The three large
paintings in the exhibition mark Whitten's turn away from the overtly figurative to a form of subliminal figuration.
The three monochromatic
paintings in this exhibition mark the newest works on canvas by the artist, each using gloss line on a matte background.
Not exact matches
Kessler writes that the
exhibition «is not only about a group of
Mark Rothko
paintings done at the peak of his career, but it's also about an ingenious restoration technique — a way to restore the color of these faded murals via non-invasive digital projections... The
exhibition features a much - damaged five - panel mural that Rothko was commissioned to make
in 1961 - 62 for the penthouse dining room of Harvard University's Holyoke Center... 38 studies for the murals... And, presented here for the first time, a sixth [undamaged] mural which was
painted for the commission and held
in reserve until Rothko decided which five
paintings he wanted for the final installation.»
Opening:
Mark Reynolds at Pierogi Geometer
Mark Reynolds» first
exhibition of drawings reflects the artist's lifelong commitment to «drawing and visually constructing geometries,» according to a release,
in the styles of geometric abstraction, hard - edge
painting, minimalism, and others.
Tamar Zinn finds comfort from current events
in three abstract
painting exhibitions:
Mark Rothko: Dark Palette at Pace Gallery, New York (through January 7), Carmen Herrera: Lines of Sight at the Whitney Museum (through January 9), and Agnes Martin at the Guggenheim Museum (through January 11).
Aboudia — Light & Dark, the third
exhibition in the Light & Dark series, presents the vivid
paintings and collages of Aboudia, which blend traditional African and modern Western art with graffiti - style
mark making.
This
exhibition of
paintings, sculptures and drawings
marks the London debut of American artist Justin Almquist, who was born
in Minneapolis
in 1976, received his BFA at Pratt Institute, New York
in 1998 and his MFA at the Academy of Fine Arts
in Munich
in 2010.
Mark Dagley is equally renowned for being a publisher and for playing guitar
in the seminal punk bands the Girls and Hi Sheriffs of Blue during the 1970s and»80s, but given the strength of his current
exhibition, he should be best known for being a reductive abstractionist — that is, an abstract artist who approaches
painting through its most basic means and language.
In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CS
In this two - venue
exhibition,
paintings by renowned contemporary American artist
Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected
in collaboration with Bradford will be on view here at CS
in collaboration with Bradford will be on view here at CSM.
by Nadiah Fellah Humor and irreverence
mark Chicago artist Scott Reeder's new
exhibition of
paintings and sculptures at Lisa Cooley
in New York.
Dominique Lévy is pleased to present an
exhibition of Pat Steir's
paintings in London,
marking the artist's first solo
exhibition in the city
in twenty - six years.
Lesley Heller Workspace, New York, NY Claxons (four - person
exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person
exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person
exhibition) Organized by Nana Kipiani
in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person
exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person
exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person
exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person
exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone,
Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person
exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person
exhibition) The Whole World
in a Small
Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY
Kerry James Marshall: Look See, an
exhibition of new
paintings by the artist,
marked his first gallery solo show at David Zwirner
in London that same year.
Marking the first - ever museum
exhibition of Rose Wylie's work
in Spain, Rose Wylie: Hullo, Hullo... at CAC Málaga, Centro de Arte Contemporáneo de Málaga presents twenty - nine
paintings.
The
exhibition makes the most of Tate St Ives» expansive new display areas to show a number of Heron's large - scale
paintings, and
marks the evolution
in his visual language, aesthetic sensibility and practice.
Rothko to Richter:
Mark - Making
in Abstract
Painting from the Collection of Preston H. Haskell has been made possible by generous support from Susan and John Diekman, Class of 1965; the Bagley Wright, Class of 1946, Contemporary Art Fund; the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; the Andrew W. Mellon Foundation; the Allen R. Adler, Class of 1967,
Exhibitions Fund; and the Judith and Anthony B. Evnin, Class of 1962,
Exhibitions Fund, and an anonymous donor.
This
exhibition marks the first historical survey to give a glimpse of Nicolas Carone's (1917 - 2010) range of accomplishments
in painting, drawing, and sculpture.
The presentation
in Los Angeles
marks the first
exhibition of Hartley's work
in Southern California
in over thirty years, and the first focused
exhibition of Hartley's Berlin
paintings in the United States since they were created.
His first solo
exhibition, at the Lefevre Gallery received critical acclaim
in 1944, followed by a number of hallucinatory, finely -
painted portraits that
marked him as an artist to watch.
