Sentences with phrase «paintings in the exhibition which»

The painting reflects on the political climate during the time the Bauhaus was in operation - the 1920's and 30's, and serves as a framework through which to consider the other paintings in the exhibition which depict places evoking authoritarianism, globalism, the rise of right - wing populism, and locusts of power.

The painting reflects on the political climate during the time the Bauhaus was in operation — the 1920's and 30's, and serves as a framework through which to consider the other paintings in the exhibition which depict places evoking authoritarianism, globalism, the rise of right - wing populism, and locusts of power.

Not exact matches

Sistrunk and 20 or so boys from his youth sports program recently marched outside the Chicago Public Library demanding that New York City artist Eric Fischl's oil painting Boys at Bat, which is hanging in the library's cultural center as part of a touring baseball art exhibition, be removed.

I had a lot of photos inside the palace including beside the wall painting of Queen Marie - Antoinette but having the opportunity to pose beside these great shoes by Joana Vasconcelos which I first saw in June from an exhibition photo, is timeless.

The Sold Out exhibition included six kaleidoscopic «Infinity Mirror Rooms,» which are small box - shaped spaces that combine mirrors and lights to stunning effect as well as 60 paintings and sculptures and archived photos documenting Kusama's life in New York in the 1960s.

He's seeking a commission for an exhibition of paintings that comparatively few will see, that in any case will be hard - pressed to summon the galvanizing power of a well - made film (or song, as we see in one lovely scene), which Mrs. Cole's slop is turning out to be.

I guess that's one of the things that makes them different from photographs, in that a photograph might be a record, a snap, one moment — a painting I think is about creating a small world around that photo... I really like that idea of something that you can enter like a box or an exhibition space, and enter these little rooms which for me are memories, but it's not about nostalgia — it's more about setting up something that's still living — so it's almost they're all in the present, rather than in the past.»

He has been kind enough to share with Painters» Table his thoughts on painting and images of his work in advance of a retrospective exhibition, Celebrating Abstraction, which will be on view June 7 - 14, 2012 at the Appledore Festival.

Johns made over 40 paintings of the American flag beginning in the mid -»50s, none of which was shown publicly until his first solo exhibition, also at Castelli, in 1958.

Kessler writes that the exhibition «is not only about a group of Mark Rothko paintings done at the peak of his career, but it's also about an ingenious restoration technique — a way to restore the color of these faded murals via non-invasive digital projections... The exhibition features a much - damaged five - panel mural that Rothko was commissioned to make in 1961 - 62 for the penthouse dining room of Harvard University's Holyoke Center... 38 studies for the murals... And, presented here for the first time, a sixth [undamaged] mural which was painted for the commission and held in reserve until Rothko decided which five paintings he wanted for the final installation.»

And the «Sources of the Self» section of «Americana,» one of the opening exhibitions, includes documentation of Interior Scroll, the influential 1975 performance in which Schneemann ritualistically stood naked on a table, painted her body with mud, and slowly extracted a paper scroll from her vagina while reading from it.

Some of the paintings from the series were displayed at the Show de Bola exhibition last year in Brazil, which Maria curated.

Reviewing a 2010 exhibition, Lance Esplund wrote that in Chaet's paintings, «light sparkles through porous forms, which wrap and twist together as if earth, ocean and sky were a single organism.»

In the introduction Haynes writes: «For her new exhibition... Semmel has created 12 large paintings, many of which have two layers, each with a nude self - portrait.

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

In announcing the exhibition, the museum noted the legacy of history painting and the ways in which Colescott, Marshall, and Thomas have distinguished themselves in the categorIn announcing the exhibition, the museum noted the legacy of history painting and the ways in which Colescott, Marshall, and Thomas have distinguished themselves in the categorin which Colescott, Marshall, and Thomas have distinguished themselves in the categorin the category.

Opening at Mana Contemporary in Jersey City on Saturday, May 10 and continuing to August 1, 2014, the exhibition will present work from Resnick's entire six - decade career, including a rare 1937 portrait; quintessential Abstract Expressionist paintings from the 1940s and»50s; a selection of the large allover paintings of the 1960s through 1980s for which Resnick is best known; and a group of late figurative works.

This summer, I made four visits to Roland Reiss» studio to discuss his new Floral Paintings — which will be on public view in his upcoming retrospective at Begovich Gallery, California State University, Fullerton in November and a large exhibition in Los Angeles at Diane Rosenstein Fine Art in December.

In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationIn his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationIn the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin which his primary source of artistic creation were contemporary facts of violent confrontations.

Tworkov was featured in many historic exhibitions that defined the period including «New American Painting» organized by The Museum of Modern Art, which introduced the world to Abstract Expressionism and toured Europe in 1958.

Aboudia — Light & Dark, the third exhibition in the Light & Dark series, presents the vivid paintings and collages of Aboudia, which blend traditional African and modern Western art with graffiti - style mark making.

Budd died in 1991 leaving behind an impressive body of paintings which are given new attention in this exhibition.

Coming across Drexler's paintings singly, or even in solo gallery shows, doesn't prepare you for the chromatic intensity of her canvases, especially the mid-1960s paintings, which were the main focus of the exhibition.

