Sentences with phrase «paintings exhibition organized»
These became the subject of the first paintings exhibition I organized, which was the exhibition in Sils, a town in Switzerland that's connected to my childhood, where I grew up.
https://www.artspace.com/ Not exact matches
-- I helped a little girl of 7 years to capitalize and to submit paintings in some exhibitions; — All students have participated as guests on the show for children Tirigong at the local television station in a dedicated to our mothers and to Fairy Spring show; — I organized a small theater bande named Fireflies who have a remarkable success (two awards for interpretation at Come to the theater!
Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.
Julia White, our senior curator for Asian art, is organizing three consecutive exhibitions beginning in July — one focusing on historical Chinese painting, one focusing on historical Japanese art, and another on historical Indian art.
Tworkov was featured in many historic exhibitions that defined the period including «New American Painting» organized by The Museum of Modern Art, which introduced the world to Abstract Expressionism and toured Europe in 1958.
Other monographic shows of his work at the Parrish Art Museum include: The Prints of Roy Lichtenstein, a major exhibition organized by the National Gallery of Art, Washington, D.C., (1995), and Roy Lichtenstein: American Indian Encounters (2006) that paired his paintings with Native American artifacts from the Montclair Art Museum.
The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.
Other notable exhibitions include «Malcolm Morley in a Nutshell: The Fine Art of Painting 1954 - 2012» at the Yale School of Art (2012), an exhibition exploring the role of paper in Morley's art - making process at the Parrish Art Museum (2012 - 13), and an exhibition at the Ashmolean Museum, Oxford, organized in collaboration with the Hall Art Foundation (2013 - 14).
The membership is responsible for organizing the calendar of exhibitions, maintaining financial stability, voting on new members, and carrying out The Painting Center's mission.
Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (2012).
From 1991 and until 2012 Vincent Fremont was the Foundation's exclusive sales agent for Andy Warhol's paintings, drawings and sculptures and was involved in organizing many exhibitions of Warhol's artwork with galleries and museums both in the U.S. and Europe.
As Victoria L. Valentine writes in an extended preview for Culture Type, «The Seattle Art Museum (SAM) is organizing a major exhibition of three critically recognized African American artists... The exhibition will explore how their distinct approaches to figuration and history painting have recast the Western canon and challenged perceptions of race and representation in a contemporary context.»
Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY
Recent exhibitions Walker has organized include Reconstitution at LAXART (with Catherine Taft; 2017), «A Painting Is A Painting Isn't A Painting» (2015) at San Francisco's KADIST; «Wadada Leo Smith, Ankhrasmation: The Language Scores 1967 - 2015» at the Renaissance Society (with John Corbett; 2015), «Teen Paranormal Romance» (2014), and «Suicide Narcissus» (2013), two group exhibitions, also at the Ren; and «Black Is, Black Ain't» at the Renaissance Society (2008).
At the Pulitzer Arts Foundation in St. Louis, where the 28 - foot - tall Kelly work composed of two monochrome aluminum panels painted blue and black is permanently installed, Mr. Ligon has free - associated on the political, formal and poetic interplay of these two colors in a large - scale exhibition he has organized.
Designed by the MNBAQ and organized in partnership with the Art Gallery of Ontario (AGO), supported by the Joan Mitchell Foundation in New York and the Estate of Jean - Paul Riopelle in Montréal, the exhibition mainly presents large - format paintings, a number of works on paper and archival documents from more than 30 French, Canadian and American lenders, private and museum collections.
This attentively organized exhibition spans fifty - three years and comprises thirty - seven works — ranging from meticulously nuanced compositions to crude political caricatures — that vividly reflect many of the painting sensibilities that prevail today.
His forthcoming essay «David Novros's Painted Places» will be published in the catalogue for Novros's current exhibition organized by the Museum Wiesbaden and Museum Kurhaus Kleve.
Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara Universityexhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York
Enter «High Times, Hard Times: New York Painting, 1967 - 1975,» a brave if deficient exhibition organized by Independent Curators International, which concludes its three - stop tour at the National Academy Museum.
