Not exact matches
The goal in
painting these subjects so intimately
familiar to the artist is to provide the viewer with a tour
of his hometown neighborhood — a
place he refers to as occupying a «middle space», a uniquely American in - between
of poverty and middle class.
Ruby's spray
painted blocks and wall hangings seem to reference the aesthetic
of these 90's video game graphics that
place the viewer in this
familiar world where you're still a normal human, but, due to technological limitations, non-essential information, such as concrete walls, aren't highly rendered.
The landscapes look
familiar enough from Western
painting and Western narratives, for all their polar extremes — just as «Black Is the Color
of My True Love's Hair» is an American folk song, Kerry James Marshall has taken to the barber shop as the locus
of African American community, and blackness has a dark
place in America's history.
By
placing these works alongside prints by Peter Doig, with their haunting and mysterious evocation
of place, sculptures by Katja Larsson and
painting constructions by Ruth Solomons, whose practices are both dependent on the experimental, Digging Deeper not only references links in the intent and the processes between these four artists, it also attempts to offer deeper insights into the seemingly
familiar.
Each
painting contains a central object that acts to «trigger collective memory» and which builds a psychology within the image that makes it distantly
familiar, yet still out
of place.
His approach to exploring psychological concepts is highly abstracted and every
painting begins with metaphors relating to architecture — rooms, staircases, hallways: «These spaces are stretched and contorted, almost to the point
of becoming paradox illusions, to twist spaces that should be readily
familiar into
places that are fragmented and uncertain.»
With her new series
of paintings and drawings, Shurts continues her visual and psychological exploration
of familiar and imagined
places.
Young's reverse
paintings, rendered on the underside
of thick glass with automotive
paints, are investigations
of places and objects that are
familiar to us yet feel foreign.
Young's reverse
paintings, rendered on the underside
of thick glass with automotive
paints, are investigations
of places and objects that are
familiar to -LSB-...]
Using bold gestures in
paint, Porter addresses the specific character
of people,
places, and things as they are — from two matter -
of - fact yet tender
paintings of the family's Golden Retriever Bruno, to portraits
of his young daughters in the
familiar architecture
of their home, surrounded by furniture and furnishings that likewise become active members
of the scene.
Sam Wolfe Connelly is a New York - based artist, known for his
paintings and illustrations that are vivid renditions
of the unknown,
placed into surreal yet oddly
familiar domestic settings occupied by haunting figures.
Nine years later there is a new generation who is not
familiar with his work, and this exhibition gives everybody an opportunity to honor not only his
paintings and drawings but also his significant
place in the history
of art in Texas.
I think I find a similar dialogue taking
place in Fiona Rae's
paintings, only here the digital seems to be referenced more in the synthetic colours and the insertion
of manufactured collaged elements from childish popular culture, girly stationery, stickers
of cute cartoon pandas, her now
familiar mixing
of crass pop decor with the tropes
of Abstract Expressionism, that continues to have the power to jar, entertain, and provoke.