Not exact matches
While maybe not massively groundbreaking, or as visually compelling as those
paintings that are famous for being an homage to victims of everyday horrors reported
in the media (Goya's The Third of May 1808 springs to mind), the
exhibition is
in keeping with the museum's
focus on the impact of war on the lives of ordinary people, and a welcome accompaniment to the excellent experience on offer at the museum.
In the Wilderness Arts and Literacy Collaborative pathway, Salvin and team teacher Sherry Bass pushed students to make their
exhibitions interactive: After a unit
focusing on northern California geology, immigration, and migration, students completed projects integrating
painting and poetry with history and geology.
Prof. Berndt's lecture will
focus on three aspects: 1) the ir / relevance of traditional Japanese
painting for contemporary manga; 2) manga museums compared to recent manga
exhibitions in Japanese art museums; and 3) the unilateral interest
in manga by contemporary artists such as Murakami Takashi and Aida Makoto.
Several museum
exhibitions are
focusing on his influence
in painting, photography, film, performance, and more Read More
It may be sheer coincidence, but
exhibitions at the Brooklyn Museum and the Kunsthalle Vienna this autumn both
focus on the women artists who were identified with Pop art, while an
exhibition at the Jewish Museum
in New York tackles a related subject:
painting and feminism (with a bit of Jewishness thrown into the mix).
Julia White, our senior curator for Asian art, is organizing three consecutive
exhibitions beginning
in July — one
focusing on historical Chinese
painting, one
focusing on historical Japanese art, and another on historical Indian art.
In the introduction to her much - needed and admirable
exhibition Black
Paintings at Haus der Kunst, Munich (2006), Stephanie Rosenthal states that the creation of these paintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state&ra
Paintings at Haus der Kunst, Munich (2006), Stephanie Rosenthal states that the creation of these
paintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state&ra
paintings «revolve [d] around not being able to see (anything), or
focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state» (2).
Coming across Drexler's
paintings singly, or even
in solo gallery shows, doesn't prepare you for the chromatic intensity of her canvases, especially the mid-1960s
paintings, which were the main
focus of the
exhibition.
Organized
in partnership with the Art Gallery of Ontario (AGO), supported by the Estate of Jean - Paul Riopelle
in Montréal and the Joan Mitchell Foundation
in New York, the
exhibition will
focus mainly on large - format
paintings from French, Canadian and American private and museum collections.
The
exhibition focuses on this most saccharine hue
in various media including:
painting, sculpture, photography, video, drawing and assemblage by both established and emerging artists.
His first
exhibition at the gallery's London space,
focusing on
paintings from the 1980s, opens
in September.
Hirst's «Kaleidoscope»
painting, «The Kingdom of the Father» (2007) is included
in this major
exhibition of work
focusing on our relationship with wildlife and nature.
Raphael Rubenstein's strong interest
in painting is manifested though this
exhibition catalogue, which «
focuses on New York
painting in the 1980s as practiced by a generation born between 1939 and 1949.»
Michelangelo Pistoletto and filmmaker, Chiara Messineo, will be
in conversation, discussing topics including the Terzo Paradiso and the artist's
exhibition of new mirror
paintings at Simon Lee Gallery,
focused around the subject of shelves.
While the first
exhibition in 2008 *
focused on the iconic Estate
Paintings, White Abstracts and History
Paintings which established Coventry's reputation
in the 1990s, Works 2002 - 2009 will include an extraordinarily wide range of work, much of it overtly figurative, including major new works that have never before been exhibited.
Organized
in partnership with the Musée national des beaux - arts du Québec, supported by the Estate of Jean - Paul Riopelle
in Montréal and the Joan Mitchell Foundation
in New York, the
exhibition will
focus mainly on large - format
paintings from French, Canadian and American private and museum collections.
This tightly
focused exhibition considers the significant ways
in which Bridget Riley has been influenced by the work of Georges Seurat, revealing how her innovative style of
painting is rooted
in the art of the past.
The first major
exhibition of Morandi's later work
in America since the acclaimed 2008 retrospective at the Metropolitan Museum of Art, New York, the show will
focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and
painting.
The presentation
in Los Angeles marks the first
exhibition of Hartley's work
in Southern California
in over thirty years, and the first
focused exhibition of Hartley's Berlin
paintings in the United States since they were created.