Traveled to the Finch College Museum of Art, New York (October 16 — November 25) and the Albright - Knox Art Gallery, Buffalo, New York (January 8 — February 2, 1974) Visual R&D: A Corporation Collects — the Ciba - Geigy Collection of Contemporary Paintings, University Art Museum, University of Texas at Austin (June 10 — August 12) American Drawings, 1963 — 1973, Whitney Museum of American Art, New York (May 25 — July 22) National Invitational Exhibit: The Explosive Decade, University of Wisconsin at Milwaukee Fine Arts Galleries (May 2 — 20, 1973) Women Choose Women (organized by Women in the Arts), The New York Cultural Center, New York (January 12 — February 18) 1973 Biennial Exhibition: Contemporary American Art, Whitney Museum of American Art, New York (January 10 — March 18) Contemporary American Painting from New York Galleries, Wilmington Society of Fine Arts, Wilmington, Delaware (April 20 — May 27)
Atlanta's High Museum of Art, which organized the exhibition, recently acquired «Para III,» a hot - colored and loosely arranged 1959 work that doesn't fit into any of Louis's series, and is treating the painting as the show's signature piece.
She has previously served as the project director of Cai Guo - Qiang's studio and as a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, in addition to organizing numerous independently curated exhibitions.
2006 Untitled Group Exhibition, Richard Telles Fine Art, Los Angeles Too Much Love, organized by Amy Adler, Angles Gallery, Los Angeles LAXed: Paintings from the other side, Peres Projects, Berlin Argekunst Galerie Museum, Bozen - Bolzano, Italy (catalogue) Hotel California, The Glendale College Art Gallery, Glendale, California
In 1982, the Museum organized an exhibition of 48 Lichtenstein paintings from 1951 to the early 1980s, the first to include rarely seen early works such as the iconic Look Mickey (1961).
Abstract Painting in Lebanese Art, thematic exhibition organized by the Alumni Association of the Lebanese American University at the Lebanese American University, Beirut, Lebanon
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
Touring exhibition organized by the American Federation of Arts which traveled to Southern Illinois University, Carbondale (January 31 — February 26, 1960); John Herron Art Museum, Indianapolis (March 12 — April 2, 1960); Andrew Dickson White Museum of Art, Cornell University, Ithaca (April 19 — May 5, 1960); Holiday Art Center, Watch Hill, Rhode Island (July 22 — August 15, 1960); Atlanta Public Library, Georgia (December 14, 1960 — January 4, 1961); and Wells College, Aurora, New York (February 23 — March 13, 1961) 1959 Annual Exhibition of Contemporary Painting, Whitney Museum of American Art, New York (December 9, 1959 — January 31, 1960) Two Centuries of American Art, 1750 — 1950, The Art Institute of Chicago (October — December) V Bienal do Museu de Arte Moderna de Sao Paolo, Museu de Arte Moderna, Sao Paolo, Brazil (September 21 — December 31) Vitalità nell «arte, Palazzo Grassi, Venice, Italy (August —exhibition organized by the American Federation of Arts which traveled to Southern Illinois University, Carbondale (January 31 — February 26, 1960); John Herron Art Museum, Indianapolis (March 12 — April 2, 1960); Andrew Dickson White Museum of Art, Cornell University, Ithaca (April 19 — May 5, 1960); Holiday Art Center, Watch Hill, Rhode Island (July 22 — August 15, 1960); Atlanta Public Library, Georgia (December 14, 1960 — January 4, 1961); and Wells College, Aurora, New York (February 23 — March 13, 1961) 1959 Annual Exhibition of Contemporary Painting, Whitney Museum of American Art, New York (December 9, 1959 — January 31, 1960) Two Centuries of American Art, 1750 — 1950, The Art Institute of Chicago (October — December) V Bienal do Museu de Arte Moderna de Sao Paolo, Museu de Arte Moderna, Sao Paolo, Brazil (September 21 — December 31) Vitalità nell «arte, Palazzo Grassi, Venice, Italy (August —Exhibition of Contemporary Painting, Whitney Museum of American Art, New York (December 9, 1959 — January 31, 1960) Two Centuries of American Art, 1750 — 1950, The Art Institute of Chicago (October — December) V Bienal do Museu de Arte Moderna de Sao Paolo, Museu de Arte Moderna, Sao Paolo, Brazil (September 21 — December 31) Vitalità nell «arte, Palazzo Grassi, Venice, Italy (August — October).
Seeing the World Within is the first exhibition to focus on the groundbreaking paintings Seliger created during the first decade of his career, and the first museum - organized exhibition of Seliger's work in 30 years.
