The 2016 Deadpool film broke data and changed into an astounding essential and industrial luck, particularly for an R - rated film, which is why many studios are actually satisfied R - rated comedian e book films can
paintings on a big scale.
Not exact matches
Since you create
paintings on very different
scales — backdrops for
big opera productions as well as your
paintings that show in galleries.
Based
on landscape imagery and flowers, her large -
scale paintings investigate the potential of
big, aggressive brushstrokes and vivid color to convey emotion.
So based
on his series Who's Afraid of Red, Yellow and Blue, I did a
big red Newman-esque
scale painting, with my palette knife - honed surface.
State University, Atlanta GA Juror Choice Award, Ninth Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ 2004 Self - Inflicted, Fe Gallery, Pittsburgh PA Flow, Sun Trust Plaza Gallery, Atlanta GA Rampant, Fe Gallery, Pittsburgh PA
Painted Realities, Lamar Dodd Art Center, LaGrange GA 2003 Film / Video GA, MOCA GA, Atlanta GA Animation Impulse: Video Art and the Generated Image, Cheekwood Museum of Art, Nashville, TN Animation Extravaganza, 27th Annual Atlanta Film Festival, Atlanta, GA Juror Choice Award, Seventh Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ Looks Good
on Paper, Second Edition, Spruill Gallery, Atlanta, GA 2002 Georgia Triennial, City Gallery East, Atlanta, GA Georgia Triennial, Museum of Arts and Sciences, Macon, GA 2002 Georgia Triennial, Telfair Museum of Art, Savannah, GA Georgia Triennial, Albany Museum of Art, Albany GA Wild Life: The Other Tradition, Polk Museum of Art, Lakeland FL 2001 Art and Science International Exhibition, National Gallery of Art, Beijing, China Hardware, Eyedrum, Atlanta, GA 2000 Do It, Atlanta College of Art Gallery, Atlanta, GA Cute, Georgia Museum of Art, University of Georgia, Athens, GA 1998 Boy Toys, Nexus Contemporary Art Center, Atlanta, GA
Scale, Relatively Speaking, Art in General, New York, NY 1997 My
Big Back Yard, Art in General, New York, NY
On view will be contact sheet of details for Big Nude, 1967, the inspiration for Close's first large - scale painting based on a photograp
On view will be contact sheet of details for
Big Nude, 1967, the inspiration for Close's first large -
scale painting based
on a photograp
on a photograph.
Max Hollein: His
paintings create a particular environment, and an important thing to say about his work is that people always comment
on the
scale, and I would say they misunderstand it as some kind of act of grandiosity, of wanting to do the
biggest scale of all.
Like his masters, Thomas Struth shot one - point perspective of empty, unpopulated scenes, sometimes of the streets in Düsseldorf, and later in his career made pictures
on a monumental
scale: The photos in his museum series are as
big as the
paintings they depict.
It's a
bigger space allowing him to
paint on a larger
scale and «get more space in the
paintings,» something he has been thinking about a lot, he says.
Here he comes again, the
big bruiser, with his outsize
paintings and that rampant, shoving, rucking, swiping brushwork that draws attention to itself (to himself)
on a
scale unparalleled since the early days of abstract expressionism.
RAIL: But there's a
big leap from that particular body of work, which is relatively small, to these blown - up fragments and details of Stuart Davis's
painting, printed
on a large mural, billboard
scale, then
painted over by you.
«Damaged,» is the artist's first
big show in his hometown for almost 10 years and will include over 200 works including
paintings, large -
scale sculptures, interactive installations, stencils, limited editions
on wood and metal — and there's even an accompanying newspaper called «The Damaged Times.»
Robert Devriendt: Unsolved Cases @ Marlborough Fine Art These miniature
paintings have a great cinematic quality to them, it's this contrast of projecting the
big scale of cinema
on to small canvases that is particularly striking.
So I took a figurative work and I said, «Well, I want a figurative
painting on the
scale of the Abstract Expressionists,» you know,
on a
big scale.
I don't want to make
bigger paintings than those in the show just to make
bigger paintings, but I think that I can discover more
on a larger
scale.
The younger women
painting big and powerful
paintings have a bit of a wry smile as they turn to working
on the
scale of the New York School.