Not exact matches
Marr's new
collection continues his unique technique of drawing using pyrography and
painting with natural pigments, predominantly from the bush.
In 2011 he took up the post of chief curator at the Dulwich Picture Gallery, another small but respected London institution that — like the Wallace
Collection — boasts an impressive
collection of Old Master
paintings, a significant historic building, and an institutional legacy that
continues to define how it operates today.
England & Co have loaned a 1938
painting by Paule Vézelay from a private
collection to Surface Work at the Victoria Miro Gallery: an international, cross-generational exhibition of women artists who have shaped and transformed, and
continue to influence and expand, the language of abstract
painting.
This exhibition explores how his popularity
continues to this day through key
paintings that remain in British
collections and a selection of fine drawings and prints.
Continuing his exploration of the Welsh coast and countryside, landscape painter Peter Kettle will show a
collection of recent
paintings introducing a new development in his use of colour, some large - scale and others in a smaller format.
«Harvey Quaytman: Against the Static highlights BAMPFA's distinguished tradition of mounting groundbreaking exhibitions of abstract
painting — a consistent strength of our
collection and exhibition program that dates back to a 1963 gift of work from Hans Hofmann and
continues through last year's Charles Howard retrospective.»
Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California
Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971
Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional
Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public
Collections
The
collection continues to grow, and, together with select additions, now holds over 100 Hartley drawings, two small early
paintings, memorabilia such as souvenirs from his travels, ephemera including letters and exhibition programs, personal effects, and many photographs.
The
collection of works celebrates his steadfast style and his commitment to it; years turned into decades as Katz
continued to
paint using the same devices and techniques.
We
continue to grow our rich
collection of works by Alex Katz, who gifted two
paintings, Art School (c. 1950) and Split 4 (2014).
Painters Panting argued for
painting's
continued relevance with a compelling, if scattershot,
collection of artists.
Each of the Paint Pours is sold individually or in groups to create one's own installation, thus
continuing Ramirez's desire to have viewers actively engaged in his
paintings and personalizing their own
collections.
The Lowry exhibition, scheduled for June 2013, has received the most attention as it comes after critics lampooned the Tate for not displaying its
collection of his
paintings, and arguing that if they
continued to do so the works should be sold.
«SPIRIT AND IDENTITY: MELANESIA WORKS FROM THE HOFSTRA UNIVERSITY MUSEUM
COLLECTION»
continues through Aug. 29 at the David Filderman Gallery The exhibition showcases ancestral figures, ceremonial masks, warrior shields, ritualized practical objects sourced from sacred sites, and carved and
painted wooden sculptures.
PROPERTY FORMERLY IN THE
COLLECTION OF HUNT HENDERSON, NEW ORLEANS — $ 30.5 million and will
continue in our Impressionst and Modern Works on Paper Sale as well as our American
Paintings Sale
Featuring nearly 40
paintings from
collections around the world as well as a wide array of drawings that have never been shown to the general public, this exhibition offers a unique opportunity to discover the work of this artist who, in spite of his celebrity status,
continues to keep a very low profile.
These works
continue the artist's creative concept of scanning, which breaks the boundaries of medium through a process of
collection, scanning and output followed by hand
painting, reaching a «dematerializing» process, a process of refinement that is completed by the intervention of the act of
painting.
Hugh Lane held the first exhibition of Irish Art in 1904 in London and
continued to innovate by endowing the Gallery with a unique and exceptional
collection of modern art, including the first impressionist
paintings in any public
collection across Britain and Ireland.
NMWA's
collection galleries feature women artists from the 17th and 18th centuries who produced precise and imaginative flower
paintings, as well as modern and contemporary artists who
continue to draw inspiration from the natural world.
The presence of works by important contemporary Irish artists including Elizabeth Magill, Seán Shanahan and Brian Maguire illustrates the
continuing evolution of Dublin City Gallery The Hugh Lane's
collection, and the recently donated prestigious
paintings by Francis Bacon and Sean Scully are particular highlights of this unique and indispensable reference.
But all these things will not last much longer if this institution
continues excluding women from the display of its permanent
collection of
painting and sculpture from 1879 to 1969..»
Apart from
painting Kimberly
continues to create a clothing
collection of wearable art made from vintage fabric.
Since that time the museum has augmented its
collection with
paintings and screen prints representing the variety of materials, techniques and formal elements that Stanczak
continues to explore.
Since then, the
collection has
continued to evolve to different mediums including sculptures, wall drawings and monochrome
paintings.
In presenting historic
paintings, such as Francisco de Zurbarán's A Cup of Water and a Rose (about 1630) from the National Gallery
collection alongside works made by her contemporaries including Thomas Demand, Roni Horn and Wolfgang Tillmans and her own film Prisoner Pair (2008, 16 mm), the exhibition will demonstrate the
continued importance of still life, as well as the National Gallery's
collection, as a source of inspiration in contemporary artistic practice.
«What's particularly exciting is to see this kind of work presented cheek by jowl with some of the landmark
paintings and objects in the
collection,» he
continues, pointing to a recent dance and music performance by Simone Forti and Charlemagne Palestine staged in the context of the
painting and sculpture
collection.
Mr. Bowling's
paintings have been and
continue to be exhibited in Europe, the United Kingdom and the United States and are included in important private and corporate
collections worldwide, in addition to the permanent
collections of the Metropolitan Museum and Museum of Modern Art in New York, as well as the Tate Gallery in London.