Sentences with phrase «paintings in this exhibition explore»

The paintings in the exhibition explore the ways that form can become a symbol of power, both institutional and aesthetic.

The paintings in this exhibition explore the relationships and intersections between the natural and man - made worlds, and how darkness and light can mask or reveal forms and ideas that arise out of this process.

Each painting in this exhibition explores a different facet of femininity and...

Each painting in this exhibition explores a different facet of femininity and girlhood, and a different facet of every woman.

Recent paintings in this exhibition explore Shiraishi's long - standing interest in dreams.

Not exact matches

This exhibition will explore connections between the art of the impressionist painter and his filmmaker son, in part by showing clips from Jean Renoir's films adjacent to Pierre - Auguste Renoir's paintings.

This exhibition explores West's important role in the establishment of the RA and PAFA through more than sixty paintings, drawings, prints, sculptures, manuscripts, and books.

Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.

The exhibition in the main gallery space has been hung with an attention to the various color keys that Dodd has explored with her thin paint and underlying geometric structure.

Other notable exhibitions include «Malcolm Morley in a Nutshell: The Fine Art of Painting 1954 - 2012» at the Yale School of Art (2012), an exhibition exploring the role of paper in Morley's art - making process at the Parrish Art Museum (2012 - 13), and an exhibition at the Ashmolean Museum, Oxford, organized in collaboration with the Hall Art Foundation (2013 - 14).

This exhibition covers a span of over four decades (c. 1929 — 70), including a total of some forty paintings, photographs by the artist, works on paper, and sculptures in order to explore the change and continuity in Still's ideas and pictorial forms.

Over the last decade there have been a very few exhibitions that have attempted to explore this history from a New York perspective («High Times Hard Times: New York Painting 1967 - 1975» in 2007, «Conceptual Abstraction» in 2012, my own «Reinventing Abstraction» in 2013), and if there have been any books on the subject, I haven't yet seen them.

Through the friendship and careers of the trio of artists — all who live and work in The Hamptons — the exhibition explored paintings made and the intersections and divergences of each of their art practices during this time period.

As Victoria L. Valentine writes in an extended preview for Culture Type, «The Seattle Art Museum (SAM) is organizing a major exhibition of three critically recognized African American artists... The exhibition will explore how their distinct approaches to figuration and history painting have recast the Western canon and challenged perceptions of race and representation in a contemporary context.»

The exhibition explores the fellowship that the two artists — a Romantic nineteenth - century Briton and an Abstract Expressionist twentieth - century American — share in paint across their temporal divide.

The gallery will present an exhibition of Josef Albers's work in its 537 West 20th Street location in New York in November 2016 that will explore the relationship between his Homage to the Square paintings and the monochrome.

The exhibition showcases work by the two artists that explores and manipulates the illusory flatness of painting in order to alter the viewer's sense of the possible.

The Palazzo Ducale in Mantova hosts Michelangelo Pistoletto's exhibition «Da Cittadellarte alla Civiltà dell» Arte», which explores the full range of the artist's practice over the past 60 years, from the first self - portraits, through to his celebrated mirror paintings, as well as his ongoing Terzo Paradiso project.

Using a variety of processes that include painting, sculpture, digital and new media, installation and sound, the works on view in this exhibition highlight language itself as a diverse medium to be explored, dissected and reframed to reflect the nuances of communication in the 21st century.

The works in this exhibition explore the way that this subgenre of painting has evolved in the work of artists who may identify as painters, but who explore the space between painting and sculpture.

His current solo exhibition at the South London Gallery, Michael Armitage: The Chapel, absorbs the chapel - like qualities of the gallery space, where his paintings explore Kenyan culture and religion as the context in which to look at mental health issues in East Africa.

In this solo exhibition (14 February - 17 August 2017), Bas pays homage to his home state of Florida with paintings, screens and sculptures that explore allegory, narrative painting and personal biography.

In this final exhibition, the four members — Ximena Izquierdo Ugaz, Julia Mata, Bryan Rodriguez Cambana, Eduardo Restrepo Castaño — display recent work in a variety of media, including video, photography, textiles, and painting that explore personal histories through an understanding of time, horror, and mooIn this final exhibition, the four members — Ximena Izquierdo Ugaz, Julia Mata, Bryan Rodriguez Cambana, Eduardo Restrepo Castaño — display recent work in a variety of media, including video, photography, textiles, and painting that explore personal histories through an understanding of time, horror, and mooin a variety of media, including video, photography, textiles, and painting that explore personal histories through an understanding of time, horror, and mood.

Composed of 25 works, which include paintings, sculpture, prints, works with paper, and installations, the exhibition explores a range of issues that have occupied Grabner since she started her creative career, such as the history of painting in relation to the present, the relationship of centre to periphery, the significance of routine in life and in art, and the integration of work into family life and vice versa.

Through more than 80 paintings, the fall 2017 exhibition will explore the artistic production of women in Paris between 1850 - 1900, including Berthe Morisot, Mary Cassatt and Marie Bracquemond

rosenfeld porcini presents L'Âge Mûr, a first UK solo exhibition of Italian artist Nicola Samorì, which follows his initial participation in the sculpture exhibition Memory and in The Continuation of Romance, a group exhibition exploring the renaissance of painting in contemporary art.

Online, in the digital recreation of the original 1959 exhibition Paintings by Clyfford Still, at www.clyffordstill1959.org, users can explore all of the works in the original exhibition, materials used to plan the exhibition, such as diagrams and notes, vintage installation photographs, and other ephemera.

