Sentences with phrase «paintings by assistants»

Once completed, he sends the digital images overseas to be transformed into oil paintings by assistants, carrying on a longstanding tradition in the history of art of utilizing a workshop.

Made by cutting and tearing shapes from paper hand painted by his assistants in a range of bright colours, Matisse began experimenting with this cut - out method in the late 1930s, adopting it wholeheartedly by the late 1940s when ill health prevented him from painting.

Hirst is probably most widely recognized for his so called spot paintings which feature rows of randomly colored circles painted by his assistants.

Not exact matches

The parents of an assistant state attorney general were targeted by a hate - filled vandal who spray - painted the word «Jew» on the front door of their stately Bronx home overnight, cops and family said.

Warhol was actually the first artist to actually paint the finished car — all artists prior to this simply painted designs on a one - fifth scale model, which was then copied by assistants and technicians on the real thing.

After da Vinci's death the painting was inherited by da Vinci's assistant, who sold it to King Francis I so he could hang it on his bathroom wall.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

[16] Her paintings since 1961, have been executed by assistants from her own endlessly edited studies.

«Fast Forward: Painting from the 1980s» is organized by Jane Panetta, associate curator, with Melinda Lang, curatorial assistant of The Whitney.

They are painted a pale green, not a found green but one mixed by the artist and then matched to a Pantone color in the paint store and applied to the walls by gallery assistants.

He worked without an assistant and lived in Cologne in a warehouse surrounded by his books and his paintings.

Assistant Curator of Prints and Illustrated Books; Lee Bontecou: All Freedom in Every Sense is organized by Veronica Roberts, Curatorial Assistant, Department of Painting and Sculpture.

It is curated by Achim Borchardt - Hume, Director of Exhibitions, Tate Modern; and Leah Dickerman, The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art, New York; with Catherine Wood, Senior Curator, International Art (Performance), Tate Modern; and Fiontán Moran and Juliette Rizzi, Assistant Curators, Tate Modern.

Recorded as lost in the disastrous Tate Gallery flood of 1928, the painting was rediscovered by Christopher Johnstone, a Research Assistant at the gallery, when he was researching his book «John Martin» (1974).

«The Forever Now: Contemporary Painting in an Atemportal World is organized by Laura Hoptman, Curator, with Margaret Ewing, Curatorial Assistant, Department of Painting and Sculpture, MoMA.

Her paintings have, since 1961, been executed by assistants from her own endlessly edited studies.

The exhibition catalogue includes essays by James Rondeau; Douglas Druick; Mark Pascale, associate curator, prints and drawings, Art Institute of Chicago; Richard Shiff, Effie Marie Cain Regents Chair in Art, University of Texas - Austin; Barbara Rose, noted Johns scholar; and Kelly Keegan, assistant painting conservator, and Kristin Lister, conservator of paintings, Art Institute of Chicago; as well as an interview with the artist by Nan Rosenthal, senior consultant, Department of 19th - Century, Modern, and Contemporary Art, Metropolitan Museum of Art, New York.

MoMa's exhibition, curated by Cara Manes, Assistant Curator for Painting and Sculpture, features artworks from MoMA's permanent collection and includes artists Larry Bell, Robert Smithson, and Richard Artschwager.

Organized by Dena M. Woodall, associate curator of prints and drawings, and curatorial assistant Lauren Rosenblum, the exhibition features 20th - century prints from the permanent collection selected by artists known for their work in other disciplines — specifically sculpture, photography, painting, installation, and dance.

Every day, after a breakfast of poached eggs devotedly prepared by his long - time assistant Andy, he walks to his studio nearly opposite the British Museum and works on his paintings.

Painting friends, family and passers - by with a sharp sense of detail and symbolism, Taylor's bright and balanced attention to all walks of life is partly informed by the decade he spent working, while also studying at CalArts, as a psychiatric assistant at the Camarillo State Hospital for the mentally ill.