117 2014 — The Figure:
Painting, Drawing and Sculpture — Contemporary Perspectives, Skira Rizzoli 2014 — Visual Intelligence, Catalog Essay, Accesso Galleria Pietrasanta 2014 — Review: David Humphrey, ARTPULSE, NO. 21, Vol 5, 2014 2014 — MFA Catalog Intro, New York Academy of Art 2013 — Living and Sustaining a Creative Life: Essays by 40 Working Artists, Intellect Books, p. 152-156 2013 — Urbanfuse Berlin, Catalog Essay, Janine Bean Gallery 2013 — From Beijing, Catalog Intro, New York Academy of Art 2013 — Wildscapes, Mario Davalos, Book Prologue 2006 — Low, Dishonest Times,
In Conversation, Laurence Hegarty, Cynthia Broan Gallery 2006 — Uprising, Catalog Essay, LMCC / Parsons The New School For Design 2005 — Primed, Catalog Essay, Parsons The New School 2005 — Stories, Amy Bennett, Catalog Essay, Linda Warren Gallery 2003 — The Burbs, Catalog Essay, DFN Gallery 2003 — Articulation and Iconography, Bryan LeBoeuf, Catalog Essay, FishTank Gallery 2003 — Ceramics Art and Perception, Referencing, Susan Budge, Issue 53 2003 — Reconstruction, Space Invaders, Catalog Essay, FishTank Gallery 2001 — Manchildren,
Mark Mennin, Catalog Essay, Howard Yezerski Gallery 1987 - 88 — Flash Art Magazine, NY Staff Critic, Two
Exhibition Reviews Monthly 1986 — Flash Art Magazine, Published Interview with Ross Bleckner
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York
Exhibition, One Art Space, New York, NY Inaugural
Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY
Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis
Exhibition, Organized
in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA
Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY
Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture
Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis
Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY
Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015
Painting Fellowship, New York Foundation for the Arts
SELECTED GROUP
EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract
Painting with
Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA
Painting Now and Forever: Part II, Matthew
Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High
in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berl
in Getting Low, John Connelly Presents, New York Nina
In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berl
In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin
EXHIBITION Mark Bradford @ Hirshhorn Museum, Washington, D.C. (November 2017): Los Angeles - based artist
Mark Bradford will take full advantage of the unique cylindrical structure of the Hirshhorn Museum and Sculpture Garden
in Washington, D.C., installing a suite of site - specific
paintings on the second floor of the Smithsonian museum where the work will occupy the entire circumference of the curved galleries.
In his 2012
exhibition at the Matthew
Marks Gallery, Cricket Music, Tessellation Figures & Notebook, 11 large - scale, richly hued, and layered
paintings create complex patterns and grids.
Paintings by
Mark Grotjahn
in the
exhibition «Forever Now» at the Museum of Modern Art
in 2014, from left: «Untitled (Circus No. 1 Face 44.18),» 2012; «Untitled (Circus No. 3 Face 44.20),» 2013; «Untitled (Circus No. 6 Face 44.22),» 2013.
Natasha Kurchanova:
Mark, I am interested
in the beginning of your career as an artist because I would like to trace the transition between
painting,
in which you majored at Stanford University, and puppetry, which you started doing almost immediately after your first
exhibition.
The
exhibition catalogue includes essays by James Rondeau; Douglas Druick;
Mark Pascale, associate curator, prints and drawings, Art Institute of Chicago; Richard Shiff, Effie Marie Cain Regents Chair
in Art, University of Texas - Austin; Barbara Rose, noted Johns scholar; and Kelly Keegan, assistant
painting conservator, and Kristin Lister, conservator of
paintings, Art Institute of Chicago; as well as an interview with the artist by Nan Rosenthal, senior consultant, Department of 19th - Century, Modern, and Contemporary Art, Metropolitan Museum of Art, New York.
A separate catalogue
in the language of each country, all published ast «No. 8»; Robert Goldwater, Bryan Robertson, Peter Selz,
Mark Rothko, A Retrospective
Exhibition of
Paintings, 1945 - 1960, London: Whitechapel Art Gallery, 1961, no. 23 (not shown); Robert Goldwater, Peter Selz, and Emilio Villa (
in Dutch and French),
Mark Rothko, Amsterdam, Stedelijk Museum, 1961, no. 23; Peter Selz,
Mark Rothko, Palais des Beaux - Arts, Brussels, 1962, no. 23; Roberth Goldwater and Peter Selz,
Mark Rothko, Kunsthalle, Basel, 1962, no. 23; Palma Bucarelli,
Mark Rothko, Galleria Nazionale d'Arte Moderna, Roma, 1962 (not shown); Peter Selz,
Mark Rothko, Musee de'Art Monderne de la Ville de Paris, Paris, 1963, no. 19.