The exhibition features paintings — a language in which light plays an essential role — as well as sculptural investigations and installations that use optical and luminous elements, like mirrors and light bulbs.

Originating at the New Museum in New York last fall, the exhibition features «The Holy Virgin Mary,» Ofili's most recognized and most controversial dung painting from the 1990s, which sold at Christie's London on June 30 for $ 4.5 million, a record for the artist.

The exhibition title takes as its conceit the «glitter» of both the social milieu depicted in Cavaglieri's work and the manner in which it was painted.

Many of the paintings in the exhibition utilize this fabric as their starting point, and over which she has continued to paint to create new works.

The show also includes works on canvas from the 1989 exhibition Trip - Tics in which Gurrola made his own versions of Philip Guston paintings.

The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.

Cannily chosen and installed by Papanikolas, the exhibition's 45 works of art, which include paintings, sculptures and drawings, are a pleasure in terms of sheer numbers.

In an illuminating interview with Barbara Takenaga, which is included in the catalogue accompanying her exhibition of New Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent worIn an illuminating interview with Barbara Takenaga, which is included in the catalogue accompanying her exhibition of New Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent worin the catalogue accompanying her exhibition of New Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent work:

The exhibition features a new series of Boo Saville's colour field paintings, which are shown in dialogue with a number of black and white canvases.

For his 2018 exhibition at Sadie Coles HQ, Wilhelm Sasnal is going to present a group of new paintings in which present - day reality, memory and art history are concurrent and indivisible strands.

This catalogue is published in conjunction with the exhibition «Anonymous: Contemporary Tibetan Art» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artists.

«It is the excitements of this conjunction between a Romantic nineteenth - century Briton and an abstract expressionist twentieth - century American that the exhibition seeks to evoke, revealing the fellowship that the two artists share in paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of landscape art.

The exhibition, which features paintings and sculptures by Josef Albers, Robert Irwin, Sol LeWitt, Liu Jianhua, Robert Mangold, Robert Ryman, and Tony Smith, will be on view through August 12, 2017 in Seoul.

The exhibition «Donald Judd: Paintings» presents 14 paintings created by the artist between 1959 and 1961, which were vital transitional years for Judd in his experimentation in form aPaintings» presents 14 paintings created by the artist between 1959 and 1961, which were vital transitional years for Judd in his experimentation in form apaintings created by the artist between 1959 and 1961, which were vital transitional years for Judd in his experimentation in form and color.

The works on view at Eleven Rivington have long since distanced themselves from this beginning, having appeared in an artist book, then haphazardly rearticulated through three - color process paintings (cyan, yellow, and magenta), scanned and digitally distributed on his and others tumblr pages, and presently re-photographed through a PDF generating application on his phone, the images from which provide the basis for this exhibition.

This resplendent monograph, which accompanies the exhibition yet is intended to endure long beyond it, reveals both the overt themes and the more ambiguous substructures of Otero's oeuvre to date, from his early still lifes and famous «skins» — paintings made of fragments and scraps of oil paint culled from previously painted images — to his more recent «transfers» and innovative sculptural work in porcelain and steel or iron.

They include Kelley Walker's exhibition at the Contemporary Art Museum, right next door to the Pulitzer, which displayed sexualized pictures of black women and historical images of police brutality against black people; Dana Schutz showed a painting of Emmett Till's mutilated body in the current Whitney Biennial.

Also on view in this gallery will be three paintings from 1996 - 99 called, The Attendants, which were first shown in Marden's exhibition two years ago at the Serpentine Gallery in London.

The landscapes and interiors which have been the subject of Stefan Kürten's paintings are presented anew in Trains and Boats and Planes, his fourth solo exhibition at Alexander and Bonin.

In addition to his paintings, the exhibition will present a large selection of Scully's sketches from 1967 - 1969, which still provide the artist with inspiration to this day.

Rose Point is an exhibition of three new hybrid paintings that illustrate the complex and often ambiguous way in which we remember.

Two Damien Hirst works are included in this group exhibition which examines what defines paintings.

Raphael Rubenstein's strong interest in painting is manifested though this exhibition catalogue, which «focuses on New York painting in the 1980s as practiced by a generation born between 1939 and 1949.»

BEST EXHIBITION SCHEDULE AT A MUSEUM IN UPHEAVAL The Met's, which included shows of camera - phone images exchanged by 12 pairs of artists; the nearly abstract etchings of the 17th - century Dutch artist Hercules Segers; Marsden Hartley's Maine paintings; an astounding survey of Japanese bamboo art and basketry (through Feb. 4); and, of course, the recently opened shows of David Hockney's paintings (through Feb. 25) and Michelangelo's drawings.

Concurrent to this exhibition, at Lehmann Maupin Gallery in Soho, Winters will be exhibiting Set Diagram, a new series of 60 paintings for which the architect Rem Koolhaas has designed a site - specific installation.

Zhong discusses the pivotal exhibition Dear Painter, paint me... Painting the Figure since late Picabia, which opened at the Centre Pompidou in 2002.