Sentences with phrase «paintings in this show titled»

Not exact matches

Titled by the name of the always - grand rock group Nirvana, «Smells Like Teen Spirit», Mango's new lookbook shows Julia rocking denim shorts, capris with ripped knees, denim jackets and pants all splashed with colorful paints, «70s inspired button up jean skirts and denim overalls, which are the most desirable in the line.

1940 Oldsmobile fuel: gas paint color: black title status: clean transmission: manual 40 Olds Business Coupe Mostly an original car (all the parts not show in the picture I HAVE).

Opening: Alberto Burri at the Guggenheim This exhibition, titled «The Trauma of Painting,» represents the first U.S. survey in over 35 years — and the most comprehensive show — of the works of post-World War II Italian painter and sculptor Alberto Burri.

His work was last shown at P.S. 1 in 1980 in an exhibition titled Pattern into Painting.

For 2015 BOS I've invited two dear painter friends, Scott Robinson and Meredith Hoffheins, to show new paintings with me in a presentation we've titled, Land Ausländer (which roughly translates to «foreign country» or «land alien»), because the three of us each incorporate abstract forms into a physical or imagined environment in our work.

The title of the show is attributed to English Pre-Raphaelite artist Sir Frederic Leighton's famous classist painting Flaming June (1895) which portrays a sleeping woman in a vibrant orange gown.

In the painting shown below, titled Guitar, the artist creates an oscillating mathematical rhythm, creating the illusion of movement as the patterns collide in the center of the worIn the painting shown below, titled Guitar, the artist creates an oscillating mathematical rhythm, creating the illusion of movement as the patterns collide in the center of the worin the center of the work.

Titled «Six Days in September» it shows Hoyland making an entire painting over the course of six days.

Aruna D'Souza's new book Whitewalling: Art, Race & Protest in 3 Acts (Badlands Unlimited) presents, in reverse chronology, three events that sparked protest against racism at New York art institutions: the inclusion of Dana Schutz's painting of Emmett Till in the 2017 Whitney Biennial, the white artist Donald Newman's solo show titled «The Nigger Drawings» at Artists Space in 1979, and «Harlem On My Mind,» an exhibition of all - white artists at the Metropolitan Museum of Art in 1969.

In 1966, several years after his stark, expansive «black paintings» stole the show in a group exhibition at New York's Museum of Modern Art titled «Sixteen Americans,» Frank Stella said of his work, «What you see is what you see.&raquIn 1966, several years after his stark, expansive «black paintings» stole the show in a group exhibition at New York's Museum of Modern Art titled «Sixteen Americans,» Frank Stella said of his work, «What you see is what you see.&raquin a group exhibition at New York's Museum of Modern Art titled «Sixteen Americans,» Frank Stella said of his work, «What you see is what you see.»

Just in time for Halloween, Victoria Miro in London is showing a new body of bronze sculptures and paintings 2 years in the making, simply titled «Pumpkins».

Carmen Neely titled the eight paintings in her first New York solo show after phrases she had recently heard («Just got ta caress it a little,» «Don't just hope it!

Contributed by Leora Lutz «Lampblack» (and the show title of the same name) is a new perfume created by Bruno Fazzolari in conjunction with a series of small, abstract paintings on appropriated...

On May 5th Gallery Poulsen in Copenhagen will open a new solo show by Nicola Verlato titled New Methodological Foundations for Contemporary Painting.

The exhibition features three paintings by the same title where the obese nude model is shown from a high angle, asleep in various poses.

The 2017 work that gave the show its title was a wooden panel covered in white automotive paint with an iron bar jammed through it.

The title of the show references the electric color phthalo blue or Phthalocyanine, a synthetic pigment that Lozano favors in his paintings for its brilliant and intense quality intended to create a euphoric mood in the space.

The «gesture» in the show's title is shorthand for the term Action Painting, coined by Rosenberg to describe the calligraphic brushstrokes — and, by extension, the existential angst — of AbEx's embryonic phase in the early 1940s.

In High Wire, the painting that lends its title to the show, the two - step of warm and cool keeps the cobalt blues and bubblegum pinks (shades of Philip Guston) on their toes.

In stark counterpoint to the New Museum's wryly titled Younger Than Jesus show featuring artists under 33 years old, Cheim & Read is exhibiting the Abstract Expressionist paintings of seventy - year - old Louise Fishman, an artist who has been dedicated exclusively to painting for over fifty years.

Mining his source imagery from the internet — jpegs of a happy dolphin and Catwoman licking her paw among them — McKinniss paints his subjects in slick oils, incorporating into each work the versatile purple pigment Egyptian Violet, which has inspired the show's title.

Highlights include the video Pasa Tiempo (Pastime), which shows the artist stitching an airplane on her hand to express the Cuban peoples desire to travel, and a series of three paintings titled Degradación (Degradation) that is made from fragments of paint that Ms. Quiñones has peeled from the facades of deteriorating buildings in old Havana.

Each painting included in Thomas Lawson's new show is titled with a Dis - word: Disconnected, Disastrous, Displacement, Disillusionment, suggesting a sense of uncertainty and shift.

Ms. Hughes's current show, aptly titled «Same Space Different Day» at Rachel Uffner, is also installed in a windowless room and the paintings are lush, captivating, jubilant and somewhat utopian.

