Sentences with phrase «paintings on view as»

In the film, Feinstein refers to various paintings on view as he responds to questions posed by Holl and Fitzgerald, and as Fitzgerald states: «Sam's use of words was as great as his use of paint.»

Not exact matches

Aside from that, I think it depends on who's biography of Luther you read (regarding Luther's self - view); some paint him as a tortured soul, others as a man of his times who was (relatively) happy to be so prior to entering the monastery.

Phoenix went on to point out how the Church has often painted Mary Magdelene as a prostitute — in fact, Pope Gregory claimed she was a prostitute in 591 — and said he hopes the film provides a different lens for people to view women in the Church.

Relying on his prodigious fund - raising, he blanketed the state with television advertising, painting Mr. Astorino as a dangerous «ultraconservative» whose views on issues like abortion were unacceptable.

Using astrometric calculations of the elevations of the Milky Way as it would have been viewed from Kyoto on 17 September 1770, the researchers were able to calculate the geometry of the red aurora and check the results against the details from the Seikai painting and the diary.

It's the work of Baltimore born Maya Hayuk, «her paintings and massively scaled murals recall views of outer space, traditional Ukrainian crafts, airbrushed manicures, and mandalas» as I read later on the website.

The way that magic seems to be visualized as splotches of paint or inky plumes of smoke, the offhanded approach to the magic, and the emphasis on keeping with Harry's point - of - view, have all become hallmarks of the series.

However, his work was interrupted by the Korean War, for which he did two years service in Germany; his time there was mainly spent putting on Soldier Shows, which, as he would later remark, gave him his introduction to show business.While working on Venice, a 28 - minute documentary that juxtaposed contemporary views of the city with paintings by the masters, Ivory was introduced to art from India's golden age.

Sensational sequences abound, from a runaway rickshaw chase to a black, white and red hand - painted - looking «flashback», hyperrealistic water scenes and 3D» ed - to - the - max aerial views of the Battle Of Gongmen City, the solitary silhouette of Po poised (as iconically as Dirty Harry on the bridge) on a pagoda rooftop above Shen's dragonship.

Although it is painted as a show about rough bikers and drugs, once the first «layer» is removed (after several viewings) you are ultimately left with one of the best dramas on television.

On the sides of the Maruti Baleno, there are handles as well as outside rear view mirrors both of which, are painted in body color.

There are important works in the permanent collection (almost always on view) by Mondrian, Chagall, Picasso, and Warhol, as well as a large number of abstract paintings by Makevich, which are well - worth seeing if you have an interest in Russian avant - garde.

View traditional Balinese paintings as well as a variety of works by contemporary artists on display before returning by coach with drop - off at your hotel.

We viewed the spacious double bungalow and (less spacious) single room, and both semi-outdoor style ensuite bathrooms were almost as large as the rooms themselves with moss - covered coral walls and pretty hand - painted details on the stone washbasins.

Featuring such luxurious elements as a painted fresco above the bed's headboard, our opulent Junior suites are decorated in a combination of Regency, Empire and Louis XV styles, while certain suites offer magnificent views of Bernini's church of St. Maria della Vittoria on Via XX Settembre.

As part of the Backstory series, Richard Benari and Lauren Henkin invited me to share some thoughts on my recent paintings, on view at Elizabeth Harris Gallery, New York through March 28, 2015.

Seeing the way light bounces off high and low points on a painting as you shift your view is something that will be hard to reproduce, although eventually I think we'll get there.

With the exception of the influence Soutine had on a few social - conscious painters of the late» thirties, who had a short view of him as primarily a social satirist, he had practically no influence on American painting.

John Seed writes about a new triptych by painter Kyle Staver on view as part of the exhibition Kyle Staver: A Survey of Paintings and Prints on view at the Pennsylvania College of Art & Design through January 20, 2012.

