Sentences with phrase «paintings in this exhibition»

The large paintings in the exhibition provide viewers with multiple opportunities to experience color in uniquely personal ways.

There, she made the earliest paintings in this exhibition.

The 12 new paintings in the exhibition will be displayed according to color — specifically primary colors, referring to traditional color theory in art.

This feeling carries on as I look at the other paintings in this exhibition.

There are twenty - five medium and large - scale paintings in this exhibition, with an equal mix of landscape and portraiture formats.

The three paintings also set out and describe the conditions which make the smaller paintings in the exhibition.

The three monochromatic paintings in this exhibition mark the newest works on canvas by the artist, each using gloss line on a matte background.

Would you say there is a narrative that connects the various paintings in this exhibition?

What's your favourite painting in the exhibition, and what was the inspiration behind it?

Inspired by the traditional and contemporary paintings in our exhibition, students will learn the basic of painting.

There are paintings in this exhibition along the same theme, but they are a pale imitation of the video work.

In my opinion, it was the strongest, most advanced painting in the exhibition.

Most paintings in the exhibition employ two or three colors interacting visually on five sides to produce a single image that unfolds as the viewer shifts position.

The shaped paintings in the exhibition reference the material qualities of those very articles of clothing.

At roughly seven by seven feet, the smallest but still sizable painting in the exhibition, also titled «Painting, 2006,» is also one of the show's most radiant.

Lastly, the third grouping of paintings in the exhibition stand void of any figure at all, giving in whole - heartedly to the mobility and flux of the more abstract qualities of Jones» work.

In contrast, Door View, 2005, also a triptych and one of the largest paintings in the exhibition at just over 7 x 9 feet, starkly depicts the studio as if abandoned with bare whitewalls and the door left ajar.

Recent paintings in this exhibition explore Shiraishi's long - standing interest in dreams.

According to art historian Jane Livingston, Diebenkorn saw both Matisse paintings in an exhibition in Los Angeles in 1966, and they had an enormous impact on him and his work.

Portrait of a Girl, 1908 is the first painting in the exhibition with a beautiful lake of red.

CH: You've mentioned the emphasis on painting in this exhibition.

Walker's North Branch II, along with his three other recent paintings in the exhibition, reflects a love for the Maine coast.

I have been calling the new paintings in the exhibition from 2014 gifts... quirky, odd, slightly raunchy and hopefully very joyfully and gaily painted presents sent back in time with the following note:

In August 1889, Conder, along with Roberts, Streeton, Frederick McCubbin and Charles Douglas Richardson, showed 183 examples of their Impressionist landscape painting in an exhibition at Buxton Galleries, Swanston Street, Melbourne.

Titles of certain paintings in the exhibition tell their own story: Serpentine (1982), Towards Crab Island (1983), Jetty (1983), Alluviumwold (1985) and Great Thames III (1989), (Great Thames IV is in the Arts Council Collection).

The strongest paintings in the exhibition include «Surf Party» (2015), «Blue Swimmers» (2015), «Fear of Waves» (2015), «Pool Swimmers, Green» (2015) and «Fathers» (2016).

Other paintings in the exhibition depict obscure machines, whose enigmatic presence appears foreboding in the context of the toddlers and suggests an element of scientific experimentation.

The final painting in the exhibition is the silver, yellow and pink, Number 27, 1950, by Jackson Pollock.

Geniuses of American painting in the exhibition include Winslow Homer, Thomas Eakins, Childe Hassam, Rockwell Kent, Georgia O'Keeffe, Edward Hopper, Grandma Moses, Jacob Lawrence, Jackson Pollock, Clyfford Still, and Mark Rothko.

Although Don Nice is best known for his depictions of contemporary American culture such as candies, soda bottles and branded sneakers, the early watercolor and oil paintings in this exhibition stem from the artist's upbringing on an open range and his love of nature.

John Ashbery, Frank O'Hara and e.e. cummings are some of the poets whose writing will inform paintings in the exhibition.

Each of the vibrantly colored abstract paintings in the exhibition measures 16 x 20 inches — a common canvas size that the artist has used extensively throughout his career.

The nine new paintings in this exhibition focus on couples and coupling.

The only paintings in the exhibition not explicitly tied to any architectural site or motif are the Homages.

The first painting in this exhibition that shows clearly where Mr. Hendricks was headed is a head - and - shoulders portrait of a young African - American soldier, whose olive - green helmet and shirt harmonize with the bright - green background.

The painting reflects on the political climate during the time the Bauhaus was in operation - the 1920's and 30's, and serves as a framework through which to consider the other paintings in the exhibition which depict places evoking authoritarianism, globalism, the rise of right - wing populism, and locusts of power.

For instance, the self - portrait type painting in the exhibition, Horse and Rider, that was made over 3 to 4 years.

Dan Colen's trash painting in the exhibition Group Shoe curated by Joe Bradley, on show until June 30th at Gavin Brown's Enterprise, 620 Greenwich Street, NY 10014, New York.

One of the best paintings in the exhibition, «Helm I» («Helmet I»), from 1970, shows a large green helmet above a dark green shrouded form, painted with flat distemper.

In Time Out New York, Jennifer Coates reports that the four large paintings in the exhibition look like they could be representing imaginary places, but they are in fact based on news photos from the Internet.

Two paintings in the exhibition feature Buzz Lightyear and Woody, computer - animated stars of the 1995 film Toy Story, while two others include a helix logo made of colored pixels, a new icon of the kind now familiar from computer screens and handheld devices.

This is especially effective in «Blue Swimmers,» one of my favorite paintings in the exhibition, where it is impossible to determine the extent to which the water is submerging the slightly darker, blue - skinned figures, some of whom are standing, while others are swimming.

MAASTRICHT, NETHERLANDS — Traveling from Kunsthalle Lingen, Rebecca Morris presents twelve recent paintings in the exhibition Southafternoon, through September 7th.

Painter Kim Rae Taylor, who lives and works in Cincinnati, will exhibit a series of mixed media paintings in an exhibition titled Rendered Complete Equals.

The big, playful paintings in this exhibition, from Dexter Dalwood's fantasy landscape mash - ups to David Salle's postmodern explosions of thought and colour, could just as easily be painted on a wall in London or Cairo as on canvas.

The «other» paintings in the exhibition expose the unrelieved and idealistic conceit that Grabner desperately clings to when she is in the studio.