Exploring the possibilities of punctured shapes, and the relationships between painted surface, drawing, and the wall, Mangold's new works are a continuation of ideas explored in Pace's 2014 exhibition Robert Mangold.

In this, his seventh solo exhibition at Waddington Galleries, he continues to explore the physical nature of paint, pushing further his practice and its examination of the relationship -LSB-...]

«I've explored the McDonald's logo in the past but the difference with this exhibition is that these new paintings are much more abstract.

Focusing on the relationship with his friend and fellow artist Marcel Broodthaers, as well as artists ranging from George Condo, Gavin Turk and David Altmejd, the exhibition explores the way Magritte set into motion the concept of the «trashing of painting by painting itself», an idea still wilfully prevalent in art today.

Francis Bacon and Lucian Freud are here to draw in the crowds, but also to set the tone of a Tate Britain exhibition that explores the equivalence of flesh and paint in depictions of the body that even at their most tender and sensual rarely stray...

This exhibition of new paintings and cyanotypes provides evidence of the many different bodies of work McGinness has been exploring in recent years — from self - reflective Studio Views with process - referencing subject matter to iconic Signals, Skateboards, Mindscapes, and Black Holes.

Consisting of six contemporary painters and approximately thirty works, this exhibition explores the manner in which these women appropriate both the physical, dramatic processes and the expressive freedom of direct gesture at the core of action painting, redeploying the now - historic style to boldly advance the abstract painting of our time.

The Mitchell - Innes & Nash exhibition poses that this idea, and others explored in Color Field painting, are critically relevant to developments in contemporary art: the notion of a painting rooted in process and material rather than gesture and reference.

At Ben Brown Fine Arts, a similar theme is being explored in the form of «Miquel Barceló: Courant Central,» an exhibition of recent paintings and sculptures by the Spanish artist.

2016 Nov. 18 — Wadsworth Atheneum Presents 43rd Annual Festival of Trees & Traditions Nov. 1 — John Trumbull Paintings Central to «Visualizing American Independence» at Wadsworth Atheneum Oct. 5 — First U.S. Exhibition by Artist Dulce Chacón Explores Human Feats and Failures in the Frontiers of Air and Space Sept. 23 — Grant S. Smith to Lead Development, Revitalize Fundraising Initiatives at Wadsworth Atheneum Sept. 9 — First Major Photography Survey in 27 Years to Open at Wadsworth Atheneum Museum of Art Aug. 16 — Francisco de Zurbarán's «Saint Serapion» Returns to Galleries at Wadsworth Atheneum May 23 — Exhibition to Highlight Diversity of Contemporary Artists, Artworks May 10 — Works by Salomon van Ruysdael and Kehinde Wiley Among Newest Acquisitions by Wadsworth Atheneum April 21 — «Vanessa German / MATRIX 174» to Confront Social Issues of Race and Violence Beginning June 9 March 25 — Wadsworth Atheneum Museum of Art Names Anne Butler Rice New Director of Education

This exhibition explores nearly 200 years of paintings in the genre, from the realism of the 18th century to Modernism, Pop art and beyond.

For her first solo institutional exhibition, «Tenderheaded,» on view at The Renaissance Society in Chicago through November 5, Packer further explores emotional and physical vulnerability through new portraits as well as a developing series of painted funerary bouquets.

In a kind of ironic way, being drawn to good - old fashioned painting on canvas gave her a lot of space, a lot of freedom to explore ideas,» said Scott Rothkopf, the Whitney Museum's chief curator and organizing curator of this exhibition.

This exhibition brings together nearly all of Church's most important paintings of the Middle East, Athens and Rome to explore what motivated this major shift in his artistic work.

The New York - based artist always painted men, exploring the image and representation of masculinity in his masterful portraits, until he decided to change direction for his inaugural exhibition at Sean Kelly Gallery in 2012.

Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.

Drawing on the ideas explored in one of our current exhibitions Painting in the 2.5 th Dimension, the panel of leading artists, writers and curators will discuss contemporary painting practices that rethink the conventional mediums of the disPainting in the 2.5 th Dimension, the panel of leading artists, writers and curators will discuss contemporary painting practices that rethink the conventional mediums of the dispainting practices that rethink the conventional mediums of the discipline.

Each artist in the exhibition utilizes scale and weight to explore both visual and conceptual implications of depicting the environment: Jane Callister's painterly landscapes deftly intertwine process and imagery; each painting celebrates a material investigation that generates fictional yet enchanting landscapes.

Exploring the artist's immersion in the Hawaiian Islands in 1939, this fine art exhibition will feature a lush flower show evoking the Hawaiian gardens and landscapes that inspired O'Keeffe, and more than 15 of her paintings not seen together in New York since their 1940 debut.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

Far from ignoring the lessons of Duchamp, such a treatment of paint was derived from an understanding of his predecessor's artistic strategies, to which Rauschenberg had his first in - depth exposure in the spring of 1953 at Sidney Janis's exhibition, Dada 1916 — 1923.8 Throughout that year, he explored various precedents set by the older artist.

This exhibition explores Lichtenstein's treatment of the human figure in works that proceed from his iconic cartoon paintings from the»60s.

Although not cited by Karmel, it is important to note that Kazimir Malevich and Naum Gabo also began exploring the corner around this period with Malevich hanging his painting «Black Square,» 1915 across a top corner space in the seminal 1915 - 16 exhibition «The Last Futurist Exhibition: 0, 10» in St. Petersburexhibition «The Last Futurist Exhibition: 0, 10» in St. PetersburExhibition: 0, 10» in St. Petersburg, Russia.