As usual he has given a very clear and easy to follow class, but I just wish he had used some artistic license and moved the dark tree or even left it out that is behind the foreground tree on the right hand side as it is so dark my eye keeps going to it instead of into the picture I know it is in the photo but that doesn't mean every thing should go into the painting surely sorry just a personal viAs usual he has given a very clear and easy to follow class, but I just wish he had used some artistic license and moved the dark tree or even left it out that is behind the foreground tree on the right hand side as it is so dark my eye keeps going to it instead of into the picture I know it is in the photo but that doesn't mean every thing should go into the painting surely sorry just a personal vias it is so dark my eye keeps going to it instead of into the picture I know it is in the photo but that doesn't mean every thing should go into the painting surely sorry just a personal view

Eight Hartley paintings are on view, as well as a drawing.

Donald Moffett, whose paintings and prints are currently on view at the Blanton, discusses growing up in San Antonio, and his career as an artist and an activist based in New York with acclaimed novelist and art critic Jim Lewis.

A catalogue raisonné of the artist's paintings made between 1980 and 1999 was published last year as an accompaniment to a traveling retrospective, currently on view at the Renaissance Society in Chicago.

That message resounds in Jason Webb's acrylic paintings, on view as Bulk Collection, his solo debut at Austin's grayDUCK Gallery.

Selections from the CIBA Art Collection, Bertha and Karl Leubsdorf Art Gallery, City University of New York (September 13 — October 29) Abstract Works on Paper, Robert Miller Gallery, New York (July 19 — August 26) Drawings, Gerald Peters Gallery, Dallas (June 16 — July 23) Romantic Modernism, 100 Years, New Mexico Museum of Art, Santa Fe (June 4 — July 31) Reclaiming Artists of the New York School: Toward a More Inclusive View of the 1950s, Sidney Mishkin Gallery, Baruch College, City University of New York (March 18 — April 22) Recent Drawings Acquisitions: A Selection, Whitney Museum of American Art, New York (March 7 — May 18) The Brushstroke and Its Guises, New York Studio School of Drawing, Painting, and Sculpture, New York (March 7 — April 16) The Shaman as Artist / The Artist as Shaman, Aspen Art Museum, Colorado (February 10 — April 10) Group exhibition, Manny Silverman Gallery, Los Angeles (January 22 — February 26)

In the review of Hanson's works on view at James Cohan Gallery, Schwabsky commented that «These paintings can sweep you up into powerful rhythmic waves of color; only later does it dawn on you that they are filled with darkness as much as with ecstasy.

From Megan Marrin & Tyler Dobson's Postkartenständer (Postcard Stand, 2014), on which photo - realist selfie paintings were offered as postcards stacked among kitschy tourist views, to Allora & Calzadilla's Contract (SWMU 10)(2015), a huge silkscreen of the lush, tourist brochure - style palm trees printed over a Warholish sweep of grey paint (a sign of the silkscreen medium itself), representation was shown helplessly submitting to the production which makes it visible.

Paintings by Portilla are the subject of a solo show at Birnam Wood Galleries in Chelsea (closing today) with paintings continuing on view at the gallery's East Hampton location as part of a group show of galleryPaintings by Portilla are the subject of a solo show at Birnam Wood Galleries in Chelsea (closing today) with paintings continuing on view at the gallery's East Hampton location as part of a group show of gallerypaintings continuing on view at the gallery's East Hampton location as part of a group show of gallery artists.

Please join us on Saturday, May 19 at 2:00 p.m. to learn more about the creative inspiration, process, and techniques used by artist Lillian Bayley Hoover as she presents an Artist Talk focused on the series of oil paintings on display in her solo exhibit «In This World,» which is on view in the Kay Gallery through June 2.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

NEW YORK — Opening June 26, paintings by Philip Hanson and Rebecca Shore will be on view at David Nolan Gallery as part of a group exhibition of abstract paintings.

The subject matter may not be as compelling as Katz's earlier figurative work, but these paintings, on view through July 7, aren't about garden design or abstract composition.

