Sentences with phrase «paintings of crowds of people»

Taking one of his own 2015 paintings of crowds of people seen from the performance stage as the point of departure, his solo show «Distorted Happiness» at George -LSB-...]

Not exact matches

He also painted more than Lancashire — from Piccadilly Circus to the Lake District, he found similar crowds of people with the same dogged gait, walking determinedly into the wind, as if pulled by a magnet attracted to their caps.

With your COD argument, my rebuttal is this: I suppose that there are many people out there similar to the MK crowd who don't care that the only major difference between the new and old games are a coat of paint and some new maps here or there.

Too often these authors will take their own problems and try to make it an issue of «Us vs. Them» as if they speak for all authors... this in turn leads to people painting the entirety of the indie crowd in the same negative light.

Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.

Third visit during the full day ubud tours is visit Batuan village to see process making the traditional painting and see their collection, Batuan village is always become magnet for those like the fine art, the style of traditional painting in Batuan were often dark, crowded representations of either legendary scenes or themes from daily life, freakish animal monsters, and witches accosted people.

The Batuan paintings were often dark, crowded representations of either legendary scenes or themes from daily life, freakish animal monsters, and witches accosted people.

The pedestrian crowd dissipates as I walk through Chelsea and finally step into Miles McEnery Gallery to meet up with artist Brian Alfred for a look and talk about his current one - person show of 15 paintings and one animated video projection.

At the press opening, in the conservation studio that has a glorious floor to ceiling wall of glass on the Hudson (light, light, light), a kind and concerned professional explained: «We have put glass on many paintings for the first few months, because, having learned a lesson from the Tate Modern, we are expecting much larger and much different crowds from the old location, people who do not pay attention to their backpacks or care much about the art.»

Amy Cappellazzo of Sotheby's huddled in discussion with the dealer Barbara Gladstone; the Miami collectors Norman Braman and Martin Z. Margulies chatted in Luhring Augustine's booth; and people crowded into the private room off Thaddeus Ropac's booth to get a glimpse of a large Anselm Kiefer painting.

This is most apparent in his «crowd» scenes, where washes of paint simultaneously define and yet compete with the lines of the people.

His work often features crowds of people, blurred together or figures standing apart from one another, or in sequence, as in «Action Painting» throwing paint or objects out towards the viewer.

The room is full of people, a painted crowd.

«My paintings communicate the spirit of those around us; sometimes people on a crowded train and sometimes a beautiful, quirky animal (both of which seem to have a lot in common).

The sixties gave us oversized Frank Stella paintings and the song with the line «A crowd of people turned away»...

«We toured Leonardo da Vinci's Salvator Mundi around the world, and at every stop crowds of people were drawn to this painting, wanting to stand in front of the picture and experience it in person.

Now he has a spectacular show at the New Museum, called «Night and Day,» where crowds of people murmur quietly while respectfully examining his appealing paintings, drawings, and sculptures.

While works such as Group I, 1951 (Tate Gallery T02226) were concerned with crowds of people in public spaces, others like Bicentric Form, 1949 (Tate Gallery N05932) dealt with more intimate exchanges by the fusion of bodies in a way that anticipated the comparable painting Two Figures (Tate Gallery T03155).

How many people could fit in Matisse's studio, never mind the RA's Sackler Galleries, where the crowds will be joined by 65 of Matisse's paintings, sculptures, drawings, prints and cutouts, as well as 35 objects — African masks, a Roman torso, Chinese porcelains and North African textiles, many of which appeared in the artist's paintings.

«What a feeling it is to see a huge gallery overflowing, packed with people, all crowding in to catch a glimpse of our hardworking mother and her paintings,» Arthur wrote.

He is arguably best known for his figurative art deco paintings with people forming homogeneous crowds in identifiable scenes, possessing featureless faces as if their identities had been swapped with those of flattened manikins.

Paul the art saint, riding a bike with his ear painted red in Amsterdam; the blue puddles painter of Ponza; the Loisaida Duchamp whose admirers were crowding his loneliness: «I don't want people to be involved in my dream world,» Thek mused, «nor do I want to be involved in it myself.»

What a feeling it was to see this huge space overflowing, packed with people, all crowding in to catch a glimpse of our hardworking mother and her paintings.