Sentences with phrase «paintings in this exhibition focus»

Not exact matches

While maybe not massively groundbreaking, or as visually compelling as those paintings that are famous for being an homage to victims of everyday horrors reported in the media (Goya's The Third of May 1808 springs to mind), the exhibition is in keeping with the museum's focus on the impact of war on the lives of ordinary people, and a welcome accompaniment to the excellent experience on offer at the museum.
In the Wilderness Arts and Literacy Collaborative pathway, Salvin and team teacher Sherry Bass pushed students to make their exhibitions interactive: After a unit focusing on northern California geology, immigration, and migration, students completed projects integrating painting and poetry with history and geology.
Prof. Berndt's lecture will focus on three aspects: 1) the ir / relevance of traditional Japanese painting for contemporary manga; 2) manga museums compared to recent manga exhibitions in Japanese art museums; and 3) the unilateral interest in manga by contemporary artists such as Murakami Takashi and Aida Makoto.
Several museum exhibitions are focusing on his influence in painting, photography, film, performance, and more Read More
It may be sheer coincidence, but exhibitions at the Brooklyn Museum and the Kunsthalle Vienna this autumn both focus on the women artists who were identified with Pop art, while an exhibition at the Jewish Museum in New York tackles a related subject: painting and feminism (with a bit of Jewishness thrown into the mix).
Julia White, our senior curator for Asian art, is organizing three consecutive exhibitions beginning in July — one focusing on historical Chinese painting, one focusing on historical Japanese art, and another on historical Indian art.
In the introduction to her much - needed and admirable exhibition Black Paintings at Haus der Kunst, Munich (2006), Stephanie Rosenthal states that the creation of these paintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state&raPaintings at Haus der Kunst, Munich (2006), Stephanie Rosenthal states that the creation of these paintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state&rapaintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state» (2).
Coming across Drexler's paintings singly, or even in solo gallery shows, doesn't prepare you for the chromatic intensity of her canvases, especially the mid-1960s paintings, which were the main focus of the exhibition.
Organized in partnership with the Art Gallery of Ontario (AGO), supported by the Estate of Jean - Paul Riopelle in Montréal and the Joan Mitchell Foundation in New York, the exhibition will focus mainly on large - format paintings from French, Canadian and American private and museum collections.
The exhibition focuses on this most saccharine hue in various media including: painting, sculpture, photography, video, drawing and assemblage by both established and emerging artists.
His first exhibition at the gallery's London space, focusing on paintings from the 1980s, opens in September.
Hirst's «Kaleidoscope» painting, «The Kingdom of the Father» (2007) is included in this major exhibition of work focusing on our relationship with wildlife and nature.
Raphael Rubenstein's strong interest in painting is manifested though this exhibition catalogue, which «focuses on New York painting in the 1980s as practiced by a generation born between 1939 and 1949.»
Michelangelo Pistoletto and filmmaker, Chiara Messineo, will be in conversation, discussing topics including the Terzo Paradiso and the artist's exhibition of new mirror paintings at Simon Lee Gallery, focused around the subject of shelves.
While the first exhibition in 2008 * focused on the iconic Estate Paintings, White Abstracts and History Paintings which established Coventry's reputation in the 1990s, Works 2002 - 2009 will include an extraordinarily wide range of work, much of it overtly figurative, including major new works that have never before been exhibited.
Organized in partnership with the Musée national des beaux - arts du Québec, supported by the Estate of Jean - Paul Riopelle in Montréal and the Joan Mitchell Foundation in New York, the exhibition will focus mainly on large - format paintings from French, Canadian and American private and museum collections.
This tightly focused exhibition considers the significant ways in which Bridget Riley has been influenced by the work of Georges Seurat, revealing how her innovative style of painting is rooted in the art of the past.
The first major exhibition of Morandi's later work in America since the acclaimed 2008 retrospective at the Metropolitan Museum of Art, New York, the show will focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and painting.