When he paints Remains at the Site of the Old Military Cemetery in the show's two most recent works, every word in the title conveys abandonment but at, of, and the.

The show's title was borrowed from a series of paintings the artist made in the 1990s.

In SHARAKU (date unknown), for instance, the length of the title and range of letters used have resulted in one of the more colorful paintings in the show, with multiple different shapes and hues dancing across the canvaIn SHARAKU (date unknown), for instance, the length of the title and range of letters used have resulted in one of the more colorful paintings in the show, with multiple different shapes and hues dancing across the canvain one of the more colorful paintings in the show, with multiple different shapes and hues dancing across the canvain the show, with multiple different shapes and hues dancing across the canvas.

The title of Susan Lichtman's first solo show in New York City, In My House, tells you, simply, what her paintings are abouin New York City, In My House, tells you, simply, what her paintings are abouIn My House, tells you, simply, what her paintings are about.

Her show's title alone, «Some Differences,» sounds designed to let painting speak for itself, although some may think of gender and women in postwar abstraction.

An announcement for Saalburg's show there reproduced a painting titled Tobacco in Chromo, a burlesque of cigar - box art presided over by a stylized cigar - box Indian.

The theme of her second show at this staunch German gallery (a favorite for painting fans) is hinted at in the playful title «Fight in an Elevator.»

He is currently in a traveling show titled 50 Years of Hyperrealistic Painting that was showcased in a number of venues including: Museum Thyssen - Bornemisza in Madrid, Birmingham Museum & Art Gallery, and Museo de Bellas Artes in Bilbao.

Of the paintings in the 1962 Corcoran Gallery show, she tells Phoebe Stanton: «I was trying to pit mass against void and make it look as though there were passages that went way back - that's why «crevice» is in so many of the titles» (Stanton, p. 15).

It was her now - famous large - scale painting from her M.F.A. thesis show at Parsons titled Class of 2007, which depicted her fellow classmates, who were all white, as black inmates, while Nina, the only black student in her class, painted herself as a gun - toting white prison guard with flowing blonde locks.

One of the largest exhibitions MoMA has ever lavished on an artist, the Polke show — titled «Alibis» — will serve as a vital introduction to his work (which most Americans have only seen in dribs and drabs) and help viewers understand how his early importation of Pop techniques helped shape the work of Kippenberger, Oehlen, and the other standard - bearers of visionary postwar German painting.

This important painting was not originally considered a portrait and was titled Man on Grey Couch when shown at Bacon's Tate Gallery retrospective in 1962.

Titled «Perspective on Land, Sea and Sky,» the show mixes almost harsh sketchbook drawings in ink by Porter (1907 - 1975) with saturated paintings by Dash (1931 - 2013) and landscapes by Freilicher (1924 - 2014) and Wilson (1924 - 2015) that play up their different approaches to landscape.

Several paintings from this time are of almost abstract forms repeated across the canvas, oriented only by the title, such as «Baumstamm — dithyrambisch» («Tree Trunk — dithyrambic», 1996), which shows what appears to be a tree trunk cut in quarters, painted in stark colours with distemper.

Earlier this month at Petzel Gallery's new location in New York, Seth Price executed an amazing show that consisted of various paintings and sculptures titled, «Folklore U.S.» Price has a sense of humor...

The earliest piece in the show is Swimming, Smoking, Crying (2009), whose title — through an evident nod to Philip Guston's 1973 masterpiece Painting, Smoking, Eating — suggests, albeit more indirectly, that this is another of Schutz's allegories of pPainting, Smoking, Eating — suggests, albeit more indirectly, that this is another of Schutz's allegories of paintingpainting.

200 %: The title could infer that a curator from Britain is going to show a Dutch audience: these are the hot names in British painting today.

In a text titled, «Post-War Reflection,» Kusama writes, «My Works are usually painted flat on undivided space so that each microscopic mass is followed by another and its surface has a concrete appearance when looked upon as a whole showing a group of remarkably vast masses.

The show centers around 130 paintings selected from a series titled «My Eternal Soul,» which the artist started producing in 2009 and is still in progress.

The painting is one of the more striking on view in the Norman Lewis retrospective, a 1953 abstract on untreated canvas, the title is unknown (shown above).

Faruqee applies and scrapes multiple, carefully computed layers of paint on linen - covered panels that result in «rainbows» and «bruises», as the show title suggests.

In Hume's new show one of the first things you see is She, which steals the title of one of the paintings that won Ofili the Turner Prize.

The painting that gives the show its title, Late America, was painted just after the American presidential elections; in it a young boy draped in an American flag looks over a naked older man lying in a fetal position at the edge of a pool as two day laborers work in the background.

The show took its title not only from T.J. Clark's The Painting of Modern Life: Paris in the Art of Manet and his Followers (1985) but also from The Painter of Modern Life (1863), Charles Baudelaire's great call for art to embrace the changes of modernity while keeping its distance.

Dengler is currently showing canvases adorned with both paint and needlepoint at the Thomas Duncan Gallery in Los Angeles, in a show with the tongue - in - cheek title «American Painting» (through June 20).

Nate Ethier's recent exhibit at LMAK is titled Wilderness, and the eight paintings in this show walk us through geometric abstraction's endless possibilities.