His paintings now include source photographs taken by various studio assistants and employees who travel internationally capturing images for possible use in the artist's paintings.

Carrie is currently represented by Pop Gallery in Santa Fe, New Mexico, and works as an Assistant Professor of Painting and Drawing at Florida State University.

The exhibition is organised by Kathy Halbreich, Associate Director, the Museum of Modern Art, with Mark Godfrey, Curator, International Art, Tate Modern, and Lanka Tattersall, Curatorial Assistant, Department of Painting and Sculpture, the Museum of Modern Art.

The exhibition is organized by Jenny Gheith, assistant curator of painting and sculpture, and marks the latest installment of the museum's ongoing New Work series.

The exhibition is organized by Jenny Gheith, assistant curator of painting and sculpture at SFMOMA, and marks the latest installment of the museum's ongoing New Work series, which continues to feature the most innovative expressions of contemporary art.

A new publication will accompany the acquisition, with recent scholarship contributed by Gavin Delahunty; Caitlin Haskell, Assistant Curator of Painting and Sculpture at SFMOMA; and percussionist Jason Treuting.

The catalogue includes a text by Brandon as well as contributions by Nick Robins, author of The Corporation that Changed the World: How the East India Company Shaped the Modern Multinational (Pluto Press, 2012); art historian John Seyller, a specialist in miniature painting and author of Pahari Paintings in the Jagdish and Kamla Mittal Museum of Indian Art (Hyderabad, 2014); Ayad Akhtar, winner of the Pulitzer Prize for his play Disgraced (2012); Ashley Nga - sai Wu, assistant curator at Asia Society Hong Kong Center; and Hans Ulrich Obrist, Serpentine Galleries's co-director, as well as curator and author of Ways of Curating (Farber & Farber, 2014).

From SFMOMA, the exhibition is co-curated by Rudolf Frieling, Curator of Media Arts and Gary Garrels, The Elise S. Haas Senior Curator of Painting and Sculpture, with Rachel Federman, Assistant Curator, Painting and Sculpture.

His artistic methods remained unchanged and almost ascetic: working without an assistant (an increasingly rare approach for an internationally - fêted artist) at his warehouse studio in Cologne surrounded by his books and his paintings.

With 19 artists and artist collaboratives, this exhibition — organized by Curator Dean Daderko with Exhibitions Manager and Assistant Curator Patricia Restrepo — includes sculpture, painting, photography, drawing, ceramics, textiles, performance, and installation by a multi-generational cohort of artists.

Showcasing Drexler's major paintings and collages as well as her captivating early sculptures, award winning plays and novels, and photographic and video documentation of the artist's wild and varied theatrical career, the exhibition is co-curated by Rose Curator - at - Large Katy Siegel and Curatorial Assistant Caitlin Julia Rubin.

The artist often disappears, sometimes literally, whether avoiding a spotlight in a film of an early performance, or finally in absenting himself from the production of his art works altogether - his later paintings were carried out entirely by assistants.

Krebber's work represents the reductio ad absurdum of a love - hate attitude toward painting that was common among the artists of the 1980s Cologne art scene led by Martin Kippenberger (for whom Krebber once worked as a studio assistant).

More than thirty years after its creation, Gagosian presents a full - scale painted replica of the original Greene Street Mural by Roy Lichtenstein, based on documentation from the artist's studio and produced by sign painters under the supervision of his former studio assistant.

Schjeldahl pooh - poohs the rumors that the late paintings were done by studio assistants, but acknowledges that «they took an increasing hand in helping him start each work... [and] decided that a painting was done when de Kooning ceased work on it for a time judged long enough.»

This latest installment of SFMoMA's ongoing New Work series is organized by Alison Gass, assistant curator of painting and sculpture, and gathers approximately 20 sculptures from public and private collections worldwide, marking both artists» first exhibition at a major U.S. museum.