On view at the Phillips Collection through May 2012 and organized by Easton as guest curator with the Van Gogh Museum's Edwin Becker, the Indianapolis Museum's Ellen W. Lee and Eliza Rathbone of the Phillips, «Snapshot» presents 70 paintings, prints and drawings by seven Post-Impressionists who were part of the Parisian avant - garde Nabis group — including Pierre Bonnard, Maurice Denis, Felix Vallotton and Vuillard, as well as the lesser - known artists George Hendrik Breitner, Henri Evenepoel and Henri Riviere — alongside over 200 of their photos, all taken on Kodak's first handheld camera, which was invented in 188On view at the Phillips Collection through May 2012 and organized by Easton as guest curator with the Van Gogh Museum's Edwin Becker, the Indianapolis Museum's Ellen W. Lee and Eliza Rathbone of the Phillips, «Snapshot» presents 70 paintings, prints and drawings by seven Post-Impressionists who were part of the Parisian avant - garde Nabis group — including Pierre Bonnard, Maurice Denis, Felix Vallotton and Vuillard, as well as the lesser - known artists George Hendrik Breitner, Henri Evenepoel and Henri Riviere — alongside over 200 of their photos, all taken on Kodak's first handheld camera, which was invented in 188on Kodak's first handheld camera, which was invented in 1888.

The Patrick Heron painting seems to dominate the room, as if it has a different aesthetic to all the other works on view.

On the other hand, it is viewed, derisively, as a dehumanized dead - end of painting.

In the exhibition, Collage as Painting: Kate Abercrombie and Trevor Winkfield, currently on view at Fleisher / Ollman Gallery, Abercrombie's paintings reflect the financial anxieties and desires I see in my neighbors, and in myself.

Important paintings on view from this period include Blue Cradle (1956) and Thursday (1960), which feature strong colors and gestures, as well as Crossfield I (1968), which hints at the final phase of Tworkov's career in its grid - like structure and layered lines.

Using a variety of processes that include painting, sculpture, digital and new media, installation and sound, the works on view in this exhibition highlight language itself as a diverse medium to be explored, dissected and reframed to reflect the nuances of communication in the 21st century.

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

If painting as a practice is viewed with far more skepticism today, the sense of conversation evoked by the works on this wall — and in a smaller room off the main gallery, which is also filled with the art of Schloss's friends and acquaintances — rings eerily familiar.

Yet somewhere after the midpoint of the show we become aware that the objects on view aren't paintings so much as «Rothkos.»

ON VIEW AT THE METROPOLITAN MUSEUM of Art in the European Paintings galleries, Mehretu discusses the portrait of «Juan de Pareja» as a part of the museum's The Artist Project.

Also on view is a small selection of older drawings, as well as a fair representation of more recent paintings from such ongoing series as «Cunt,» 2003 — , and «Pussy,» 2011 — .

Fusing the material properties of sculpture with the exuberant color of painting (courtesy of the preexisting paint jobs on the auto parts he used), these sculptures are often viewed as...

But as SAMA's visitor notice makes clear, although the seventy - five works on view were translated from ephemeral sand and body paintings, they were done so for the express purpose of participating in the international contemporary art market.

The first and last day underscores Furnas» interest in spectacle and the sublime, in time and its relation to making and viewing painting, and his on going exploration of painterly technique as a kind of hyper or vivid realism to communicate human experience.

I view it as an artwork less to do with the ideas evident in modernist abstraction, even though the deconstructed language of democracy and freedom (Neoplasticism) and a meditative and immersive void (Color Field Painting) hovers on the surface.

In the selected items on view, the developments of American artistic traditions can be traced through the early interests in portraiture, the rise in prominence of landscape painting in the 19th - century, the popularity of genre scenes, as well as the academic traditions of history and large - scale society paintings.

«I paint forms as I think them, not as I see them,» Picasso once said, and this month we're going to be seeing a lot of the Modern master's thinking on view in New York with a slew of shows dedicated to his revolutionary career.

Examining the paintings on view at the Pollock - Krasner house can help to shed light on this still misunderstood genre while also helping us to recognize Carone's significant accomplishments within the movement as an artist, promulgator and teacher.