Recent
exhibitions include: Paris - New York: IL LEE, Galerie Gana - Beaugourg, Paris, France (2005); Next Next Art, curated by Dan Cameron, Brooklyn Academy of Music, Brooklyn, NY (2004); IL LEE: New Drawings and
Paintings, Art Projects International, New York, NY (2004); Open House: Working
in Brooklyn, curated by Charlotta Kotik and Tumelo Mosaka, Brooklyn Museum of Art, Brooklyn, NY (2004);
Marking: Drawings by Contemporary Artists from Korea, The Korea society, New York, NY (2003); and New Acquisitions, National Museum of Contemporary Art, Seoul, Korea (2002).
In this overdue exhibition, Toroni has cunningly hung twenty - five square paintings from 1987, each one marked with fourteen orange strokes, at the height of the gallery's mezzanine: in the main space, the canvases are a tick below eye level, while in the upper space they're propped against the wall, as they rest on the floo
In this overdue
exhibition, Toroni has cunningly hung twenty - five square
paintings from 1987, each one
marked with fourteen orange strokes, at the height of the gallery's mezzanine:
in the main space, the canvases are a tick below eye level, while in the upper space they're propped against the wall, as they rest on the floo
in the main space, the canvases are a tick below eye level, while
in the upper space they're propped against the wall, as they rest on the floo
in the upper space they're propped against the wall, as they rest on the floor.
The
paintings on
exhibition are
marked by an action of making so patently visible as
marks, daubs and strokes of colour on the surface that the making and seeing of the scene are brought together
in the
painting.
This is the perfect starting point for an appreciation of the works on view
in the current
exhibition, which rely on white
in so many ways, from background to foreground, canceling the blacks and greys underneath and providing the
Mark Tobey - like highlights of the large - scale
paintings.
Pace will inaugurate 6 Burlington Gardens
in October with Rothko / Sugimoto: Dark
Paintings and Seascapes, an exhibition juxtaposing Mark Rothko's late black and grey paintings with Hiroshi Sugimoto's contemporary photographs of the horizon line where sea m
Paintings and Seascapes, an
exhibition juxtaposing
Mark Rothko's late black and grey
paintings with Hiroshi Sugimoto's contemporary photographs of the horizon line where sea m
paintings with Hiroshi Sugimoto's contemporary photographs of the horizon line where sea meets sky.
Working primarily
in photography, this
exhibition of new
paintings, including «Soundlessness» (2016),
marks a new direction for LORNA SIMPSON.
At a time when we are immersed
in a cacophony of media images and sounds, and live
in a climate of anxiety often provoked by invisible and abstract adversaries, the four fundamental expressive art forms —
painting, sculpture, installation and performance — are amalgamated over the course of the
exhibition, with contributions from Philippe Parreno, Adel Abdessemed, Roni Horn, David Hammons,
Mark Grotjahn, Marlene Dumas and many more.
Hume's first one - person
exhibition at Matthew
Marks Gallery,
in 1992, his first
in the United States, included five of his signature Door
paintings.
Interestingly,
marks very similar to the 1970s Brushstroke
paintings showed up
in Reed's
exhibition of recent work at Peter Blum Gallery
in New York
in 2016.
In this issue we take a look at some of the major
exhibitions on show this winter that we feel you ought not to miss, we find out what Simon Bayliss thought of the
paintings at this year's Frieze, and Bernhard Gaul asks German painter and stage designer
Mark Lammert about theatre and
painting.
The
exhibition opens on 19th April and
marks the launch of Gallery Odyssey
in Mumbai and includes sculptures ranging on a vast scale
in multiple mediums and acrylic
paintings.
But if we look at Guston's abstractions done at about the same time as Carone's
paintings in this
exhibition, we see
mark making and vestiges of mimetic images jostling for ascendancy.
He
marked the shift with his first foray into figurative
paintings, which made up half of the eight works
in the
exhibition.