One by one, his studio assistant starts moving them to reveal a glistening array of new paintings.

Like all of her paintings since 1961, Fall was executed by studio assistants following extensive studies conducted by the artist.

Co-curated by Stuart Comer, Chief Curator, Department of Media and Performance Art, The Museum of Modern Art, New York; Laura Hoptman, Curator, Department of Painting and Sculpture, MoMA; Rudolf Frieling, Curator of Media Arts, SFMOMA; Gary Garrels, The Elise S. Haas Senior Curator of Painting and Sculpture, SFMOMA; with Rachel Federman, Assistant Curator, Painting and Sculpture, SFMOMA.

Now 88, Ms. Kusama works nonstop and, if you're wondering, does all the painting herself, save for a ground color applied by assistants.

Organized by Paulina Pobocha, an associate curator, and Cara Manes, an assistant curator, in consultation with their department head, Ann Temkin, chief curator of painting and sculpture, the exhibition The Long Run will be on view at MoMA until November 4th, 2018.

To mark the prize, an exhibition of Riley's art has opened at the Gemeentemuseum in The Hague, including a new 20 - metre wall painting executed by assistants, as is usual in her work.

Like Life: Sculpture, Color, and the Body (1300 — Now) is curated by Luke Syson, Iris and B. Gerald Cantor Chairman of European Sculpture and Decorative Arts, and Sheena Wagstaff, Leonard A. Lauder Chairman of Modern and Contemporary Art, both at The Met, with Brinda Kumar, Assistant Curator of Modern and Contemporary Art, The Met, and Emerson Bowyer, Searle Associate Curator of European Painting and Sculpture at the Art Institute of Chicago, with the assistance of Elyse Nelson, Research Associate, European Sculpture and Decorative Arts, The Met.

The painting is based on a photograph taken by the artist of Volker Bradke, who was one of his friends and assistants.

Tarjama / Translation Queens Museum of Art, New York May 10 - September 27, 2009 Curated by Leeza Ahmady and Iftikhar Dadi with assistant curator Reem Fadda Pouran Jinchi's Tajvid Red - a large - scale red ink on paper scroll that unfurls from the ceiling to floor - and 16 paintings from the Alef Series will be on view.

Guest curated by UMass Art History Assistant Professor Karen Kurczynski September 15 — November 20, 2016 Opening Reception: September 14, 6 — 8 p.m. Organized by NSU Art Museum Fort Lauderdale and guest - curated by UMass Amherst assistant professor Karen Kurczynski, a leading scholar of Danish Cobra artist Asger Jorn (1914 — 1973), who represents a new generation of art historians specializing in Cobra, the exhibition presents the history of Cobra through paintings, sculpture, prints, and primary documents by artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant, and CAssistant Professor Karen Kurczynski September 15 — November 20, 2016 Opening Reception: September 14, 6 — 8 p.m. Organized by NSU Art Museum Fort Lauderdale and guest - curated by UMass Amherst assistant professor Karen Kurczynski, a leading scholar of Danish Cobra artist Asger Jorn (1914 — 1973), who represents a new generation of art historians specializing in Cobra, the exhibition presents the history of Cobra through paintings, sculpture, prints, and primary documents by artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant, and Cassistant professor Karen Kurczynski, a leading scholar of Danish Cobra artist Asger Jorn (1914 — 1973), who represents a new generation of art historians specializing in Cobra, the exhibition presents the history of Cobra through paintings, sculpture, prints, and primary documents by artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant, and Corneille.

(1978), which were created by Warhol friends and studio assistants urinating onto a canvas primed with a metallic paint.

However, Close continued to paint with a brush strapped onto his wrist, creating large portraits in low - resolution grid squares created by an assistant.

The exhibition at MoMA is organized by Anne Umland, The Blanchette Hooker Rockefeller Curator of Painting and Sculpture, with Danielle Johnson, Curatorial Assistant, Department of Painting and Sculpture.