From 2007 through 2010, as Curator at Middlesbrough Institute of Modern Art (mima), Delahunty organized such significant exhibitions as British Surrealism & Other Realities, 2008; Katy Moran: Paintings, 2009; Ellsworth Kelly: Drawings 1954 — 62, 2010; and A Certain Distance, Endless Light: A
A traveling show of 10 of the paintings in this series is on view at the Lowe Art Museum in Coral Gables, Florida, through December 23, 2016 and will go on to the Smithsonian Museum of American Art in Washington, D.C.; the Fort Worth Museum of Modern Art in Texas — which organized the exhibition; the North Carolina Museum of Art in Raleigh; and the Sheldon Museum of Art in Lincoln, Nebraska.
This event has been organized in conjunction with The Barnes Foundation's exhibition Yinka Shonibare MBE: Magic Ladders.Nigerian - born, London - based Yinka Shonibare's first major Philadelphia exhibition since his artist residency at the Fabric Workshop and Museum in 2004 includes works of sculpture, photography, painting, and installation, with a focus on themes of education, enlightenment, and opportunity.
Following last Spring's Unpainted Paintings exhibition, curator Alison Gingeras organized the latest Luxembourg & Dayan exhibition in the gallery's Upper East Side townhouse.
John Graham invited her to take part in the January 1942 exhibition of American and French paintings organized by him at the McMillan Gallery.
The departure was short - lived, however, ending when Hoptman returned to the city as a senior curator at the New Museum, bringing in works by painters like Elizabeth Peyton, George Condo, and Tomma Abts while also organizing seminal exhibitions including «Unmonumental: The Object in the 21st Century» — the influential show of provisional - looking sculpture that famously included a lot of paint — and «Younger than Jesus,» the first iteration of the museum's Triennial.
This will be the first public exhibition of this series of paintings — the artist's earliest mature body of work — since a retrospective exhibition was organized by the Ringling Museum of Art in 1968.
GROUP EXHIBITIONS 2018 2018 Ceremonial Exhibition: Works by New Members and Recipients of Awards, American Academy of Arts and Letters, New York, NY The 2018 Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2017 American Genre: Contemporary Painting, curated by Michelle Grabner, ICA at Maine College of Art, Portland, ME The Stand, organized by Prem Krishnamurthy and Anthony Macellini, P!
As guest curator at the Dixon Gallery and Gardens from June 2014 through July 2015, he organized a forthcoming exhibition devoted to depictions of hunting and fishing in American painting.
Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY
He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.
Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.
Over the past twenty - five years, The Painting Center has mounted over 600 exhibitions organized by guest curators and its curatorial program is central to its mission.
It includes all exhibitions in which paintings, collages, and paintings on paper by Robert Motherwell were shown and is organized chronologically, with solo and group exhibitions listed separately within each year.
In 2009, a public exhibition of select video paintings by Sammak, organized together with curator Thomas McDonell, was conceived at the Best Buy on Broadway in New York.
Beginning April 3, 2014, Venus Over Manhattan will present the first exhibition ever organized to focus exclusively on Raymond Pettibon's «surfer paintings.»
She writes, «Rather than organize our exhibition on a specific set of artists, the paintings were selected because they exhibited the following characteristics of Precisionism: carefully edited, hard - edged architectural elements within static, balanced, and smoothly painted compositions of interlocking designs.
Join ArtTable for an exclusive curator - led tour of The Long Run at the Museum of Modern Art, with Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.
In a kind of ironic way, being drawn to good - old fashioned painting on canvas gave her a lot of space, a lot of freedom to explore ideas,» said Scott Rothkopf, the Whitney Museum's chief curator and organizing curator of this exhibition.
«Painted Truths» is a really lovely, well - organized exhibition.
Whitten has been the subject of numerous solo exhibitions, including the most recent, Jack Whitten: Five Decades of Painting, a traveling exhibition organized by the Museum of Contemporary Art of San Diego in 2014 - 15; Jack Whitten: Erasures at SCAD Savannah College of Art and Design in 2012; an exhibition of memorial paintings at the Atlanta Contemporary Arts Center in Georgia in 2008; a solo show at MoMa PS1 in 2007; a ten year retrospective at the Studio Museum in Harlem in 1983; and a solo exhibition at the Whitney Museum of Art in 1974.