The presentation in Los Angeles marks the first exhibition of Hartley's work in Southern California in over thirty years, and the first focused exhibition of Hartley's Berlin paintings in the United States since they were created.
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
With a focus on works from the period between their first meeting in 1955 until their separation in 1979, the exhibition shows how Mitchell and Riopelle, who lived together in Paris, then in Vétheuil in the Seine valley, developed unique but related bodies of work while they were engaging in a vigorous exchange about abstraction and painting.
Seeing the World Within is the first exhibition to focus on the groundbreaking paintings Seliger created during the first decade of his career, and the first museum - organized exhibition of Seliger's work in 30 years.
Bellan - Gillen's paintings, prints and drawings have been the focus of over 35 solo exhibitions across the U. S., including venues in Washington DC, Chautauqua, NY, Las Cruces, NM, Albany, NY, Bloomington, IL, Nashville, TN and Portland, OR.
This event has been organized in conjunction with The Barnes Foundation's exhibition Yinka Shonibare MBE: Magic Ladders.Nigerian - born, London - based Yinka Shonibare's first major Philadelphia exhibition since his artist residency at the Fabric Workshop and Museum in 2004 includes works of sculpture, photography, painting, and installation, with a focus on themes of education, enlightenment, and opportunity.
Bellan - Gillen's paintings, prints and drawings have been the focus of over 35 solo exhibitions across the U.S., including venues in Washington DC, Chautauqua, NY, Las Cruces, NM, Albany, NY, Bloomington, IL and Portland, OR.
After her contribution in various theatre productions she focusses on painting since 1992, her works were shown in various solo and group exhibitions in Zürich, Basel, Hamburg, Wien, Berlin.
Focusing on her optical paintings from the 1960s, the exhibition includes several works that have not been exhibited in four decades.
Although the 2012 retrospective at Tate Modern was rapturously received, bringing with it a renewed reminder of the power of early works such as The Physical Impossibility of Death in the Mind of Someone Living and Mother and Child, Divided, recent exhibitions have been panned — Schizophrenogenesis was condemned for coasting on past glory, while 2012's painting - focused Two Weeks, One Summer received scathing one - star reviews — and there is a nagging sense that these days his art can resemble a factory production line, with endless copies of his popular «spot» paintings churned out in the name of brand recognition.
Focusing on works from the 1980s and a period of color - saturated paintings, this is a sequel to both the 2003 retrospective at the Institute of Contemporary Art and Locks Gallery's last Andrade exhibition in 2004.
ICA's exhibition will focus on paintings from 1963 through 1986: a period when Andrade followed a distinctly optical course, and one which historically coincides with Op Art, Minimalism, and Pattern and Decoration Painting — movements in art that relate to the pure pursuit of geometric and abstract design.
Focusing on the relationship with his friend and fellow artist Marcel Broodthaers, as well as artists ranging from George Condo, Gavin Turk and David Altmejd, the exhibition explores the way Magritte set into motion the concept of the «trashing of painting by painting itself», an idea still wilfully prevalent in art today.
Published on the occasion of the major exhibition at David Zwirner in London, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past 50 years, focusing specifically on her recurrent use of the stripe motif.
In 2014 they set up two exhibition spaces, Art House in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this articlIn 2014 they set up two exhibition spaces, Art House in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this articlin Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this articlin Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this article.
The exhibition focuses on Gauguin's world - famous paintings he created in Tahiti, complemented by diverse self - portraits and paintings from the time he spent in Brittany.
Focusing on elements of chance, play and the marvelous in DeFeo's work, the exhibition brings together paintings, photographs, collages and works on paper to reveal how DeFeo's art often aligns with Surrealist attitudes.
The exhibition focuses on the most extraordinary painting of a stone ever created in China: Wu Bin's Ten Views of a Lingbi Stone (1610), a Ming dynasty handscroll comprising 10 separate views of a single stone from the famous site of Lingbi, Anhui Province.
