
After a prologue including other examples of radical, monochrome
paintings by Ellsworth Kelly, Frank Stella, and
Ad Reinhardt, Singular Forms explores how these parallel artistic strategies were manifest in Minimalist and Conceptual art of the 1960s and 70s through the work of Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, and Lawrence Weiner, among others.
[8][9] Minimal art is also inspired in part
by the
paintings of Barnett Newman,
Ad Reinhardt, Josef Albers, and the works of artists as diverse as Pablo Picasso, Marcel Duchamp, Giorgio Morandi, and others.
Looking further back in time is the Danish pavilion, several walls of which have been
painted a lush crimson
by Danh Vō as a backdrop to various historical artefacts such as marble fragments from the 2nd century
AD and a 14th - century wood Virgin of the Annunciation.
Patches of
paint no longer float like figures, replaced
by bands of horizontal colour that evoke contemporaries like
Ad Reinhardt and (early) Frank Stella.
In other works,
by contrast, Gaman introduces elements of geometric influences that echo
Ad Reinhardt's black
paintings from the 1950s in pieces such as Untitled 2014 (pigment print on canvas).
Ad Reinhardt: Blue
Paintings, organized by the Ad Reinhardt Foundation, will present the largest number of the artist's «blue» paintings ever shown
Paintings, organized
by the
Ad Reinhardt Foundation, will present the largest number of the artist's «blue»
paintings ever shown
paintings ever shown together.