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York
Exhibition, One Art Space, New York, NY Inaugural
Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY
Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show,
Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis
Exhibition, Organized
in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA
Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture
Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis
Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY
Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015
Painting Fellowship, New York Foundation for the Arts
With a
focus on works from the period between their first meeting
in 1955 until their separation
in 1979, the
exhibition shows how Mitchell and Riopelle, who lived together
in Paris, then
in Vétheuil
in the Seine valley, developed unique but related bodies of work while they were engaging
in a vigorous exchange about abstraction and
painting.
Seeing the World Within is the first
exhibition to
focus on the groundbreaking
paintings Seliger created during the first decade of his career, and the first museum - organized
exhibition of Seliger's work
in 30 years.
Bellan - Gillen's
paintings, prints and drawings have been the
focus of over 35 solo
exhibitions across the U. S., including venues
in Washington DC, Chautauqua, NY, Las Cruces, NM, Albany, NY, Bloomington, IL, Nashville, TN and Portland, OR.
This event has been organized
in conjunction with The Barnes Foundation's
exhibition Yinka Shonibare MBE: Magic Ladders.Nigerian - born, London - based Yinka Shonibare's first major Philadelphia
exhibition since his artist residency at the Fabric Workshop and Museum
in 2004 includes works of sculpture, photography,
painting, and installation, with a
focus on themes of education, enlightenment, and opportunity.
Bellan - Gillen's
paintings, prints and drawings have been the
focus of over 35 solo
exhibitions across the U.S., including venues
in Washington DC, Chautauqua, NY, Las Cruces, NM, Albany, NY, Bloomington, IL and Portland, OR.
After her contribution
in various theatre productions she
focusses on
painting since 1992, her works were shown
in various solo and group
exhibitions in Zürich, Basel, Hamburg, Wien, Berlin.
Focusing on her optical
paintings from the 1960s, the
exhibition includes several works that have not been exhibited
in four decades.
Although the 2012 retrospective at Tate Modern was rapturously received, bringing with it a renewed reminder of the power of early works such as The Physical Impossibility of Death
in the Mind of Someone Living and Mother and Child, Divided, recent
exhibitions have been panned — Schizophrenogenesis was condemned for coasting on past glory, while 2012's
painting -
focused Two Weeks, One Summer received scathing one - star reviews — and there is a nagging sense that these days his art can resemble a factory production line, with endless copies of his popular «spot»
paintings churned out
in the name of brand recognition.
Focusing on works from the 1980s and a period of color - saturated
paintings, this is a sequel to both the 2003 retrospective at the Institute of Contemporary Art and Locks Gallery's last Andrade
exhibition in 2004.
ICA's
exhibition will
focus on
paintings from 1963 through 1986: a period when Andrade followed a distinctly optical course, and one which historically coincides with Op Art, Minimalism, and Pattern and Decoration
Painting — movements
in art that relate to the pure pursuit of geometric and abstract design.
Focusing on the relationship with his friend and fellow artist Marcel Broodthaers, as well as artists ranging from George Condo, Gavin Turk and David Altmejd, the
exhibition explores the way Magritte set into motion the concept of the «trashing of
painting by
painting itself», an idea still wilfully prevalent
in art today.
Published on the occasion of the major
exhibition at David Zwirner
in London, this fully illustrated catalogue offers intimate explorations of
paintings and works on paper produced by the legendary British artist over the past 50 years,
focusing specifically on her recurrent use of the stripe motif.
In 2014 they set up two exhibition spaces, Art House in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this articl
In 2014 they set up two
exhibition spaces, Art House
in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this articl
in Santa Fe and Orange Door
in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this articl
in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War
Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the
focus of this article.
The
exhibition focuses on Gauguin's world - famous
paintings he created
in Tahiti, complemented by diverse self - portraits and
paintings from the time he spent
in Brittany.
Focusing on elements of chance, play and the marvelous
in DeFeo's work, the
exhibition brings together
paintings, photographs, collages and works on paper to reveal how DeFeo's art often aligns with Surrealist attitudes.