Inspired by the painting The White Slave featured in the exhibition Kehinde Wiley: A New Republic, curator John Henry Rice will lead a gallery talk focusing on painted portraits in the museum's South Asian collection.
The current show, focusing on new work and including two major early paintings, is Burkhart's third solo show with the gallery and his first one - person exhibition in New York in 22 years.
Shaw uses a focus on the over-arching themes of fallibility — fallen heroes, collapsed economies, and political figures — to center his exhibition around a series of large - scale paintings begun in 2004 on old, cut - apart theatrical backdrops.
Her solo exhibition, Cecilia Vicuna, at England & Co in May / June 2013 focused on Vicuna's early paintings and the objects and book - works that she produced in London in the 1970s.
In this Tuesday Evenings presentation, Bradford is back to share insights into the paintings featured in her FOCUS exhibition, as well as other works and the enduring path of her practice as a devoted painter and longtime member of the New York art communitIn this Tuesday Evenings presentation, Bradford is back to share insights into the paintings featured in her FOCUS exhibition, as well as other works and the enduring path of her practice as a devoted painter and longtime member of the New York art communitin her FOCUS exhibition, as well as other works and the enduring path of her practice as a devoted painter and longtime member of the New York art community.
In 2013 the Scottish National Gallery, Edinburgh, organized No Foreign Lands, a critically lauded exhibition focused on recurrent motifs in Doig's paintings; the exhibition later travelled to Musée des Beaux - Arts de MontreaIn 2013 the Scottish National Gallery, Edinburgh, organized No Foreign Lands, a critically lauded exhibition focused on recurrent motifs in Doig's paintings; the exhibition later travelled to Musée des Beaux - Arts de Montreain Doig's paintings; the exhibition later travelled to Musée des Beaux - Arts de Montreal.
Japanese artist Tetsuo Mizù, in his first solo exhibition in Hong Kong at Whitestone Gallery, presents a welcomed deviation from more traditional depictions of the subject with paintings that focus on the storied practice of international maritime flags.
Their exhibition in the Belle Shenkman room at the Royal Academy, Painting From Life — Painting Their Life, is the latest in our Academicians in Focus series.
While I understood Ha's work on an intuitive level at the time of the exhibition, it was not until my visit to the artist's studio in the winter of 2008 that I began to fully grasp the depth of his earlier burlap and barbed - wire paintings, not only as signs of military repression made evident during the late 1970s, but also as spiritual works focused on transformation and resistance that could be read as icons of the human condition.
This focused exhibition is an opportunity to better understand and appreciate an important painting in the Museums» collection and its relationship to one of Motherwell's most significant bodies of work.
Published on the occasion of Bridget Riley's major exhibition at David Zwirner in London in the summer of 2014, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past fifty years, focusing specifically on her recurrent use of the stripe motif.
Paul Resika is now the focus of two exhibitions in Manhattan: at Lori Bookstein's Chelsea gallery, which opened Thursday night (and which I haven't had the chance to see yet), featuring his new paintings, and downtown on the Lower East Side, where Steven Harvey Fine Art Projects is holding a «microspective» titled Paul Resika: 8 + 8, 8 Paintings from 8paintings, and downtown on the Lower East Side, where Steven Harvey Fine Art Projects is holding a «microspective» titled Paul Resika: 8 + 8, 8 Paintings from 8Paintings from 8 Decades.
In this RA exhibition, she focuses on landscape, a category of painting closely tied to the RA's past championed by the likes of Thomas Gainsborough, J.M.W. Turner and John Constable.
The exhibition «In Different Ways» at Almine Rech Gallery focuses on how artists have developed unique techniques — at times diverse within their own oeuvres — using a brush, airbrush, spray paint, silkscreen and even pouring paint, collaging a range of materials, questioning canvas and wood support structures, or a combination of these processes.
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