These
paintings are not well known and they haven't been exhibited
in a long time, if at all — the show
in Paris
marks the very first
exhibition for several works, including First Creatures [1959] and Untitled [1959 — 60].
Recent major
exhibitions have included
Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian Gallery, NY, 2013); Making
Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Helen Frankenthaler: Composing with Color:
Paintings 1962 — 1963 (Gagosian Gallery, NY, 2014); Giving Up One's
Mark: Helen Frankenthaler
in the 1960s and 1970s (Albright - Knox Art Gallery, Buffalo, NY,
in cooperation with the Helen Frankenthaler Foundation, 2014 — 2015); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum at Brandeis University, 2015); Line into Color, Color into Line: Helen Frankenthaler,
Paintings, 1962 — 1987 (Gagosian Gallery, Beverly Hills, 2016); As
in Nature: Helen Frankenthaler
Paintings and No Rules: Helen Frankenthaler Woodcuts (The Clark Art Institute, Williamstown, MA, 2017); and Helen Frankenthaler: After Abstract Expressionism, 1959 — 1962 (Gagosian Gallery, Paris, 2017).
Matthew
Marks is pleased to announce an
exhibition of new
paintings by Gary Hume
in the second floor gallery at 1018 Madison Avenue.
2008 Abstract
Painting, Galería Javier López, Madrid Joseph Albers, Donald Judd, Peter Halley, Galerie Thomas, Munich
Painting: Now and Forever, Part II, Matthew
Marks Gallery, New York Weight Watchers, Galerie Xippas, Paris The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, The National Gallery of Art, Washington, DC (catalogue) Summer
Exhibition, Waddington Galleries, London Out of Storage I: Chosen
Paintings from the Collection, Mudam Musée d'art modern Grand - Duc Jean, Luxembourg Indian Winter, Albert Baronian Gallery, Brussels Totally Rad: New York
in the 80s, Paul Kasmin Gallery, New York The Big Bang, Museo Carlo Bilotti, Rome, Italy (catalogue) Abstract Vision, Thomas Ammann Fine Art, Zurich (catalogue) Collecting Collections, The Museum of Contemporary Art, Los Angeles Modern Prints: Classic Modern to Pop Art, Galerie Proarta, Zurich
Produced
in 1995 for Brice Marden's
exhibition of
paintings and drawings at Matthew
Marks Gallery (522 W 22 Street) this poster features a Nan Goldin photograph of Marden working
in his studio
in Eagles Mere, Pennsylvania.
Robert Miller Gallery's represented artist
Mark Fox spoke with the Houston Chronicle about his residency at Giverny, the estate
in France where Claude Monet created his water - lily
paintings, and current
exhibition at Hiram Butler Gallery.
A number of significant benefit
exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print
exhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and Jan
exhibition at the Kornblee Gallery
in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L.
in 1981, shown at Leo Castelli; the «25th Anniversary
Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and Jan
Exhibition,» jointly shown at Brooke Alexander and Leo Castelli
in 1988; the «30th Anniversary
Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and Jan
Exhibition of Drawings» at Leo Castelli
in 1993; «Prints» at Brooke Alexander
in 1995; «Drawings & Photographs» at Matthew
Marks Gallery
in 2000; «Clarissa Dalrymple's
Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and Jan
Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan
in February 2006, «Posters:
Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and Jan
Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery
in December 2006, «Photographic Works:
Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and Jan
Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie
in December 2008, «
Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin
in December 2010 and January 2011; «Artists for Artists: 51st Anniversary
Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and Jan
Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew
Marks Gallery
in December 2014 and January 2015; and «65 Works Selected by James Welling:
Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and Jan
Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner
in December 2016 and January 2017.
«Homemade Tattoo,» the second
exhibition of
paintings by Carolyn Case at Asya Geisberg Gallery
in Chelsea,
marks my introduction...
Selection: FFWD Archives, Kunstverein
in Hamburg, Hamburg, Germany After the Fall: Aspects of Abstract
Painting Since 1970, Newhouse Center for Contemporary Art, Staten Island, NY Pop Abstraction, Pennsylvania Academy of Art, Philadelphia, PA (brochure)(re) Mediation: The Digital
in Contemporary American Printmaking, University of South Florida Contemporary Art Museum, Tampa, FL
Painting: Now and Forever, Part I, Pat Hearn Gallery and Matthew
Marks Gallery, New York An
Exhibition of
Paintings, Gagosian Gallery, Beverly Hills, CA The Eighties, Culturgest, Lisbon