The
exhibition focuses on the most extraordinary
painting of a stone ever created
in China: Wu Bin's Ten Views of a Lingbi Stone (1610), a Ming dynasty handscroll comprising 10 separate views of a single stone from the famous site of Lingbi, Anhui Province.
Inspired by the
painting The White Slave featured
in the
exhibition Kehinde Wiley: A New Republic, curator John Henry Rice will lead a gallery talk
focusing on
painted portraits
in the museum's South Asian collection.
The current show,
focusing on new work and including two major early
paintings, is Burkhart's third solo show with the gallery and his first one - person
exhibition in New York
in 22 years.
Shaw uses a
focus on the over-arching themes of fallibility — fallen heroes, collapsed economies, and political figures — to center his
exhibition around a series of large - scale
paintings begun
in 2004 on old, cut - apart theatrical backdrops.
Her solo
exhibition, Cecilia Vicuna, at England & Co
in May / June 2013
focused on Vicuna's early
paintings and the objects and book - works that she produced
in London
in the 1970s.
In this Tuesday Evenings presentation, Bradford is back to share insights into the paintings featured in her FOCUS exhibition, as well as other works and the enduring path of her practice as a devoted painter and longtime member of the New York art communit
In this Tuesday Evenings presentation, Bradford is back to share insights into the
paintings featured
in her FOCUS exhibition, as well as other works and the enduring path of her practice as a devoted painter and longtime member of the New York art communit
in her
FOCUS exhibition, as well as other works and the enduring path of her practice as a devoted painter and longtime member of the New York art community.
In 2013 the Scottish National Gallery, Edinburgh, organized No Foreign Lands, a critically lauded exhibition focused on recurrent motifs in Doig's paintings; the exhibition later travelled to Musée des Beaux - Arts de Montrea
In 2013 the Scottish National Gallery, Edinburgh, organized No Foreign Lands, a critically lauded
exhibition focused on recurrent motifs
in Doig's paintings; the exhibition later travelled to Musée des Beaux - Arts de Montrea
in Doig's
paintings; the
exhibition later travelled to Musée des Beaux - Arts de Montreal.
Japanese artist Tetsuo Mizù,
in his first solo
exhibition in Hong Kong at Whitestone Gallery, presents a welcomed deviation from more traditional depictions of the subject with
paintings that
focus on the storied practice of international maritime flags.
Their
exhibition in the Belle Shenkman room at the Royal Academy,
Painting From Life —
Painting Their Life, is the latest
in our Academicians
in Focus series.
While I understood Ha's work on an intuitive level at the time of the
exhibition, it was not until my visit to the artist's studio
in the winter of 2008 that I began to fully grasp the depth of his earlier burlap and barbed - wire
paintings, not only as signs of military repression made evident during the late 1970s, but also as spiritual works
focused on transformation and resistance that could be read as icons of the human condition.
This
focused exhibition is an opportunity to better understand and appreciate an important
painting in the Museums» collection and its relationship to one of Motherwell's most significant bodies of work.
Published on the occasion of Bridget Riley's major
exhibition at David Zwirner
in London
in the summer of 2014, this fully illustrated catalogue offers intimate explorations of
paintings and works on paper produced by the legendary British artist over the past fifty years,
focusing specifically on her recurrent use of the stripe motif.
Paul Resika is now the
focus of two
exhibitions in Manhattan: at Lori Bookstein's Chelsea gallery, which opened Thursday night (and which I haven't had the chance to see yet), featuring his new
paintings, and downtown on the Lower East Side, where Steven Harvey Fine Art Projects is holding a «microspective» titled Paul Resika: 8 + 8, 8 Paintings from 8
paintings, and downtown on the Lower East Side, where Steven Harvey Fine Art Projects is holding a «microspective» titled Paul Resika: 8 + 8, 8
Paintings from 8
Paintings from 8 Decades.
In this RA
exhibition, she
focuses on landscape, a category of
painting closely tied to the RA's past championed by the likes of Thomas Gainsborough, J.M.W. Turner and John Constable.
The
exhibition «
In Different Ways» at Almine Rech Gallery
focuses on how artists have developed unique techniques — at times diverse within their own oeuvres — using a brush, airbrush, spray
paint, silkscreen and even pouring
paint, collaging a range of materials, questioning canvas and wood support structures, or a combination of these processes.